11-1⁄2 |
C/E-f´´´ |
Harpsichord |
8´8´ |
Pasquino Querci |
Smithsonian Insitution |
1617 |
13-3⁄4 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Giovanni Battista Boni |
Yale University, New Haven, Conn. |
1620 |
13-9⁄16 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Francesco Poggio |
Rhode Island School of Design, Providence |
|
11-15⁄16 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Skinner Collection, Holyoke, Mass. |
|
12-15⁄16 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Smithsonian Institution |
|
13" |
C/E-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Boston Museum of Fine Arts |
|
11-1⁄2 |
C-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Folger Library, Washington, D.C. |
|
12-3⁄4 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Cincinnati Art Museum |
|
13-5⁄8 |
C/E-f´´´ |
Polygonal virginal |
8´ |
Anonymous |
Smithsonian Institution |
Nontransposing Instruments |
1548 |
11 |
C/E-c´´´ |
Polygonal virginal |
8´ |
Domenicus Pesaurensis |
Metropolitan Museum of Art |
1554 |
[a]10-1⁄2 |
C/E-c´´´ |
Harpsichord |
8´8´ |
Padre Stoppacio |
Vassar College, Poughkeepsie, New York |
1585 |
[b]11-1⁄2 |
C/E-a´´ |
Ottavina |
4´ |
Franciscus Bonafinis |
Metropolitan Museum of Art |
1602 |
10-1⁄2 |
C/E-c´´´ |
Harpsichord |
...... |
Christoforus Rigunini |
Stearns Collection, Ann Arbor, Mich. |
1615 |
[b]9-3⁄4 |
C/E-a´´ |
Ottavina |
4´ |
Pasquino Querci |
Metropolitan Museum of Art |
1625 |
10-1⁄8 |
C/E-c´´´ |
Harpsichord |
8´ |
Valerius Peres |
Skinner Collection, Holyoke, Mass. |
1633 |
11-3⁄8 |
C/E-c´´´ |
Harpsichord |
8´8´ |
Horatius Albana |
Smithsonian Instituion |
1645 |
11 |
C/E-c´´´ |
Harpsichord |
8´8´ |
Horatius Albana |
Vizcaya, Miami, Fla. |
1654 |
10-1⁄4 |
C/E-f´´´ |
Harpsichord |
8´8´ |
Anonymous |
Smithsonian Institution |
1658 |
11-1⁄8 |
C-f´´´ |
Harpsichord |
8´8´ |
Hieronymus de Zentis |
Metropolitan Museum of Art |
1665 |
10 |
C/E-c´´´ |
Harpsichord |
8´8´ |
Giacomo Ridolfi |
Smithsonian Institution |
1666 |
10-15⁄16 |
A1-f´´´ |
Harpsichord |
8´8´ |
Hieronymus de Zentis |
Metropolitan Museum of Art |
1682 |
10-7⁄8 |
C/E-c´´´ |
Harpsichord |
8´8´ |
Giacomo Ridolfi |
Rhode Island School of Design, Providence |
1683 |
8 |
C/E-c´´´ |
Polygonal virginal |
8´ |
B. Obici |
Harding Museum, Chicago |
1690 |
10-13⁄16 |
C/E-c´´´ |
Harpsichord |
8´ |
Giovanni Andrea Menegoni |
Smithsonian Institution |
1693 |
10-5⁄16 |
G1-c´´´ |
Harpsichord |
8´8´ |
Anonymous |
Smithsonian Institution |
1694 |
9-7⁄8 |
C-c´´´ (minus C#) |
Harpsichord |
8´8´4´ |
|