قراءة كتاب Roman Mosaics; Or, Studies in Rome and Its Neighbourhood
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as if they were dead. They spend their time in devotional exercises, in superintending the education of a number of young girls in the higher branches, and in giving advice to those who are allowed to visit them for this purpose every afternoon. The Trinita dei Monti is the only church in Rome where female voices are to be heard chanting the religious services; and on account of this peculiarity, and the fresh sweet voices of the nuns and their pupils, many people flock to hear them singing the Ave Maria at sunset, on Sundays and on great festivals, the singers themselves being invisible behind a curtain in the organ gallery. Mendelssohn found their vespers charming, though his critical ear detected many blemishes in the playing and singing. I visited the church one day. As it is shut after matins, I was admitted at a side door by one of the nuns, who previously inspected me through the wicket, and was left alone, the door being locked behind me. The interior is severely simple and grand, preserving the original pointed architecture inclining to Gothic, and is exquisitely clean and white, as women alone could keep it; in this respect forming a remarkable contrast to the grand but dirty church of the Capuchin monks. I had ample leisure to study the very interesting pictures in the chapels. The solitude was only disturbed by a kneeling figure in black, motionless as a statue behind the iron railing in front of the high altar, or by the occasional presence of a nun, who moved across the transept with slow and measured steps, her face hid by a long white veil which gave her a spirit-like appearance. In the heart of one of the busiest parts of the city, no mountain cloister could be more quiet and lonely. One felt the soothing stillness, lifted above the world, while yet retaining the closest connection with it. It is sweet to leave the busy crowd of various nationalities below, intent only upon pleasure, and, climbing up the lofty staircase, enter this secluded shrine, and be alone with God.
In the Piazza di Spagna some shops are always open on Sundays, especially those which minister to the wants and luxuries of strangers. Rows of cabs are ranged in the centre, waiting to be hired, and groups of flower-sellers stand near the shops, who thrust their beautiful bouquets almost into the face of every passer-by. If Rome is celebrated for its fountains, it is equally celebrated for its flowers. Whether it is owing to the soil, or the climate, or the mode of cultivation, or all combined, certain it is that nowhere else does one see flowers of such brilliant colours, perfect forms, and delicious fragrance; and the quantities as well as varieties of them are perfectly wonderful. Delicate pink and straw-coloured tea-roses, camellias, and jonquils mingled their high-born beauties with the more homely charms of wild-flowers that grew under the shadow of the great solemn stone-pines on the heights around, or twined their fresh garlands over the sad ruins of the Campagna. In the hand of every little boy and girl were bunches for sale of wild cyclamens, blue anemones, and sweet-scented violets, surrounded by their own leaves, and neatly tied up with thread. They had been gathered in the princely grounds of the Doria Pamphili and Borghese villas in the neighbourhood of Rome, which are freely opened to all, and where for many days in February and March groups of men, women, and children may be seen gathering vast quantities of those first-born children of the sun. The violets, especially in these grounds, are abundant and luxuriant, making every space of sward shadowed by the trees purple with their loveliness, like a reflection of the violet sky that had broken in through the lattice-work of boughs, and scenting all the air with their delicious perfume. They brought into the hot hard streets the witchery of the woodlands; and no one could inhale for a moment, in passing by, the sweet wafture of their fragrance without being transported in imagination to far-off scenes endeared to memory, and without a thrill of nameless tenderness at the heart. Some of the bunches of violets I was asked to buy were of a much paler purple than the others, and I was at no loss to explain this peculiarity. The plants with the deep violet petals and dark crimson eye had single blossoms, whereas those whose petals were lilac, and whose eye was of a paler red colour, were double. Cultivation had increased the number of petals, but it had diminished the richness of the colouring. This is an interesting example of the impartial balancing of nature. No object possesses every endowment. Defect in one direction is made up by excess in another. The rose pays for its mass of beautiful petals by its sterility; and the single violet has a lovelier hue, and is perfectly fertile, whereas the double one is pale and cannot perpetuate itself. And the moral lesson of this parable of nature is not difficult to read. Leanness of soul often accompanies the fulfilment of our earthly desires; and outward abundance often produces selfishness and covetousness. The peculiar evil of prosperity is discontent, dissatisfaction with present gain and a longing for more, and a spirit of repining at the little ills and disappointments of life. Humble, fragrant, useful contentment belongs to the soul that has the single eye, and "the one thing needful;" and the more we seek to double our possessions and enjoyments in the spirit of selfishness, the less beautiful and fragrant are we in the sight of God and man, and the less good we do in the world.
From the Piazza di Spagna I passed onward through a long street called the Via Babuino, from an antique statue of a satyr mutilated into the likeness of a baboon, that used to adorn a fountain about the middle of it, now removed. More business is done on Sunday in this street than in any other quarter, with the exception of the Corso. Here a shop full of bright and beautiful flowers, roses, magnolias, hyacinths, and lilies of the valley, perfumed all the air; there a jeweller's shop displayed its tempting imitations of Etruscan ornaments, and beads of Roman pearls, coral, lapis lazuli, and malachite; while yonder a marble-cutter wrought diligently at his laths, converting some fragment of rare marble—picked up by a tourist among the ruins of ancient Rome—into a cup or letter-weight to be carried home as a souvenir.
The Via Babuino opens upon the Piazza del Popolo, the finest and largest square in Rome. In the centre is a magnificent Egyptian obelisk of red Syene granite, about eighty feet in height, carved with hieroglyphics, with four marble Egyptian lions at each corner of the platform upon which it stands, pouring from their mouths copious streams of water into large basins, with a refreshing sound. Perhaps the eyes of Abraham rested upon this obelisk when he went down into Egypt, the first recorded traveller who visited the valley of the Nile; and the familiarity of the sight to the Israelites during their bondage in the neighbourhood may have suggested the wonderful vision of the pillar of cloud by day and of fire by night which regulated their wanderings in the wilderness. God does not paint His revelations on the empty air, but weaves them into the web of history, or pours them into the mould of common earthly objects and ordinary human experiences. Many of the rites and institutions of the Mosaic economy were borrowed from those of the Egyptian priesthood; the tabernacle and its furniture were composed of the gold and jewels of which the Israelites had spoiled the Egyptians; and its form, a tent moved from place to place, accommodated itself to the wandering camp-life of the Israelites. It is not unreasonable, therefore, to suppose that He who appeared to Moses at Horeb, not in some unknown supernatural blaze of glory altogether detached from earth, but in the common fire of a shepherd in the common dry