bearing the stamp of the gentleman "on his hat, his coat, his feet, or anything that was his," Willoughby subsequently observed to the ladies of his family in the Scriptural style of gentlemen who do bear the stamp. His brief sketch of the creature was repulsive. The visitor carried a bag, and his coat-collar was up, his hat was melancholy; he had the appearance of a bankrupt tradesman absconding; no gloves, no umbrella.

As to the incident we have to note, it was very slight. The card of Lieutenant Patterne was handed to Sir Willoughby, who laid it on the salver, saying to the footman, "Not at home."

He had been disappointed in the age, grossly deceived in the appearance of the man claiming to be his relative in this unseasonable fashion; and his acute instinct advised him swiftly of the absurdity of introducing to his friends a heavy unpresentable senior as the celebrated gallant Lieutenant of Marines, and the same as a member of his family! He had talked of the man too much, too enthusiastically, to be able to do so. A young subaltern, even if passably vulgar in figure, can be shuffled through by the aid of the heroical story humourously exaggerated in apology for his aspect. Nothing can be done with a mature and stumpy Marine of that rank. Considerateness dismisses him on the spot, without parley. It was performed by a gentleman supremely advanced at a very early age in the art of cutting.

Young Sir Willoughby spoke a word of the rejected visitor to Miss Durham, in response to her startled look: "I shall drop him a cheque," he said, for she seemed personally wounded, and had a face of crimson.

The young lady did not reply.

Dating from the humble departure of Lieutenant Crossjay Patterne up the limes-avenue under a gathering rain-cloud, the ring of imps in attendance on Sir Willoughby maintained their station with strict observation of his movements at all hours; and were comparisons in quest, the sympathetic eagerness of the eyes of caged monkeys for the hand about to feed them, would supply one. They perceived in him a fresh development and very subtle manifestation of the very old thing from which he had sprung.

CHAPTER II

THE YOUNG SIR WILLOUGHBY

These little scoundrel imps, who have attained to some respectability as the dogs and pets of the Comic Spirit, had been curiously attentive three years earlier, long before the public announcement of his engagement to the beautiful Miss Durham, on the day of Sir Willoughby's majority, when Mrs. Mountstuart Jenkinson said her word of him. Mrs. Mountstuart was a lady certain to say the remembered, if not the right, thing. Again and again was it confirmed on days of high celebration, days of birth or bridal, how sure she was to hit the mark that rang the bell; and away her word went over the county: and had she been an uncharitable woman she could have ruled the county with an iron rod of caricature, so sharp was her touch. A grain of malice would have sent county faces and characters awry into the currency. She was wealthy and kindly, and resembled our mother Nature in her reasonable antipathies to one or two things which none can defend, and her decided preference of persons that shone in the sun. Her word sprang out of her. She looked at you, and forth it came: and it stuck to you, as nothing laboured or literary could have adhered. Her saying of Laetitia Dale: "Here she comes with a romantic tale on her eyelashes," was a portrait of Laetitia. And that of Vernon Whitford: "He is a Phoebus Apollo turned fasting friar," painted the sunken brilliancy of the lean long-walker and scholar at a stroke.

Of the young Sir Willoughby, her word was brief; and there was the merit of it on a day when he was hearing from sunrise to the setting of the moon salutes in his honour, songs of praise and Ciceronian eulogy. Rich, handsome, courteous, generous, lord of the Hall, the feast and the dance, he excited his guests of both sexes to a holiday of flattery. And, says Mrs. Mountstuart, while grand phrases were mouthing round about him, "You see he has a leg."

That you saw, of course. But after she had spoken you saw much more. Mrs. Mountstuart said it just as others utter empty nothings, with never a hint of a stress. Her word was taken up, and very soon, from the extreme end of the long drawing-room, the circulation of something of Mrs. Mountstuart's was distinctly perceptible. Lady Patterne sent a little Hebe down, skirting the dancers, for an accurate report of it; and even the inappreciative lips of a very young lady transmitting the word could not damp the impression of its weighty truthfulness. It was perfect! Adulation of the young Sir Willoughby's beauty and wit, and aristocratic bearing and mien, and of his moral virtues, was common; welcome if you like, as a form of homage; but common, almost vulgar, beside Mrs. Mountstuart's quiet little touch of nature. In seeming to say infinitely less than others, as Miss Isabel Patterne pointed out to Lady Busshe, Mrs. Mountstuart comprised all that the others had said, by showing the needlessness of allusions to the saliently evident. She was the aristocrat reproving the provincial. "He is everything you have had the goodness to remark, ladies and dear sirs, he talks charmingly, dances divinely, rides with the air of a commander-in-chief, has the most natural grand pose possible without ceasing for a moment to be the young English gentleman he is. Alcibiades, fresh from a Louis IV perruquier, could not surpass him: whatever you please; I could outdo you in sublime comparisons, were I minded to pelt him. Have you noticed that he has a leg?"

So might it be amplified. A simple-seeming word of this import is the triumph of the spiritual, and where it passes for coin of value, the society has reached a high refinement: Arcadian by the aesthetic route. Observation of Willoughby was not, as Miss Eleanor Patterne pointed out to Lady Culmer, drawn down to the leg, but directed to estimate him from the leg upward. That, however, is prosaic. Dwell a short space on Mrs. Mountstuart's word; and whither, into what fair region, and with how decorously voluptuous a sensation, do not we fly, who have, through mournful veneration of the Martyr Charles, a coy attachment to the Court of his Merrie Son, where the leg was ribanded with love-knots and reigned. Oh! it was a naughty Court. Yet have we dreamed of it as the period when an English cavalier was grace incarnate; far from the boor now hustling us in another sphere; beautifully mannered, every gesture dulcet. And if the ladies were . . . we will hope they have been traduced. But if they were, if they were too tender, ah! gentlemen were gentlemen then—worth perishing for! There is this dream in the English country; and it must be an aspiration after some form of melodious gentlemanliness which is imagined to have inhabited the island at one time; as among our poets the dream of the period of a circle of chivalry here is encouraged for the pleasure of the imagination.

Mrs. Mountstuart touched a thrilling chord. "In spite of men's hateful modern costume, you see he has a leg."

That is, the leg of the born cavalier is before you: and obscure it as you will, dress degenerately, there it is for ladies who have eyes. You see it: or, you see he has it. Miss Isabel and Miss Eleanor disputed the incidence of the emphasis, but surely, though a slight difference of meaning may be heard, either will do: many, with a good show of reason, throw the accent upon leg. And the ladies knew for a fact that Willoughby's leg was exquisite; he had a cavalier court-suit in his wardrobe. Mrs. Mountstuart signified that the leg was to be seen because it was a burning leg. There it is, and it will shine through! He has the leg of Rochester, Buckingham, Dorset, Suckling; the leg that smiles, that winks, is obsequious to you, yet perforce of beauty