seeking shelter beneath the throne, and though still stuttering out terrible words in behalf of the nation and liberty, which are in the part set down for him, has already in his soul all the paltriness and the thoughts of vanity which are proper to a court. We pity genius when we behold it struggling with impossibility. Mirabeau was the most potent man of his time; but the greatest individual contending with an enraged element appears but a madman. A fall is only majestic when accompanied by virtue.

Poets say that clouds assume the form of the countries over which they have passed, and moulding themselves upon the valleys, plains, or mountains, acquire their shapes and move with them over the skies. This resembles certain men, whose genius being as it were acquisitive, models itself upon the epoch in which it lives, and assumes all the individuality of the nation to which it belongs. Mirabeau was a man of this class: he did not invent the Revolution, but was its manifestation. But for him it might perhaps have remained in a state of idea and tendency. He was born, and it took in him the form, the passion, the language which make a multitude say when they see a thing—There it is.

He was born a gentleman and of ancient lineage, refugee and established in Provence, but of Italian origin: the progenitors were Tuscan. The family was one of those whom Florence had cast from her bosom in the stormy excesses of her liberty, and for which Dante reproaches his country in such bitter strains for her exiles and persecutions. The blood of Machiavel and the earthquake genius of the Italian republics were characteristics of all the individuals of this race. The proportions of their souls exceed the height of their destiny: vices, passions, virtues are all in excess. The women are all angelic or perverse, the men sublime or depraved, and their language even is as emphatic and lofty as their aspirations. There is in their most familiar correspondence the colour and tone of the heroic tongues of Italy.

The ancestors of Mirabeau speak of their domestic affairs as Plutarch of the quarrels of Marius and Sylla, of Cæsar and Pompey. We perceive the great men descending to trifling matters. Mirabeau inspired this domestic majesty and virility in his very cradle. I dwell on these details, which may seem foreign to this history, but explain it. The source of genius is often in ancestry, and the blood of descent is sometimes the prophecy of destiny.

III.

Mirabeau's education was as rough and rude as the hand of his father, who was styled the friend of man, but whose restless spirit and selfish vanity rendered him the persecutor of his wife and the tyrant of all his family. The only virtue he was taught was honour, for by that name in those days they dignified that ceremonious demeanour which was too frequently but the show of probity and the elegance of vice. Entering the army at an early age, he acquired nothing of military habits except a love of licentiousness and play. The hand of his father was constantly extended not to aid him in rising, but to depress him still lower under the consequences of his errors: his youth was passed in the prisons of the state; his passions, becoming envenomed by solitude, and his intellect being rendered more acute by contact with the irons of his dungeon, where his mind lost that modesty which rarely survives the infamy of precocious punishments.

Released from gaol, in order, by his father's command, to attempt to form a marriage beset with difficulties with Mademoiselle De Marignan, a rich heiress of one of the greatest families of Provence, he displayed, like a wrestler, all kinds of stratagems and daring schemes of policy in the small theatre of Aix. Cunning, seduction, courage, he used every resource of his nature to succeed, and he succeeded; but he was hardly married, before fresh persecutions beset him, and the stronghold of Pontarlier gaped to enclose him. A love, which his Lettres à Sophie has rendered immortal, opened its gates and freed him. He carried off Madame de Monier from her aged husband. The lovers, happy for some months, took refuge in Holland; they were seized there, separated and shut up, the one in a convent and the other in the dungeon of Vincennes. Love, which, like fire in the veins of the earth, is always detected in some crevice of man's destiny, lighted up in a single and ardent blaze all Mirabeau's passions. In his vengeance it was outraged love that he appeased; in liberty, it was love which he sought and which delivered him; in study, it was love which still illustrated his path. Entering obscure into his cell, he quitted it a writer, orator, statesman, but perverted—ripe for any thing, even to sell himself, in order to buy fortune and celebrity. The drama of life was conceived in his head, he wanted but the stage, and that time was preparing for him. During the few short years which elapsed for him between his leaving the keep of Vincennes and the tribune of the National Assembly, he employed himself with polemic labours, which would have weighed down another man, but which only kept him in health. The Bank of Saint Charles, the Institutions of Holland, the books on Prussia, the skirmish with Beaumarchais, his style and character, his lengthened pleadings on questions of warfare, the balance of European power, finance, those biting invectives, that war of words with the ministers or men of the hour, resembled the Roman forum in the days of Clodius and Cicero. We discern the men of antiquity in even his most modern controversies. We may fancy that we hear the first roarings of those popular tumults which were so soon to burst forth, and which his voice was destined to control. At the first election of Aix, rejected with contempt by the noblesse, he cast himself into the arms of the people, certain of making the balance incline to the side on which he should cast the weight of his daring and his genius. Marseilles contended with Aix for the great plebeian; his two elections, the discourses he then delivered, the addresses he drew up, the energy he employed, commanded the attention of all France. His sonorous phrases became the proverbs of the Revolution; comparing himself, in his lofty language, to the men of antiquity, he placed himself already in the public estimation in the elevated position he aspired to reach. Men became accustomed to identify him with the names he cited; he made a loud noise in order to prepare minds for great commotions; he announced himself proudly to the nation in that sublime apostrophe in his address to the Marseillais: "When the last of the Gracchi expired, he flung dust towards heaven, and from this dust sprung Marius! Marius, less great for having exterminated the Cimbri than for having prostrated in Rome the aristocracy of the nobility."

From the moment of his entry into the National Assembly he filled it: he was the whole people. His gestures were commands; his movements coups d'état. He placed himself on a level with the throne, and the nobility felt itself subdued by a power emanating from its own body. The clergy, which is the people, and desires to reconcile the democracy with the church, lends him its influence, in order to destroy the double aristocracy of the nobility and bishops.

All that had been built by antiquity and cemented by ages fell in a few months. Mirabeau alone preserved his presence of mind in the midst of this ruin. His character of tribune ceases, that of the statesman begins, and in this he is even greater than in the other. There, when all else creep and crawl, he acts with firmness, advancing boldly. The Revolution in his brain is no longer a momentary idea—it is a settled plan. The philosophy of the eighteenth century, moderated by the prudence of policy, flows easily, and modelled from his