a gang of navvies at work on the culvert; and among them, as they stood aside to let the train pass, I had recognised my friend Joby Tucker, their ganger, and an excellent fellow to boot.

Therefore my eyes were alert as we approached the curve that opens the meadow into view, and—as I am a Christian man, living in the twentieth century—I saw this Vision: I beheld beneath the shade of the midmost oak eight men sitting stark naked, whereof one blew on a flute, one played a concertina, and the rest beat their palms together, marking the time; while before them, in couples on the sward, my gang of navvies rotated in a clumsy waltz watched by a ring of solemn ruminant kine!

I saw it. The whole scene, barring the concertina and the navvies' clothes, might have been transformed straight from a Greek vase of the best period. Here, in this green corner of rural England on a workaday afternoon (a Wednesday, to be precise), in full sunlight, I saw this company of the early gods sitting, naked and unabashed, and piping, while twelve British navvies danced to their music. . . . I saw it; and a derisive whistle from the engine told me that driver and stoker saw it too. I was not dreaming, then. But what on earth could it mean? For fifteen seconds or so I stared at the Vision… and so the train joggled past it and rapt it from my eyes.

I can understand now the ancient stories of men who, having by hap surprised the goddesses bathing, never recovered from the shock but thereafter ran wild in the woods with their memories.

At the next station I alighted. It chanced to be the station for which I had taken my ticket; but anyhow I should have alighted there. The spell of the vision was upon me. The Norman porch might wait. It is (as I have said) used to waiting, and in fact it has waited. I have not yet made another holiday to visit it. Whether or no the market-women and the local policeman had beheld, I know not. I hope not, but now shall never know.…The engine-driver, leaning in converse with the station-master, and jerking a thumb backward, had certainly beheld. But I passed him with averted eyes, gave up my ticket, and struck straight across country for the spot.

I came to it, as my watch told me, at twenty minutes after five. The afternoon sunlight still lay broad on the meadow. The place was unchanged save for a lengthening of its oak-tree shadows. But the persons of my Vision—naked gods and navvies—had vanished. Only the cattle stood, knee-deep in the pool, lazily swishing their tails in protest against the flies; and the cattle could tell me nothing.

Just a fortnight later, as I spent at St. Blazey junction the forty odd minutes of repentance ever thoughtfully provided by our railway company for those who, living in Troy, are foolish enough to travel, I spied at some distance below the station a gang of men engaged in unloading rubble to construct a new siding for the clay-traffic, and at their head my friend Mr. Joby Tucker. The railway company was consuming so much of my time that I felt no qualms in returning some part of the compliment, and strolled down the line to wish Mr. Tucker good day. "And, by the bye," I added, "you owe me an explanation. What on earth were you doing in Treba meadow two Wednesdays ago—you and your naked friends?"

Joby leaned on his measuring rod and grinned from ear to ear.

"You see'd us?" he asked, and, letting his eyes travel along the line, he chuckled to himself softly and at length. "Well, now, I'm glad o' that. 'Fact is, I've been savin' up to tell 'ee about it, but (thinks I) when I tells Mr. Q. he won't never believe."

"I certainly saw you," I answered; "but as for believing—"

"Iss, iss," he interrupted, with fresh chucklings; "a fair knock-out, wasn' it?…You see, they was blind—poor fellas!"

"Drunk?"

"No, sir—blind—'pity the pore blind'; three-parts blind, anyways, an' undergoin' treatment for it."

"Nice sort of treatment!"

"Eh? You don't understand. See'd us from the train, did 'ee? Which train?"

"The 1.35 ex Millbay."

"Wish I'd a-knowed you was watchin' us. I'd ha' waved my hat as you went by, or maybe blawed 'ee a kiss—that bein' properer to the occasion, come to think."

Joby paused, drew the back of a hand across his laughter-moistened eyes, and pulled himself together, steadying his voice for the story.

"I'll tell 'ee what happened, from the beginnin'. A gang of us had been sent down, two days before, to Treba meadow, to repair the culvert there. Soon as we started to work we found the whole masonry fairly rotten, and spent the first afternoon (that was Monday) underpinnin', while I traced out the extent o' the damage. The farther I went, the worse I found it; the main mischief bein' a leak about midway in the culvert, on the down side; whereby the water, perc'latin' through, was unpackin' the soil, not only behind the masonry of the culvert, but right away down for twenty yards and more behind the stone-facing where the line runs alongside the pool. All this we were forced to take down, shorein' as we went, till we cut back pretty close to the rails. The job, you see, had turned out more serious than reported; and havin' no one to consult, I kept the men at it. "By Wednesday noon we had cut back so far as we needed, shorein' very careful as we went, and the men workin' away cheerful, with the footboards of the expresses whizzin' by close over their heads, so's it felt like havin' your hair brushed by machinery. By the time we knocked off for dinner I felt pretty easy in mind, knowin' we'd broke the back o' the job.

"Well, we touched pipe and started again. Bein' so close to the line I'd posted a fella with a flag—Bill Martin it was—to keep a look out for the down-trains; an' about three o'clock or a little after he whistled one comin'. I happened to be in the culvert at the time, but stepped out an' back across the brook, just to fling an eye along the embankment to see that all was clear. Clear it was, an' therefore it surprised me a bit, as the train hove in sight around the curve, to see that she had her brakes on, hard, and was slowin' down to stop. My first thought was that Bill Martin must have taken some scare an' showed her the red flag. But that was a mistake; besides she must have started the brakes before openin' sight on Bill."

"Then why on earth was she pulling up?" I asked. "It couldn't be signals."

"There ain't no signal within a mile of Treba meadow, up or down. She was stoppin' because—but just you let me tell it in my own way. Along she came, draggin' hard on her brakes an' whistlin'. I knew her for an excursion, and as she passed I sized it up for a big school-treat. There was five coaches, mostly packed with children, an' on one o' the coaches was a board—'Exeter to Penzance.' The four front coaches had corridors, the tail one just ord'nary compartments.

"Well, she dragged past us to dead-slow, an' came to a standstill with her tail coach about thirty yards beyond where I stood, and, as you might say, with its footboard right overhangin' the pool. You mayn't remember it, but the line just there curves pretty sharp to the right, and when she pulled up, the tail coach pretty well hid the rest o' the train from us. Five or six men, hearin' the brakes, had followed me out of the culvert and stood by me, wonderin' why the stoppage was. The rest were dotted about along the slope of th' embankment. And then the curiousest thing happened—about the curiousest thing I seen in all my years on the line. A door of the tail coach opened and a man stepped out. He didn't jump out, you understand, nor fling hisself out; he just stepped out into air, and with that his arms and legs cast themselves anyways an' he went down sprawlin' into the pool. It's easy to say we ought t' have run then an' there an' rescued him; but for the moment it stuck us up starin' an',—Wait a bit! You han't heard the end.

"I hadn't fairly caught my breath, before another man stepped out! He put his foot down upon nothing, same as the