قراءة كتاب The Ground Plan of the English Parish Church

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‏اللغة: English
The Ground Plan of the English Parish Church

The Ground Plan of the English Parish Church

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دار النشر: Project Gutenberg
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Chantry chapels attached to chancels 120 71. Effect of the addition of chapels on the cruciform plan 121 72. The aisled rectangular plan 124 73. Variations of the plan with aisled nave and chancel 126 74. Development of the aisled rectangle at Grantham 129 75. Deviation of the axis of the chancel 131   Index of Places 134

LIST OF ILLUSTRATIONS

Hedon. Interior of nave Frontispiece
 
FIGS. PAGE
1 Plan of old St Peter's 6
2 Plan of San Vitale, Ravenna 11
3 Plan of Escomb—typical Saxon church 17
4 St Peter's, Barton-on-Humber 31
5 Aisleless plan, 12th cent. 45
6 Birkin, Yorkshire: interior 51
7 Two aisleless plans with central tower 55
8 North Newbald 57
9 Sketch of older wall above nave arcade, Gretton 72
10 Plan of Raunds church 80
11 Plan of Harringworth church 85
12 Two plans, nos. 1 and 2, of Grantham church 88
13 Sketch of arch joining arcade to tower, Gretton 93
14 Plan of 13th cent. church: W. tower, S. Porch, transeptal chapels 103
15 St Mary's, Beverley. Interior of transept. 111
16 Plans of Grantham church, nos. 3 and 4 130

CHAPTER I

THE ORIGIN OF THE CHURCH PLAN IN ENGLAND

§ 1. Side by side with the establishment of Christianity as the religion of the Roman empire, there appeared a fully developed plan for places of Christian worship. The normal Christian church of the fourth century of our era was an aisled building with the entrance at one end, and a semi-circular projection known as the apse at the other. The body of the building, the nave with its aisles, was used by the congregation, the quire of singers occupying a space, enclosed within low walls, at the end nearest the apse. In the apse, raised above the level of the nave, was the altar, behind which, ranged round the wall, were the seats for the bishop and assistant clergy. This type of church, of which the aisled nave and the apse are the essential parts, is known as the basilica. The name, employed to designate a "royal" or magnificent building, had long been applied to large buildings, whether open to the sky or roofed, which were used, partly as commercial exchanges, partly as halls of justice. It is still often said that the Christian basilicas were merely adaptations of such buildings to sacred purposes. Some of the features of the Christian plan are akin to those of the

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