قراءة كتاب Chinese Painters: A Critical Study

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Chinese Painters: A Critical Study

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دار النشر: Project Gutenberg

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align="left">Equipment of the Painter

21 II. Representation of Forms 26 III. Division of Subjects 33 IV. Inspiration 38


I.	Origins	45
II.	Before the Intervention of Buddhism	46
III.	The Intervention of Buddhism	54
IV.	The T’ang Period—7th to 10th Centuries	58
V.	The Sung Period—10th to 13th Centuries	72
VI.	The Yüan Period—13th and 14th Centuries	92
VII.	The Ming Period—14th to 17th Centuries	114
VIII.	The Ch’ing Period—17th to 20th Centuries	131
	Conclusion	140
	Bibliography	149
	Index of Painters and Periods	151

		PAGE
I.	Sculptured stones of the Han dynasty. Second to third centuries. Rubbings taken by the Chavannes expedition	23
II.	Portion of a scroll by Ku K’ai-chih. British Museum, London	27
III.	Kwanyin. Eighth to tenth centuries. Painting brought from Tun-huang by the Pelliot expedition. The Louvre, Paris	31
IV.	Palace of Kiu Cheng-kung by Li Chao-tao. T’ang period. Collection of V. Goloubew	34
V.	Portrait of Lü Tung-ping by T’êng Ch’ang-yu. T’ang period. Collection of August Jaccaci. Lent to the Metropolitan Museum, New York. [A]	39
VI.	Painting by an unknown artist. T’ang period. Collection of R. Petrucci	47
VII.	Geese. Sung period. British Museum, London	51
VIII.	White Eagle. Sung period. Collection of R. Petrucci	59
IX.	Horseman followed by two attendants. Sung period. Collection of A. Stoclet	63
X.	Landscape in the style of Hsia Kuei. Sung period. Collection of Martin White