THE ILLUSTRATIONS

WHEREFORE?

Wherefore this book of fiction by Californian writers? And why its appeal otherwise than that of obvious esthetic and literary qualities? They who read what follows will know.

The fund, which the sale of this book is purposed to aid, was planned by The Spinners soon after the eighteenth of April, 1906, and was started with two hundred dollars from their treasury. To this, Mrs. Gertrude Atherton added another two hundred dollars. Several women's clubs and private individuals also generously responded, so that now there is a thousand dollars to the credit of the fund. A bond has been bought and the interest from it will be paid to Ina D. Coolbrith, the poet, and first chosen beneficiary of the fund. The Spinners feel assured that this book will meet with such a ready sale as to make possible the purchase of several bonds, and so render the accruing interest a steady source of aid to Miss. Coolbrith.

All who have read and fallen under the charm of her "Songs from the Golden Gate," or felt the beauty and tenderness of the verses "When the Grass Shall Cover Me," will, without question, unite in making "assurance doubly sure" to such end.

From the days of the old Overland Monthly, when she worked side by side with Bret Harte and Charles Warren Stoddard, to the present moment, Miss. Coolbrith's name has formed a part of the literary history of San Francisco.

The eighteenth of April, 1906, and the night which followed it, left her bereft of all literary, and other, treasures; but her poem bearing the refrain, "Lost city of my love and my desire," rings with the old genius, and expresses the feeling of many made desolate by the destruction of the city which held their most cherished memories.

When Miss. Coolbrith shall no longer need to be a beneficiary of the fund, it is intended that it shall serve to aid some other writer, artist or musician whose fortunes are at the ebb.

To the writers, artists and publishers who have so heartily and generously made this book possible, The Spinners return unmeasured thanks.

San Francisco, June 22, 1907.

CONCHA
ARGÜELLO, SISTER
DOMINICA

BY

GERTRUDE ATHERTON

Dedicated To Carolina Ximéno
Written for The Spinners' Book of Fiction
All Rights Reserved

ISTER TERESA had wept bitterly for two days. The vanity for which she did penance whenever her madonna loveliness, consummated by the white robe and veil of her novitiate, tempted her to one of the little mirrors in the pupil's dormitory, was powerless to check the blighting flow. There had been moments when she had argued that her vanity had its rights, for had it not played its part in weaning her from the world?—that wicked world of San Francisco, whose very breath, accompanying her family on their monthly visits to Benicia, made her cross herself and pray that all good girls whom fate had stranded there should find the peace and shelter of Saint Catherine of Siena. It was true that before Sister Dominica toiled up Rincon Hill on that wonderful day—here her sobs became so violent that Sister María Sal, praying beside her with a face as swollen as her own, gave her a sharp poke in the ribs, and she pressed her hands to her mouth lest she be marched away. But her thoughts flowed on; she could pray no more. Sister Dominica, with her romantic history and holy life, her halo of fame in the young country, and her unconquerable beauty—she had never seen such eyelashes, never, never!—what was she thinking of at such a time? She had never believed that such divine radiance could emanate from any mortal; never had dreamed that beauty and grace could be so enhanced by a white robe and a black veil——Oh, well! Her mind was in a rebellious mood; it had been in leash too long. And what of it for once in a way? No ball dress she had ever seen in the gay disreputable little city—where the good citizens hung the bad for want of law—was half as becoming as the habit of the Dominican nun, and if it played a part in