قراءة كتاب The Tapestry Room: A Child's Romance

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The Tapestry Room: A Child's Romance

The Tapestry Room: A Child's Romance

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دار النشر: Project Gutenberg
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title="[Pg 7]"/>in the castle by the sea! I like stories about princesses best of all. I do wish I were a princess; next to my best wish of all, I wish to be a princess. Marcelline, do you hear? I want you to tell me a story."

Still Marcelline did not reply. She in her turn was looking into the fire. Suddenly she spoke.

"One, two, three," she said. "Quick, now, Mademoiselle, quick, quick. Wish a wish before that last spark is gone. Quick, Mademoiselle."

"Oh dear, what shall I wish?" exclaimed Jeanne. "When you tell me to be quick it all goes out of my head; but I know now. I wish——"

"Hush, Mademoiselle," said Marcelline, quickly again. "You must not say it aloud. Never mind, it is all right. You have wished it before the spark is gone. It will come true, Mademoiselle."

Jeanne's bright dark eyes glanced up at Marcelline with an expression of mingled curiosity and respect.

"How do you know it will come true?" she said.

Marcelline's old eyes, nearly as bright and dark still as Jeanne's own, had a half-mischievous look in them as she replied, solemnly shaking her head,

"I know, Mademoiselle, and that is all I can say. And when the time comes for your wish to be granted, you will see if I am not right."

"Shall I?" said Jeanne, half impressed, half rebellious. "Do the fairies tell you things, Marcelline? Not that I believe there are any fairies—not now, any way."

"Don't say that, Mademoiselle," said Marcelline. "In that country I have told you of no one ever said such a thing as that."

"Why didn't they? Did they really see fairies there?" asked Jeanne, lowering her voice a little.

"Perhaps," said Marcelline; but that was all she would say, and Jeanne couldn't get her to tell her any fairy stories, and had to content herself with making them for herself instead out of the queer shapes of the burning wood of the fire.

She was so busy with these fancies that she did not hear the stopping of the click-click of Marcelline's knitting needles, nor did she hear the old nurse get up from her chair and go out of the room. A few minutes before, the facteur had rung at the great wooden gates of the courtyard—a rather rare event, for in those days letters came only twice a week—but this, too, little Jeanne had not heard. She must have grown drowsy with the quiet and the heat of the fire, for she quite started when the door again opened, and Marcelline's voice told her that her mother wanted her to go down to the salon, she had something to say to her.

"O Marcelline," said Jeanne, rubbing her eyes, "I didn't know you had gone away. What does mamma want? O Marcelline, I am so sleepy, I would like to go to bed."

"To go to bed, Mademoiselle, and not yet five o'clock! Oh no, you will wake up nicely by the time you get down to the salon."

"I am so tired, Marcelline," persisted Jeanne. "These winter days it is so dull. I don't mind in summer, for then I can play in the garden with Dudu and the tortoise, and all the creatures. But in winter it is so dull. I would not be tired if I had a little friend to play with me."

"Keep up your heart, Mademoiselle. Stranger things have happened than that you should have some one to play with."

"What do you mean, Marcelline?" said Jeanne, curiously. "Do you know something, Marcelline? Tell me, do. Did you know what my wish was?" she added, eagerly.

"I know, Mademoiselle, that Madame will be waiting for you in the salon. We can talk about your wish later; when I am putting you to bed."

She would say no more, but smoothed Jeanne's soft dark hair, never very untidy it must be owned, for it was always neatly plaited in two tails that hung down her back, as was then the fashion for little girls of Jeanne's age and country, and bade her again not to delay going downstairs.

Jeanne set off. In that great rambling old house it was really quite a journey from her room to her mother's salon. There was the long corridor to pass, at one end of which were Jeanne's quarters, at the other a room which had had for her since her babyhood a mingled fascination and awe. It was hung with tapestry, very old, and in some parts faded, but still distinct. As Jeanne passed by the door of this room, she noticed that it was open, and the gleam of the faint moonlight on the snow-covered garden outside attracted her.

"I can see the terrace ever so much better from the tapestry room window," she said to herself. "I wonder what Dudu is doing, poor old fellow. Oh, how cold he must be! I suppose Grignan is asleep in a hole in the hedge, and the chickens will be all right any way. I have not seen Houpet all day."

"Houpet" was Jeanne's favourite of the three chickens. He had come by his name on account of a wonderful tuft of feathers on the top of his head, which stuck straight up and then waved down again, something like a little umbrella. No doubt he was a very rare and wonderful chicken, and if I were clever about chickens I would be able to tell you all his remarkable points. But that I cannot do. I can only say he was the queerest-looking creature that ever pecked about a poultry-yard, and how it came to pass that Jeanne admired him so, I cannot tell you either.

"Poor Houpet!" she repeated, as she ran across the tapestry room to the uncurtained window; "I am sure he must have been very sad without me all day. He has such a loving heart. The others are nice too, but not half so loving. And Grignan has no heart at all; I suppose tortoises never have; only he is very comical, which is nearly as nice. As for Dudu, I really cannot say, he is so stuck up, as if he knew better than any one else. Ah, there he is, the old fellow! Well, Dudu," she called out, as if the raven could have heard her so far off and through the closely shut window; "well, Dudu, how are you to-day, my dear sir? How do you like the snow and the cold?"

Dudu calmly continued his promenade up and down the terrace. Jeanne could clearly distinguish his black shape against the white ground.

"I am going downstairs to see mamma, Dudu," she went on. "I love mamma very much, but I wish she wasn't my mother at all, but my sister. I wish she was turned into a little girl to play with me, and that papa was turned into a little boy. How funny he would look with his white hair, wouldn't he, Dudu? Oh, you stupid Dudu, why won't you speak to me? I wish you would come up here; there's a beautiful castle and garden in the tapestry, where you would have two peacocks to play with;" for just at that moment the moon, passing from under a cloud, lighted up one side of the tapestry, which, as Jeanne said, represented a garden with various curious occupants. And as the wavering brightness caught the grotesque figures in turn, it really seemed to the little girl as if they moved. Half pleased, half startled at the fancy, she clapped her hands.

"Dudu, Dudu," she cried, "the peacocks want you to come; they're beginning to jump about;" and almost as she said the words a loud croak from the raven sounded in her ears, and turning round, there, to her amazement, she saw Dudu standing on the ledge of the window outside, his bright eyes shining, his black wings flapping, just as if he would say,

"Let me in, Mademoiselle, let me in. Why do you mock me by calling me if you won't let me in?"

Completely startled by this time, Jeanne turned and fled.

"He must be a fairy," she said by herself; "I'll never make fun of Dudu any more—never. He must be a fairy, or how else could he have got up from the terrace on to the window-sill all in a minute? And I don't think a raven fairy would be nice at all; he'd be a sort of an imp, I

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