position of her limbs. Nevertheless it was remarked as an anomaly that when she was thrown into a cataleptic state, not only did the movements impressed upon her continue to be made, but the corresponding or complimentary movements, the corresponding facial expression, followed just as they usually follow in such experiments. Thus, if M. Janet clenched her fist in the cataleptic state, her arm began to deal blows, and her face assumed a look of anger. The suggestion which was given through the so-called muscular sense had operated in a subject to whom the muscular sense, as tested in other ways, seemed to be wholly lacking. As soon as Adrienne could be communicated with, it was possible to get somewhat nearer to a solution of this puzzle. Lucie was thrown into catalepsy; then M. Janet clenched her left hand (she began at once to strike out), put a pencil in her right, and said, "Adrienne, what are you doing?" The left hand continued to strike, and the face to bear the look of rage, while the right hand wrote, "I am furious." "With whom?" "With F." "Why?" "I don't know, but I am very angry." M. Janet then unclenched the subject's left hand, and put it gently to her lips. It began to "blow kisses," and the face smiled. "Adrienne, are you still angry?" "No, that's over." "And now?" "Oh, I am happy!" "And Lucie?" "She knows nothing; she is asleep."

In Lucie's case, indeed, these odd manifestations were—as the pure experimentalist might say—only too sanative, only too rapidly tending to normality. M. Janet accompanied his psychological inquiries with therapeutic suggestion, telling Adrienne not only to go to sleep when he clapped his hands, or to answer his questions in writing, but to cease having headaches, to cease having convulsive attacks, to recover normal sensibility, and so on. Adrienne obeyed, and even as she obeyed the rational command, her own Undine-like identity vanished away. The day came when M. Janet called on Adrienne, and Lucie laughed and asked him who he was talking to. Lucie was now a healthy young woman, but Adrienne, who had risen out of the unconscious, had sunk into the unconscious again—must I say?—for ever more.

Few lives so brief have taught so many lessons. For us who are busied with automatic writing the lesson is clear. We have here demonstrably what we can find in other cases only inferentially, an intelligence manifesting itself continuously by written answers, of purport quite outside the normal subject's conscious mind, while yet that intelligence was but a part, a fraction, an aspect, of the normal subject's own identity.

And we must remember that Adrienne—while she was, if I may say so, the Unconscious Self reduced to its simplest expression—did, nevertheless, manifest certain differences from Lucie, which, if slightly exaggerated, might have been very perplexing. Her handwriting was slightly different, though only in the loose and scrawling character so frequent in automatic script. Again, Adrienne remembered certain incidents in Lucie's childhood which Lucie had wholly forgotten. Once more—and this last suggestion points to positive rather than to negative conclusions—Adrienne possessed a faculty, the muscular sense, of which Lucie was devoid. I am anxious that this point especially should be firmly grasped, for I wish the reader's mind to be perfectly open as regards the relative faculties of the Conscious and the Unconscious Self. It is plain that we must be on the watch for completion, for evolution, as well as for partition, for dissolution, of the corporate being.

Félida X. and her Submerged Soul.

Side by side with this case we have another in which the Conscious Personality, instead of being cured, has been superseded by the Sub-conscious. It was as if instead of "Adrienne" being submerged by Lucie, "Adrienne" became Lucie and dethroned her former master. The woman in question, Félida X., has been transformed.

In her case the somnambulic life has become the normal life; the "second state," which appeared at first only in short, dream-like accesses, has gradually replaced the "first state," which now recurs but for a few hours at long intervals. Félida's second state is altogether superior to the first—physically superior, since the nervous pains which had troubled her from childhood had disappeared; and morally superior, inasmuch as her morose, self-centred disposition is exchanged for a cheerful activity which enables her to attend to her children and to her shop much more effectively than when she was in the état béte, as she now calls what was once the only personality that she knew. In this case, then, which is now of nearly thirty years' standing, the spontaneous readjustment of nervous activities—the second state, no memory of which remains in the first state—has resulted in an improvement profounder than could have been anticipated from any moral or medical treatment that we know. The case shows us how often the word "normal" means nothing more than "what happens to exist." For Félida's normal state was in fact her morbid state; and the new condition which seemed at first a mere hysterical abnormality, has brought her to a life of bodily and mental sanity, which makes her fully the equal of average women of her class. (Vol. IV. p. 503.)

Chapter III.

Madame B. and Her Three Souls.

Marvellous as the cases cited in the last chapter appear, they are thrown entirely into the shade by the case of Madame B., in which the two personalities not only exist side by side, but in the case of the Sub-conscious self knowingly co-exist, while over or beneath both there is a third personality which is aware of both the other two, and apparently superior to both. The possibilities which this case opens up are bewildering indeed. But it is better to state the case first and discuss it afterwards. Madame B., who is still under Prof. Richet's observations,[3] is one of the favourite subjects of the French hypnotiser. She can be put to sleep at almost any distance, and when hypnotised completely changes her character. There are two well-defined personalities in her, and a third of a more mysterious nature than either of the two first. The normal waking state of the woman is called Léonie I., the hypnotic state Léonie II. The third occult Unconscious Personality of the lowest depth is called Léonie III.

"This poor peasant," says Professor Janet, "is in her normal state a serious and somewhat melancholy woman, calm and slow, very gentle and extremely timid. No one would suspect the existence of the person whom she includes within her. Hardly is she entranced when she is metamorphosed; her face is no longer the same; her eyes, indeed, remain closed, but the acuteness of the other senses compensates for the loss of sight. She becomes gay, noisy, and restless to an insupportable degree; she continues good-natured, but she has acquired a singular tendency to irony and bitter jests.... In this state she does not recognise her identity with her waking self. 'That good woman is not I,' she says; 'she is too stupid!'"

Madame B. has been so often hypnotised, and during so many years (for she was hypnotised by other physicians as long ago as 1860), that Léonie II. has by this time acquired a considerable stock of memories which Madame B. does not share. Léonie II., therefore, counts as properly belonging to her own history and not to Madame B.'s all the events which have taken place while Madame B.'s normal self was hypnotised into unconsciousness. It was not always easy at first to understand this partition of past experiences.

"Madame B. in the normal state," says Professor Janet, "has a husband and children. Léonie II., speaking in the somnambulistic trance, attributes the husband to the 'other'