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قراءة كتاب Masters of Water-Colour Painting
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
MASTERS OF WATER-
COLOUR PAINTING
WITH INTRODUCTION BY H. M. CUNDALL, I.S.O., F.S.A.
EDITED BY GEOFFREY HOLME
LONDON: THE STUDIO, LTD., 44 LEICESTER SQUARE, W.C.2
1922-1923
CONTENTS
| PAGE | |
|
Introduction by H. M. Cundall, I.S.O., F.S.A. |
1 |
ILLUSTRATIONS IN COLOURS |
|
| PLATE | |
|
Bonington, Richard Parkes Near Jumièges |
xxiv |
|
Cotman, John Sell Classical Scene |
xiii |
|
Cox, David Boys Fishing |
xviii |
|
Cozens, John Robert Lake Nemi |
x |
|
Dayes, Edward Furness Abbey, Lancashire |
vii |
|
De Wint, Peter St. Albans |
xvi |
|
Farington, R.A., Joseph Scotch Landscape |
v |
|
Fielding, A. V. Copley Lake Scene |
xvii |
|
Girtin, Thomas Landscape |
xi |
|
Glover, John View in North Wales |
xv |
|
Harding, James Duffield Vico, Bay of Naples |
xx |
|
Hearne, Thomas View of Gloucester |
iv |
|
Holland, James A Shrine in Venice |
xxii |
|
Hunt, William Henry Plucking the Fowl |
xxi |
|
Malton, Thomas, Jun. Old Palace Yard, Westminster |
vi |
|
Prout, Samuel Palazzo Contarini Fasan on the Grand Canal, Venice |
xix |
|
Pyne, James Baker View in Italy |
xxiii |
|
Rooker, A.R.A., Michael (Angelo) Village Scene |
iii |
|
Rowlandson, Thomas Entrance to Vauxhall Gardens |
ix |
|
Sandby, R.A., Paul Windsor Castle: View of the Round and Devil’s Towers from the Black Rock |
i |
|
Towne, Francis On the Dart |
ii |
|
Turner, R.A., J. M. W. Lucerne: Moonlight |
xii |
|
Varley, John Hackney Church |
xiv |
|
Wheatley, R.A., Francis Preparing for Market |
viii |
THE EDITOR DESIRES TO ACKNOWLEDGE HIS INDEBTEDNESS TO MR. A. E. HUTTON, MR. R. W. LLOYD, MR. VICTOR RIENAECKER, MR. G. BELLINGHAM SMITH AND MESSRS. THOS. AGNEW & SONS WHO HAVE KINDLY LENT THEIR DRAWINGS FOR REPRODUCTION IN THIS VOLUME.
INTRODUCTION
The earliest form of painting was with colours ground in water. Egyptian artists three thousand years B.C. used this method, and various mediums, such as wax and mastic, were added as a fixative. It was what is now known as tempera painting. The Greeks acquired their knowledge of the art from the