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قراءة كتاب Pictorial Composition and the Critical Judgment of Pictures

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‏اللغة: English
Pictorial Composition and the Critical Judgment of Pictures

Pictorial Composition and the Critical Judgment of Pictures

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دار النشر: Project Gutenberg
الصفحة رقم: 7

href="@public@vhost@g@gutenberg@html@files@26638@[email protected]#fig83" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">Sketch from the Book of Truth--Claude Lorrain (Rectangle Unbalanced); The Beautiful Gate--Raphael (Verticals Destroying Pictorial Unity)

  • Mother and Child--Orchardson (Horizontals opposed or Covered); Stream in Winter--W. E. Schofield (Verticals and Horizontals vs. Diagonal)
  • Hogarth's Line of Beauty
  • Aesthetics of Line; The Altar; Roman Invasion--F. Lamayer (Vertical line in action; dignified, measured, ponderous); The Flock--P. Moran (The horizontal, typifying quietude, repose, calm, solemnity); The curved line: variety, movement; Man with Stone--V. Spitzer (Transitional Line, Cohesion); The Dance--Rubens (The ellipse: line of continuity and unity); Swallows--From the Strand (The diagonal: line of action; speed)
  • Aesthetics of Line, Continued, Where Line is the motive and Decoration is the Impulse; Winter Landscape--After Photograph (Line of grace, variety, facile sequence); Line Versus Space (The same impulse with angular energy, The line more attractive than the plane); Reconciliation--Glackens (Composition governed by the decorative exterior line); December--After Photograph (Radial lines with strong focalization)
  • Unity and its Lack; The Lovers--Gussow; The Poulterers--Wallander
  • Return of Royal Hunting Party--Isabey; The Night Watch--Rembrandt
  • Departure for the Chase--Cuyp (Background Compromising Original Structure); Repose of the Reapers--L. L'hermite (The Curvilinear Line)
  • The Decorative and Pictorial Group; Allegory of Spring--Botticelli (Separated concepts expressing separate ideas); Dutch Fisher Folk--F. V. S. (Separated concepts of one idea); The Cossack's Reply--Repin (Unity through a cumulative idea)
  • Fundamental Forms of Chiaroscuro; Whistler's Portrait of his Mother; Moorland--E. Yon; Charcoal Study--Millet; The Arbor--Ferrier
  • Fundamental Forms of Chiaroscuro, Continued; Landscape--Geo. Inness; The Kitchen--Whistler; St. Angela--Robt. Reid; An Annam Tiger--Surrand; The Shrine--Orchardson; Monastic Life--F. V. DuMond
  • A Reversible Effect of Light and Shade (The Same Subject Vertically and Horizontally Presented)
  • Spots and Masses; Note-book sketches from Rubens, Velasquez, Claude Lorrain and Murillo

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