hung from the ceiling. A low metal door and series of racks containing instruments and glassware were set into the opposite wall together with the gaping circular orifice of an open autoclave.

"We work by remote control, just like they do at the AEC. See those handlers?" He pointed to the control console set into a small stainless steel table standing beside the sheet of glass at the far end of the cubicle. "They're connected to those gadgets up there." He indicated the jointed arms hanging over the autopsy table in the room beyond. "I could perform a major operation from here and never touch the patient. Using these I can do anything I could in person with the difference that there's a quarter inch of glass between me and my work. I have controls that let me use magnifiers, and even do microdissection, if necessary."

"Where's the cadaver?" Mary asked.

"Across the room, behind that door," he said, waving at the low, sliding metal partition behind the table. "It's been prepped, decontaminated and ready to go."

"What happens when you're through?"

"Watch." Dr. Kramer pressed a button on the console in front of him. A section of flooring slid aside and the table tipped. "The cadaver slides off that table and through that hole. Down below is a highly efficient crematorium."

Mary shivered. "Neat and effective," she said shakily.

"After that the whole room is sprayed with germicide and sterilized with live steam. The instruments go into the autoclave, and thirty minutes later we're ready for another post-mortem."

"We use the handlers to put specimens into those jars," he said, pointing to a row of capped glass jars of assorted sizes on a wall rack behind the table. "After they're capped, the jars go onto that carrier beside the table. From here they pass through a decontamination chamber and into the remote-control laboratory across the hall where we can run biochemical and histological techniques. Finished slides and mounted specimens then go through another decontamination process to the outside lab. Theoretically, this place is proof against anything."

"It seems to be," Mary said, obviously impressed. "I've never seen anything so elegant."

"Neither did I until Thurston's Disease became a problem." Kramer shrugged and sat down behind the controls. "Watch, now," he said as he pressed a button. "Let's see what's on deck—man or monkey. Want to make a bet? I'll give you two to one it's a monkey."

She shook her head.

The low door slid aside and a steel carriage emerged into the necropsy room bearing the nude body of a man. The corpse gleamed pallidly under the harsh shadowless glare of the fluorescents in the ceiling as Kramer, using the handlers, rolled it onto the post-mortem table and clamped it in place on its back. He pushed another button and the carriage moved back into the wall and the steel door slid shut. "That'll be decontaminated," he said, "and sent back upstairs for another body. I'd have lost," he remarked idly. "Lately the posts have been running three to one in favor of monkeys."

He moved a handler and picked up a heavy scalpel from the instrument rack. "There's a certain advantage to this," he said as he moved the handler delicately. "These gadgets give a tremendous mechanical advantage. I can cut right through small bones and cartilage without using a saw."

"How nice," Mary said. "I expect you enjoy yourself."

"I couldn't ask for better equipment," he replied noncommittally. With deft motion of the handler he drew the scalpel down across the chest and along the costal margins in the classic inverted "Y" incision. "We'll take a look at the thorax first," he said, as he used the handlers to pry open the rib cage and expose the thoracic viscera. "Ah! Thought so! See that?" He pointed with a small handler that carried a probe. "Look