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قراءة كتاب Mrs. Overtheway's Remembrances

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Mrs. Overtheway's Remembrances

Mrs. Overtheway's Remembrances

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دار النشر: Project Gutenberg
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said she.

"Call me Mrs. Overtheway still, my dear, if you please," said the little old lady. "I like it."

So Ida was no wiser on this score.

"I was so sorry to hear that you had been made ill on my account," said Mrs. Overtheway. "I have been many times to ask after you, and to-night I asked leave to come to tea. I wish I could do something to amuse you, you poor little invalid. I know you must feel dull."

Ida's cheeks flushed.

"If you would only tell me a story," she said, "I do so like hearing Nurse's stories. At least she has only one, but I like it. It isn't exactly a story either, but it is about what happened in her last place. But I am rather tired of it. There's Master Henry—I like him very much, he was always in mischief; and there's Miss Adelaide, whose hair curled naturally—at least with a damp brush—I like her; but I don't have much of them; for Nurse generally goes off about a quarrel she had with the cook, and I never could tell what they quarrelled about, but Nurse said cook was full of malice and deceitfulness, so she left. I'm rather tired of it."

"What sort of a story shall I tell you?" asked Mrs. Overtheway.

"A true one, I think," said Ida. "Something that happened to you yourself, if you please. You must remember a great many things, being so old."

And Ida said this in simple good-faith, believing it to be a compliment.

"It is quite true," said Mrs. Overtheway, "that one remembers many things at the end of a long life, and that they are often those things which happened a long while ago, and which are sometimes so slight in themselves that it is wonderful that they should not have been forgotten. I remember, for instance, when I was about your age, an incident that occurred which gave me an intense dislike to a special shade of brown satin. I hated it then, and at the end of more than half a century, I hate it still. The thing in itself was a mere folly; the people concerned in it have been dead for many years, and yet at the present time I should find considerable difficulty in seeing the merits of a person who should dress in satin of that peculiar hue.

"What was it?" asked Ida.

"It was not amber satin, and it was not snuff-coloured satin; it was one of the shades of brown known by the name of feuille-morte, or dead-leaf colour. It is pretty in itself, and yet I dislike it."

"How funny," said Ida, wriggling in the arm-chair with satisfaction. "Do tell me about it."

"But it is not funny in the least, unfortunately," said Mrs. Overtheway, laughing. "It isn't really a story, either. It is not even like Nurse's experiences. It is only a strong remembrance of my childhood, that isn't worth repeating, and could hardly amuse you."

"Indeed, indeed, it would," said Ida. "I like the sound of it. Satin is so different from cooks."

Mrs. Overtheway laughed.

"Still, I wish I could think of something more entertaining," said she.

"Please tell me that," said Ida, earnestly; "I would rather hear something about you than anything else."

There was no resisting this loving argument. Ida felt she had gained her point, and curled herself up into a listening attitude accordingly. The hyacinth stood in solemn sweetness as if it were listening also; and Mrs. Overtheway, putting her little feet upon the fender to warm, began the story of ——

 

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MRS. MOSS.

"It did not move my grief, to see
The trace of human step departed,
Because the garden was deserted,
The blither place for me!
"Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward—
We feel the gladness then."

E. Barrett Browning.

 

"I remember," said Mrs. Overtheway, "old as I am, I remember distinctly many of the unrecognized vexations, longings, and disappointments of childhood. By unrecognized, I mean those vexations, longings, and disappointments which could not be understood by nurses, are not confided even to mothers, and through which, even in our cradles, we become subject to that law of humanity which gives to every heart its own secret bitterness to be endured alone. These are they which sometimes outlive weightier memories, and produce life-long impressions disproportionate to their value; but oftener, perhaps, are washed away by the advancing tide of time—the vexations, longings, and disappointments of the next period of our lives. These are they which are apt to be forgotten too soon to benefit our children, and which in the forgetting make childhood all bright to look back upon, and foster that happy fancy that there is one division of mortal life in which greedy desire, unfulfilled purpose, envy, sorrow, weariness and satiety, have no part, by which every man believes himself at least to have been happy as a child.

"My childhood, on the whole, was a very happy one. The story that I am about to relate is only a fragment of it.

"As I look into the fire, and the hot coals shape themselves into a thousand memories of the past, I seem to be staring with childish eyes at a board that stares back at me out of a larch plantation, and gives notice that 'This House is to Let.' Then, again, I seem to peep through rusty iron gates at the house itself—an old red house, with large windows, through which one could see the white shutters that were always closed. To look at this house, though only with my mind's eye, recalls the feeling of mysterious interest with which I looked at it fifty years ago, and brings back the almost oppressive happiness of a certain day, when Sarah, having business with the couple who kept the empty manor, took me with her, and left me to explore the grounds whilst she visited her friends.

"Next to a companion with that rare sympathy of mind to mind, that exceptional coincidence of tastes, which binds some few friendships in a chain of mesmeric links, supplanting all the complacencies of love by intuition, is a companion whose desires and occupations are in harmony, if not in unison, with one's own. That friend whom the long patience of the angler does not chafe, the protracted pleasures of the sketcher do not weary, because time flies as swiftly with him whilst he pores over his book, or devoutly seeks botanical specimens through the artist's middle distance; that friend, in short—that valuable friend—who is blessed with the great and good quality of riding a hobby of his own, and the greater and better quality of allowing other people to ride theirs.

"I did not think out all this fifty years ago, neither were the tastes of that excellent housemaid, Sarah, quite on a level with those of which I have spoken; but I remember feeling the full comfort of the fact that Sarah's love for friendly gossip was quite as ardent as mine for romantic discovery; that she was disposed to linger quite as long to chat as I to explore; and that she no more expected me to sit wearily through her kitchen confidences, than I imagined that she would give a long afternoon to

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