indefinitely. Apparently, though, it must be I who should break it. As quietly as possible, I brought my left hand forward to grope along that silken line which certainly must guide me to the intruder herself. My hand slipped along the smooth surface to the full reach of my arm; and encountered nothing. Check, for the first attempt! The candle and matches I had bought in the village were also beyond my reach, unless I released my captive and rolled across the bed toward the little bookcase where I had placed them beside the flashlight. If I should speak, what would she do? And—a new thought!—was she alone in the house?

There came a gentle draw at the braid, instantly ceasing as I automatically tightened my hold. The pretense that I slept was ended. I spoke, as soothingly and kindly as I could manage.

"If you will let me strike a light, we can explain to each other. Or, if you will agree not to escape——?"

In spite of my efforts, my voice boomed startlingly through the dark, still room. No reply followed, but the braid quivered and suddenly relaxed from its tension. She must have come closer to me. Delighted by so much success attained and intrigued by the novelty of the adventure, I moved slightly, stretching my free arm in the direction of the flashlight.

"I am not a difficult person," I essayed encouragement. "Nor too dull, I hope, to understand a mistake or a necessity. Nor am I affiliated with the police! Permit me——"

I halted abruptly. A cool edge of metal had been laid across the wrist of my groping hand. As the hand came to rest, palm uppermost, I could feel, or imagined I could feel my pulse beating steadily against the menacing pressure of the blade. The warning was eloquent and sufficient; I moved no further toward my flashlight. Of course, if I had lifted my right hand from its guard of the braid, I could easily have pinioned the arm which poised the knife before I suffered much harm. But I might have lost my captive in the attempt; an event for which I was not ready, yet.

"Check," I admitted. "Although, it is rather near a stalemate for us both, isn't it?"

The knife pressed closer, suggestively.

"No," I dissented with the mute argument. "I think not. I do not believe you could do it; not in cold blood, anyway!"

"You do not know," insisted the closer pressing blade, as if with a tongue.

"No, I do not know," I translated aloud. "But I am confident enough to chance it. What reason have you for desperate action? I would not harm you. Have I not a right to curiosity? This is my house, you know. Or perhaps you did not know that?"

A sigh stirred the silence, blending with the ceaseless whisper of the rain that had recommenced through the night. The braid did not move in my right hand, nor did the blade touching my left.

"Speak!" I begged, with an abrupt urgency that surprised myself. "You are the invader. Why? What would you have from me? If I am to let you go, at least speak to me, first! This is—uncanny."

"There is magic in the third time of asking," came a breathed, just audible whisper. "Yet, be warned; call not to you that which you may neither hold nor forbid."

"But I do call—if that will make you speak to me," I returned, my pulses tingling triumph. "Although, as to not holding you——"

"You fancy you hold me? It is not you who are master of this moment, but I who am its mistress."

Her voice had gained in strength; a soft voice, yet not weak, used with a delicate deliberation that gave her speech the effect of being a caprice of her own rather than a result of my compulsion. Yet, I thought, she must be crouched or kneeling beside me, on the floor, held like the Lady of the Beautiful Tresses.

"Still, I doubt if you have the disposition to use your advantage," I began.

"You mean, the cruelty," she corrected me.

"I am from New York," I smiled. "Let me say, the nerve. If you pressed that knife, I might bleed to death, you know."

"Would you hear a story of a woman of my house, and her anger, before you doubt too far?"

"Tell me," I consented; and smiled in the darkness at the transparent plan to distract my attention from that imprisoned braid.

She was silent for so long that I fancied the plan abandoned, perhaps for lack of a tale to tell. Then her voice leaped suddenly out of the blackness that closed us in, speaking always in muted tones, but with a strange, impassioned urgency and force that startled like a cry. The words hurried upon one another like breaking surf.

"See! See! The fire leaps in the chimney; it breathes sparks like a dreadful beast—it is hungry; its red tongues lick for that which they may not yet have. Already its breath is hot upon the wax image on the hearth. But the image is round of limb and sound. Yes, though it is but toy-large, it is perfect and firm! See how it stands in the red shine: the image of a man, cunningly made to show his stalwartness and strength and bravery of velvet and lace! The image of a great man, surely; one high in place and power. One above fear and beyond the reach of hate!

"The woman sits in her low chair, behind the image. The fire-shine is bright in her eyes and in her hair. On either side her hair flows down to the floor; her eyes look on the image and are dreadfully glad. Ha, was not Beauty the lure, and shall it not be the vengeance?

"The nine lamps have been lighted! The feathers have been laid in a circle! The spell has been spoken; the spell of Hai, son of Set, first man to slay man by the Dark Art!

"The man is at the door of the woman's house. Yes, he who came in pride to woo, and proved traitor to the love won—he is at her door in weakness and pain.

"As the wax wastes, the man wastes! As the mannikin is gone, the man dies!

"On her doorstep, he begs for life. He is coward and broken. He suffers and is consumed. He calls to her the love-names they both know. And the woman laughs, and the door is barred.

"The door is barred, but what shall bar out the Enemy who creeps to the nine lamps?

"See, the fire shines through the wax! The image is grown thin and wan. Three days, three nights, it has shrunk before the flames. Three days, three nights, the woman has watched. As the fire is not weary, she is not weary. As the fire is beautiful, she is beautiful.

"The man is borne to her door again. He lifts up his hands and cries to her. But now he begs for death. Now he knows anguish stronger than fear. And the woman laughs, and the door is barred.

"The fire shines on a lump of wax. The man is dead. From her chair the woman has arisen and stands, triumphant.

"But what crouches behind her, unseen? The lamps are cast down! The pentagram is crossed! The Horror takes its own."

The impassioned speech broke off with the effect of a snapped bar of thin metal. In the silence, the steady whisper of rain came to my ears again, continuing patiently. I became aware of a rich yet delicate fragrance in the air I breathed. It was not any perfume I could identify, either as a composition or as a flower scent. If I may hope to be understood it sparkled upon the senses. It produced a thirst for itself, so that the nostrils expanded for it with an eagerness for the new pleasure. I found myself breathing deeply, almost greedily, before answering my prisoner's story.

"'Sister Helen,'" I quoted, as lightly as I could.

"And do you think Rossetti had no truth to base his poem upon?" her quiet voice flowed out of the darkness, seeming scarcely the same speech as the swift, irregular utterance of a moment before. "Do