قراءة كتاب On Christmas Day In The Evening
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
myself now, as a lad, sitting on that fence over there—” he indicated a line of rails, half buried in snow, which outlined the borders of an old apple orchard— “counting the quarters in my trousers pockets, earned by hard labour in the strawberry patch. I thought it quite a sum, but it wouldn’t have bought——”
“A box of the cigars you smoke now,” interjected Ralph unexpectedly, from behind. “Hullo—there’s the church! Jolly, but the old building looks bright, doesn’t it? I didn’t know oil lamps could put up such
an illumination. —And see the folks going in!”
“See them coming—from all directions.” Nan, farther down the line, clutched Sam Burnett’s arm. “Oh, I knew they’d come out—I knew they would!”
“Of course they’ll come out.” This was Mrs. Oliver. “Locks and bars couldn’t keep a country community at home, when there is anything going on. But as to the feeling—that is a different matter. —Oliver, do take my muff. I want to take off my veil. There will be no chance once I am inside the door. Nan is walking twice as fast now as when we started. She will have us all up the aisle before——”
“Where’s Billy Sewall bolting to?” Guy sent back this stage-whisper from the front of the procession, to Margaret, his wife, who was walking with Father Fernald, her hand on his gallant arm. In John Fernald’s
day a man always offered his arm to the lady he escorted.
“He caught sight of Mr. Blake, across the road. They’re going in together,” Margaret replied. “I think Mr. Blake is to have a part in the service.”
“Old Ebenezer Blake? You don’t say!” Father Fernald ejaculated in astonishment. He had not been told of Sewall’s visit to the aged minister. “Well—well—that is thoughtful of William Sewall. I don’t suppose Elder Blake has taken part in a service in fifteen years—twenty, maybe. He used to be a great preacher, too, in his day. I used to listen to him, when I was a young man, and think he could put things in about as interesting a way as any preacher I ever heard. Good man, too, he was—and is. But nobody’s thought of asking him to make a prayer in public since—I don’t know when.
—Well, well—look at the people going in! I guess we’d better be getting right along to our seats, or there won’t be any left.”
VII
The organ was playing—very softly. Carolyn was a skilful manipulator of keyboards, and she had discovered that by carefully refraining from the use of certain keys—discreetly marked by postage stamps—she could produce a not unmusical effect of subdued harmony. This unquestionably added very much to the impression of a churchly atmosphere, carried out to the eye by the Christmas wreathing and twining of the heavy ropes of shining laurel leaves, and by the massing of the whole pulpit-front in the soft, dark green of hemlock boughs and holly. To the people who entered the
house with vivid memories of the burning July day when words hardly less burning had seemed to scorch the barren walls, this lamp-lit interior, clothed with the garments of the woods and fragrant with their breath, seemed a place so different that it could hardly be the same.
But the faces were the same—the faces. And George Tomlinson did not look at Asa Fraser, though he passed him in the aisle, beard to beard. Miss Jane Pollock stared hard at the back of Mrs. Maria Hill’s bonnet, in the pew in front of her, but when Mrs. Hill turned about to glance up at the organ-loft, to discover who was there, Miss Pollock’s face became as adamant, and her eyes remained fixed on her folded hands until Mrs. Hill had twisted about again, and there was no danger of their glances encountering. All over the church, likewise,
were people who avoided seeing each other, though conscious, all down their rigid backbones, that those with whom they had fallen out on that unhappy July day were present.
There was no vestry in the old meeting-house; no retiring place of any sort where the presiding minister might stay until the moment came for him to make his quiet and impressive entrance through a softly opening pulpit door. So when the Reverend William Sewall of St. John’s, of the neighbouring city, came into the North Estabrook sanctuary, it was as his congregation had entered, through the front door and up the aisle.
There was a turning of heads to see him come, but there was a staring of eyes, indeed, when it was seen by whom he was accompanied. The erect figure of the young man, in his unexceptionable attire, walked slowly,
to keep pace with the feeble footsteps of the very old man in his threadbare garments of the cut of half a century ago, and the sight of the two together was one of the most strangely touching things that had ever met the eyes of the people of North Estabrook. It may be said, therefore, that from that first moment there was an unexpected and unreckoned-with influence abroad in the place.
Now, to the subdued notes of the organ, which had been occupied with one theme, built upon with varying harmonies but ever appearing—though perhaps no ear but a trained one would have recognized it through the veil—was added the breath of voices. It was only an old Christmas carol, the music that of a German folk song, but dear to generations of Christmas singers everywhere. The North Estabrook people recognized it—yet did not recognize it. They
had never heard it sung like that before.
“Holy night! peaceful night!
All is dark, save the light
Yonder where they sweet vigils keep
O’er the Babe, who in silent sleep
Rests in heavenly peace.”
It was the presence of Margaret Sewall Fernald which had made it possible to attempt music at this service—the music which it seemed impossible to do without. Her voice was one of rare beauty, her leadership that of training. Her husband, Guy, possessed a reliable, if uncultivated, bass. Edson had sung a fair tenor in his college glee-club. By the use of all her arts of persuasion Nan had provided an alto singer, from the ranks of the choir which had once occupied this organ-loft—the daughter of Asa Fraser. Whether the quartette thus formed would have passed muster—as a quartette—with the choir-master of St. John’s,
may have been a question, but it is certain the music they produced was so far above that which the old church had ever heard before within its walls that had the singers been a detachment from the choir celestial those who heard them could hardly have listened with ears more charmed.
As “Holy Night” came down to him, William Sewall bent his head. But Ebenezer Blake lifted his. His dim blue eyes looked up—up and up—quite through the old meeting-house roof—to the starry skies where it seemed to him angels sang again. He forgot the people assembled in front of him—he forgot the responsibilities upon his shoulders—those