the bitter scent is lost.
I, too, often shrivel the grey shreds,
Sniff them and think and sniff again and try
Once more to think what it is I am remembering,
Always in vain. I cannot like the scent,
Yet I would rather give up others more sweet,
With no meaning, than this bitter one.

I have mislaid the key. I sniff the spray
And think of nothing; I see and I hear nothing;
Yet seem, too, to be listening, lying in wait
For what I should, yet never can, remember:
No garden appears, no path, no hoar-green bush
Of Lad's-love, or Old Man, no child beside,
Neither father nor mother, nor any playmate;
Only an avenue, dark, nameless, without end.

THE THRUSH

WHEN Winter's ahead,
What can you read in November
That you read in April
When Winter's dead?

I hear the thrush, and I see
Him alone at the end of the lane
Near the bare poplar's tip,
Singing continuously.

Is it more that you know
Than that, even as in April,
So in November,
Winter is gone that must go?

Or is all your lore
Not to call November November,
And April April,
And Winter Winter—no more?

But I know the months all,
And their sweet names, April,
May and June and October,
As you call and call

I must remember
What died into April
And consider what will be born
Of a fair November;

And April I love for what
It was born of, and November
For what it will die in,
What they are and what they are not,

While you love what is kind,
What you can sing in
And love and forget in
All that's ahead and behind.

I BUILT MYSELF A HOUSE OF GLASS.

I BUILT myself a house of glass:
It took me years to make it:
And I was proud. But now, alas,
Would God someone would break it.
But it looks too magnificent.
No neighbour casts a stone
From where he dwells, in tenement
Or palace of glass, alone.

FEBRUARY AFTERNOON

MEN heard this roar of parleying starlings, saw,
  A thousand years ago even as now,
  Black rooks with white gulls following the plough
So that the first are last until a caw
Commands that last are first again,—a law
  Which was of old when one, like me, dreamed
    how
  A thousand years might dust lie on his brow
Yet thus would birds do between hedge and shaw.

Time swims before me, making as a day
  A thousand years, while the broad ploughland
    oak
  Roars mill-like and men strike and bear the
    stroke
    Of war as ever, audacious or resigned,
And God still sits aloft in the array
  That we have wrought him, stone-deaf and
    stone-blind.

DIGGING

WHAT matter makes my spade for tears or mirth,
Letting down two clay pipes into the earth?
The one I smoked, the other a soldier
Of Blenheim, Ramillies, and Malplaquet
Perhaps. The dead man's immortality
Lies represented lightly with my own,
A yard or two nearer the living air
Than bones of ancients who, amazed to see
Almighty God erect the mastodon,
Once laughed, or wept, in this same light of day.

TWO HOUSES

BETWEEN a sunny bank and the sun
The farmhouse smiles
On the riverside plat:
No other one
So pleasant to look at
And remember, for many miles,
So velvet-hushed and cool under the warm tiles.

Not far from the road it lies, yet caught
Far out of reach
Of the road's dust
And the dusty thought
Of passers-by, though each
Stops, and turns, and must
Look down at it like a wasp at the muslined peach.

But another house stood there long before:
And as if above graves
Still the turf heaves
Above its stones:
Dark hangs the sycamore,
Shadowing kennel and bones
And the black dog that shakes his chain and moans.

And when he barks, over the river
Flashing fast,
Dark echoes reply,
And the hollow past
Half yields the dead that never
More than half hidden lie:
And out they creep and back again for ever.

THE MILL-WATER

ONLY the sound remains
Of the old mill;
Gone is the wheel;
On the prone roof and walls the nettle reigns.

Water that toils no more
Dangles white locks
And, falling, mocks
The music of the mill-wheel's busy roar.

Pretty to see, by day
Its sound is naught
Compared with thought
And talk and noise of labour and of play.

Night makes the difference.
In calm moonlight,
Gloom infinite,
The sound comes surging in upon the sense:

Solitude, company,—
When it is night,—
Grief or delight
By it must haunted or concluded be.

Often the silentness
Has but this one
Companion;
Wherever one creeps in the other is:

Sometimes a thought is drowned
By it, sometimes
Out of it climbs;
All thoughts begin or end upon this sound,

Only the idle foam
Of water falling
Changelessly calling,
Where once men had a work-place and a home.

A DREAM

OVER known fields with an old friend in dream
I walked, but came sudden to a strange stream.
Its dark waters were bursting out most bright
From a great mountain's heart into the light.
They ran a short course under the sun, then back
Into a pit they plunged, once more as black
As at their birth; and I stood thinking there
How white, had the day shone on them, they were,
Heaving and coiling. So by the roar and hiss
And by the mighty motion of the abyss
I was bemused, that I forgot my friend
And neither saw nor sought him till the end,
When I awoke from waters unto men
Saying: "I shall be here some day again."

SEDGE-WARBLERS

THIS beauty made me dream there was a time
Long past and irrecoverable, a clime
Where any brook so radiant racing clear
Through buttercup and kingcup bright as brass
But gentle, nourishing the meadow grass
That leans and scurries in the wind, would bear
Another beauty, divine and feminine,
Child to the sun, a nymph whose soul unstained
Could love all day, and never hate or tire,
A lover of mortal or immortal kin.

And yet, rid of this dream, ere I had drained
Its poison, quieted was my desire
So that I only looked into the water,
Clearer than any goddess or man's daughter,
And hearkened while it combed the dark green hair
And shook the millions of the blossoms white
Of water-crowfoot, and curdled to one sheet
The flowers fallen from the chestnuts in the park
Far off. And sedge-warblers, clinging so light
To willow twigs, sang longer than the lark,
Quick, shrill, or grating, a song to match the heat
Of the strong sun, nor less the water's cool,
Gushing through narrows, swirling in the