Norman to the Early English style than his work at Ripon. With the exception of the crypt under the present crossing, and of some Norman work south of the present choir, he rebuilt the whole church, and history has recorded the wording of a deed in which he gives “£1000 of the old coinage for the building of the basilica ... which we have begun afresh.”[12] Roger’s church was a cruciform building, and its nave had no aisles. A great portion of his work remains—the two transepts, half of the central tower, and portions of the nave and choir. The plan (see below, p. 67) was typical of the early history of the place and of its subsequent conversion from a monastery into a college of secular canons; for the aisleless cruciform arrangement in churches was developed from a combination of the Scottish type with the Roman or basilican, and the absence of aisles was, or rather had been at a slightly earlier period, the recognized mark of a secular as opposed to a monastic church. In giving aisles to the choir Roger’s plan was singular, for it was not usual for a choir to have aisles when the nave had none. Except by the addition of nave-aisles, the dimensions of his plan (as Walbran remarked) have not been materially exceeded; and Ripon is an example of the size to which churches of canons often attained, in spite of the fact that their plan was generally that of a mere parish church.

The next archbishop, Geoffrey Plantagenet, was often in disagreement with his brothers, Richard I. and John, but the manor of Ripon is said to have been the only portion of his temporalities of which the latter king did not deprive him.

After Geoffrey’s death the see was vacant for nine years until 1216, the year of the accession of Henry III., when it was given to Archbishop Walter de Gray (1216-1255). In the same year ‘spiritual fraternity’ was formally concluded between Ripon and Fountains; and a somewhat similar arrangement was made a little later with Southwell, which since Henry I. had shared with Ripon and Beverley the dignity of a mother-church or pro-cathedral in the diocese of York. In 1224, at the request of the Canons, Archbishop de Gray translated the relics of St. Wilfrid (if such they were) to a new shrine, enshrining the head separately in such a way that it was exposed to view. He also granted an indulgence of thirty days to all who should make pilgrimage to the saint’s new resting-place. This second translation never became a feast, but it doubtless stimulated the cult of St. Wilfrid afresh, and probably brought considerable profit to the Church.

A few years later, at any rate, an important alteration was made in the fabric, by the building of the present west front with its two flanking towers, and the tall wooden and lead-covered spires which once crowned the latter and the central tower were probably erected at this period.

In 1230, the Archbishop founded a seventh prebend—that of Stanwick; and in 1241 sanctioned the addition of the parish of Nidd to the common property of the College.