But there was nothing to talk about, and Anastatia had not the courage to take him for himself. She had the world at her feet, and paid for it by being bound by its opinion.'

"Here my grandmother, who was apt to moralize, especially when relating biographies of young ladies, gave another sigh.

"'Then why did she encourage him?' inquired Aunt Harriet; who also moralized, but with more of indignation and less of philosophy.

"'I believe she loved him in spite of herself; but at the last, when he offered, she turned prudent and refused him.'

"'Poor man! Did he ever marry?'

"'Yes, and very happily—a charming woman. But the strange part of the story is, that he came quite unexpectedly into a large property that was in his family.'

"'Did he? Then he would have been as good a match as most of her admirers?'

"'Better. It was a fine estate. Poor Anastatia!'

"'Serve her right,' said my aunt, shortly.

"'She was very beautiful,' my grandmother gently recommenced. She said this, not precisely as an excuse, but with something of the sort in her tone. 'Very beautiful! How stately she did look that night, to be sure! She did not paint, and her complexion (a shade too high by day) was perfection by candlelight. I can see her now, my dear, as she stood up for a minuet with him. We wore hoops, then; and she had a white brocade petticoat, embroidered with pink rosebuds, and a train and bodice of pea-green satin, and green satin shoes with pink heels. You never saw anything more lovely than that brocade. A rich old aunt had given it to her. The shades of the rosebuds were exquisite. I embroidered the rosebuds on that salmon-coloured cushion downstairs from a piece that Anastatia gave me as a pattern. Dear me! What a dress it was, and how lovely she looked in it! Her eyes were black, a thing you rarely see, and they shone and glittered under her powdered hair. She had a delicately curved nose; splendid teeth, too, and showed them when she smiled. Then such a lovely throat, and beautifully-shaped arms! I don't know how it is, my dear Harriet,' added my grandmother, thoughtfully, 'but you don't see the splendid women now-a-days that there were when I was young. There are plenty of pretty, lively girls (rather too lively, in my old-fashioned judgment), but not the real stately beauty that it was worth a twenty miles' drive there and back, just to see, at one of the old county balls.'

"My aunt sniffed, partly from a depressing consciousness of being one of a degenerate generation, and of a limited experience in the matter of county balls; partly also to express her conviction that principle is above beauty. She said:

"'Then Miss Eden married, ma'am?'

"'Yes, rather late, Mr. Moss; a wealthy Indian merchant, I believe. She lost all her children, I know, one after another, and then he died. Poor Anastatia! It seems like yesterday. And to think she should be coming here!'

"My grandmother sighed again, and I held my breath, hoping for some further particulars of the lovely heroine of this romance. But I was disappointed. My uncle's voice at this moment called loudly from below, and Aunt Harriet hurried off with a conscious meritoriousness about her, becoming a lady who had married the right man, and took great care of him.

"'Supper, ma'am. I think,' she said, as she left the room.

"My grandmother sat still by the fire, sighing gently now and then, and I lay making up my mind to brave all and tell her that I was awake. In the first place (although I was not intentionally eavesdropping, and my being awake was certainly not my fault), I felt rather uneasy at having overheard what I knew was not intended for my hearing. Besides this, I wanted to hear some more stories of the lovely Mrs. Moss, and to ask how soon she would come to the manor. After a few seconds my grandmother rose and toddled across the room. I made an effort, and spoke just above my breath:

"'Granny!'

"But my grandmother was rather deaf. Moreover, my voice may have been drowned in the heavy sigh with which she closed the nursery door.

"The room was empty again; the glare of the red screen was tenderly subdued in the firelight; but for all this I did not go to sleep. I took advantage of my freedom to sit up in bed, toss my hair from my forehead, and clasping my knees with my arms, to rock myself and think. My thoughts had one object; my whole mind was filled with one image—Mrs. Moss. The future inhabitant of my dear deserted manor would, in any circumstances, have been an interesting subject for my fancies. The favoured individual whose daily walk might be between the yew-hedges on that elastic lawn; who should eat, drink, and sleep through the commonplace hours of this present time behind those mystical white shutters! But when the individual added to this felicitous dispensation of fortune the personal attributes of unparalleled beauty and pea-green satin; of having worn hoops, high heels, and powder; of countless lovers, and white brocade with pink rosebuds—well might I sit, my brain whirling with anticipation, as I thought: 'She is coming here: I shall see her!' For though, of course, I knew that having lived in those (so to speak) pre-historic times when my grandmother was young, Mrs. Moss must now be an old woman; yet, strange as it may seem, my dear, I do assure you that I never realized the fact. I thought of her as I had heard of her—young and beautiful—and modelled my hopes accordingly.

"Most people's day-dreams take, sooner or later, a selfish turn. I seemed to identify myself with the beautiful Anastatia. I thought of the ball as one looks back to the past. I fancied myself moving through the minuet de la cour, whose stately paces scarcely made the silken rosebuds rustle. I rejected en masse countless suitors of fabulous wealth and nobility; but when it came to Mr. Sandford, I could feel with Miss Eden no more. My grandmother had said that she loved him, that she encouraged him, and that she gave him up for money. It was a mystery! In her place, I thought, I would have danced every dance with him! I would have knitted for him in winter, and gathered flowers for him in the summer hedges. To whom should one be most kind, if not to those whom one most loves? To love, and take pleasure in giving pain—to balance a true heart and clear blue eyes against money, and prefer money—was not at that time comprehensible by me. I pondered, and (so to speak) spread out the subject before my mind, and sat in judgment upon it.

"Money—that is, golden guineas (my grandmother had given me one on my birthday), crowns, shillings, sixpences, pennies, halfpennies, farthings; and when you come to consider how many things a guinea judiciously expended in a toy-shop will procure, you see that money is a great thing, especially if you have the full control of it, and are not obliged to spend it on anything useful.

"On the other hand, those whom you love and who love you—not in childhood, thank God, the smallest part of one's acquaintance.

"I made a list on my own account. It began with my mother, and ended with my yellow cat. (It included a crusty old gardener, who was at times, especially in the spring, so particularly cross that I might have been tempted to exchange him for the undisputed possession of that stock of seeds, tools, and flower-pots which formed our chief subject of dispute. But this is a digression.) I took the lowest. Could I part with Sandy Tom for any money, or for anything that money could buy? I thought of a speaking doll, a miniature piano, a tiny carriage drawn by four yellow mastiffs, of a fairy purse that should never be empty, with