II

“Hi, there, Ol—why not get something doing with that hammer? Don’t you see the edge of that pulpit stair-carpeting is all frazzled? The preacher’ll catch his toes in it, and then where’ll his ecclesiastical dignity be?”

The slave-driver was Guy, shouting down from the top of a tall step-ladder, where he was busy screwing into place the freshly cleaned oil-lamps whose radiance was to be depended upon to illumine the ancient interior of the North Estabrook church. He addressed his eldest

brother, Oliver, who, in his newness to the situation and his consequent lack of sympathy with the occasion, was proving but an indifferent worker. This may have been partly due to the influence of Oliver’s wife, Marian, who, sitting—in Russian sables—in one of the middle pews, was doing what she could to depress the labourers. The number of these, by the way, had been reinforced by the arrival of the entire Fernald clan, to spend Christmas.

“Your motive is undoubtedly a good one,” Mrs. Oliver conceded. She spoke to Nan, busy near her, and she gazed critically about the shabby old walls, now rapidly assuming a quite different aspect as the great ropes of laurel leaves swung into place under the direction of Sam Burnett. That young man now had Edson Fernald and Charles Wetmore—Carolyn’s husband—to assist him, and he was making the

most of his opportunity to order about two gentlemen who had shown considerable reluctance to remove their coats, but who were now—to his satisfaction—perspiring so freely that they had some time since reached the point of casting aside still other articles of apparel. “But I shall be much surprised,” Mrs. Oliver continued, “if you attain your object. Nobody can be more obstinate in their prejudice than the people of such a little place as this. You may get them out—though I doubt even that—but you are quite as likely as not to set them by the ears and simply make matters worse.”

“It’s Christmas,” replied Nan. Her cheeks were the colour of the holly berries in the great wreaths she was arranging to place on either side of the wall behind the pulpit. “They can’t quarrel at Christmas—not with Billy Sewall preaching peace on earth, good will to men, to them.

—Jessica, please hand me that wire—and come and hold this wreath a minute, will you?”

“Nobody expects Marian to be on any side but the other one,” consolingly whispered merry-faced Jessica, Edson’s wife—lucky fellow!—as she held the wreath for Nan to affix the wire.

“What’s that about Sewall?” Oliver inquired. “I hadn’t heard of that. You don’t mean to say Sewall’s coming up for this service?”

“Of course he is. Margaret telephoned him this morning, and he said he’d never had a Christmas present equal to this one. He said it interested him a lot more than his morning service in town, and he’d be up, loaded. Isn’t that fine of Billy?” Nan beamed triumphantly at her oldest brother, over her holly wreath.

“That puts a different light on it.” And Mr. Oliver Fernald, president

of the great city bank of which Sam Burnett was cashier, got promptly down on the knees of his freshly pressed trousers, and proceeded to tack the frazzled edge of the pulpit stair-carpet with interest and skill. That stair-carpet had been tacked by a good many people before him, but doubtless it had never been stretched into place by a man whose eye-glasses sat astride of a nose of the impressive, presidential mould of this one.

“Do I understand that you mean to attempt music?” Mrs. Oliver seemed grieved at the thought. “There are several good voices in the family, of course, but you haven’t had time to practise any Christmas music together. You will have merely to sing hymns.”

“Fortunately, some of the old hymns are Christmas music, of the most exquisite sort,” began Nan, trying hard to keep her temper—a

feat which was apt to give her trouble when Marian was about. But, at the moment, as if to help her, up in the old organ-loft, at the back of the church, Margaret began to sing. Everybody looked up in delight, for Margaret’s voice was the pride of the family, and with reason. Somebody was at the organ—the little reed organ. It proved to be Carolyn—Mrs. Charles Wetmore. For a moment the notes rose harmoniously. Then came an interval—and the organ wailed. There was a shout of protest, from the top of Guy’s step-ladder:

“Cut it out—cut out the steam calliope!—unless you want a burlesque. That organ hasn’t been tuned since the deluge—and they didn’t get all the water out then.”

“I won’t hit that key again,” called Carolyn. “Listen, you people.”

“Listen! You can’t help listening

when a cat yowls on the back fence,” retorted Guy. “Go it alone; Margaret, girl.”

But the next instant nobody was jeering, for Margaret’s voice had never seemed sweeter than from the old choir-loft.

“Over the hills of Bethlehem,

Lighted by a star,

Wise men came with offerings,

From the East afar....”

It took them all, working until late on Christmas Eve, to do all that needed to be done. Once their interest was aroused, nothing short of the best possible would content them. But when, at last, Nan and Sam, lingering behind the others, promising to see that the fires were safe, stood together at the back of the church for a final survey, they felt that their work had been well worth while. All the lights were out but one on either side, and the dim interior, with its ropes and wreaths of

green, fragrant with the woodsy smell which veiled the musty one inevitable in a place so long closed, seemed to have grown beautiful with a touch other than that of human hands.

“Don’t you believe, Sammy,” questioned Nan, with her tired cheek against her husband’s broad shoulder, “the poor old ‘meeting-house’ is happier to-night than it has been for a long, long while?”

“I think I should be,” returned Sam Burnett, falling in with his wife’s mood, “if after a year and a half of cold starvation somebody had suddenly warmed me and fed me and made me hold up my head again. It does look pretty well—much better than I should have