writers quite a different psychological tone. The three I have just mentioned are all too inveterately spirits of mockery even to take seriously their own "sensations and ideas"; and however ironical and humorous an egoist may be with regard to other people's impressions, with regard to his own he is grave, intent, preoccupied, almost solemn.

When one thinks of it, there is a curious solemnity of preoccupation with themselves and their own sensations about Wilde, Pater, Whitman, Stendhal, D'Annunzio and Barrès. And this "gravity of egoism" is precisely the thing which, for all his humorous humanity, distinguished the great Montaigne and which his early critics found so irritating.

"What do I care—what does any one care," grumbled the learned Scaliger, "whether he prefers white wine to red wine?"

The second element in the compound chemistry of the "modern temper" introduced into the world by Montaigne may be found in his famous scepticism. The formidable levity of that notorious "que sais-je?" "What do I know?" writes itself nowadays across our whole sky. This also—"this film of white light," as some one has called it, floating waveringly beneath each one of our most cherished convictions was, not unknown before his time.

All the great sophists—Protagoras especially, with his "man the measure of all things"—were, in a sense, professional teachers of a refined scepticism.

Plato himself, with his wavering and gracious hesitations, was more than touched by the same spirit.

Scepticism as a natural human philosophy—perhaps as the only natural human philosophy—underlies all the beautiful soft-coloured panorama of pagan poetry and pagan thought. It must have been the habitual temper of mind in any Periclean symposium or Caesarean salon. It is, pre-eminently and especially, the civilised attitude of mind; the attitude of mind most dominant and universal in the great races, the great epochs, the great societies.

It is for this reason that France, among all modern nations, is the most sceptical.

Barbarian peoples are rarely endowed with this quality. The crude animal energy, which makes them successful! in business, and even sometimes in war, is an energy which, for all its primitive force, is destructive of civilisation. Civilisation, the rarest work of art of our race's evolution, is essentially a thing created in restraint of such crude energies; as it is created in restraint of the still cruder energies of nature itself.

The Protestant Reformation springing out of the soul of the countries "beyond the Alps" is, of course, the supreme example of this uncivilised force. One frequently encounters sceptical-minded Catholics, full of the very spirit of Montaigne—who died in the Catholic faith—but it is rare to meet a Protestant who is not, in a most barbarous sense, full of dogmatic and argumentative "truth."

So uncivilised and unlovely is this controversial mood that free-thinkers are often tempted to be unfair to the Reformation. This is a fault; for after all it is something, even for ingrained sceptics prepared to offer incense at any official altar, to be saved from the persecuting alliance of church and state.

It is not pleasant to meet argumentative revivalists, and the Puritan influence upon art and letters is no less than deadly; but it is better to be teased with impertinent questions about one's soul than to be led away to the stake for its salvation.

The mention of the situation, in which in spite of Shakespeare and the rest poor modern sceptics still find themselves, is an indication of how hopelessly illusive all talk of "progress" is. Between Calvin on the one hand and the Sorbonne on the other, Montaigne might well shuffle home from his municipal duties and read Horace in his tower. And we, after three hundred odd years, have little better to do.

Heine, impish descendant of this great doubter, took refuge from human madness at the feet of Venus in the Louvre. Machiavel—for all his crafty wisdom—was driven back to his books and his memories. Goethe built up the "pyramid of his existence" among pictures and fossils and love affairs, leaving the making of history to others, and keeping "religious truth" at a convenient distance.

This scepticism of Montaigne is a much rarer quality among men of genius than the egoism with which it is so closely associated. I am inclined to regard it as the sanest of all human moods. What distinguishes it from other intellectual attitudes is the fact that it is shared by the very loftiest with the very simplest minds. It is the prevailing temper of shepherds and ploughmen, of carters and herdsmen, of all honest gatherers at rustic taverns who discuss the state of the crops, the prospects of the weather, the cattle market and the rise and fall of nations. It is the wisdom of the earth itself; shrewd, friendly, full of unaccountable instincts; obstinate and capricious, given up to irrational and inexplicable superstitions; sluggish, suspicious, cautious, hostile to theory, enamoured of inconsistencies, humorously critical of all ideals, realistic, empirical, wayward, ready to listen to any magical whisper, to any faint pipings of the flutes of Pan, but grumblingly reluctant to follow the voices of the prophets and the high doctrines of the leaders of men.

Its wisdom is the wisdom of lazy noons in spacious corn-fields; of dewy mornings in misty lanes and moss-grown paths; of dreamy shadows in deep grass when the apple boughs hang heavily earthward, and long nights of autumn rain have left amber-coloured pools in the hollow places of the trees and in the mud trodden by the cattle.

Its sanity is the sanity of farm-yards and smoking dung-heaps and Priapian jests beneath wintry hedges, and clear earth-sweet thoughtless laughter under large, liquid, mid-summer stars.

The nonchalant "What do I know?"—"What does any one know?"—of this shrewd pagan spirit has nothing in it of the ache of pessimistic disillusion. It has never had any illusions. It has taken things as they appear, and life as it appears, and it is so close to the kindly earth-mud beneath our feet that it is in no fear of any desperate fall.

What lends the sceptical wisdom of Montaigne such massive and enduring weight is the very fact of its being the natural pagan wisdom of generations of simple souls who live close to the earth. No wonder he was popular with the farmers and peasants of his countryside and with the thrifty burgesses of his town. He must have gathered much wisdom from his wayfaring among the fields, and many scandalous sidelights upon human nature as he loitered among the streets and wharfs of the city.

It is indeed the old joyous, optimistic, pagan spirit, full of courage and gaiety; full too, it must be confessed, of a humorous terror now and then, and yet capable enough sometimes of looking very formidable antagonists squarely in the face and refusing to quit the quiet ways it has marked out and the shrewd middle path it has chosen!

Turning over the pages of Cotton's translation—it is my fancy to prefer this one to the more famous Florio's—there seems to me to arise from these rambling discourses, a singularly wholesome savour. I seem to see Montaigne's massive and benignant countenance as he jogs home, wrapped against the wind in the cloak that was once his father's, along the muddy autumn lanes, upon his strong but not over-impetuous nag. Surely I have seen that particular cast of features in the weather-beaten face of many a farm labourer, and listened too, from the same lips, to just as relishing a commentary upon the surprising ways of providence with mortal men.

Full of a profound sense of a physical well-being, which the troublesome accidents of chance and time only served to intensify, Montaigne surveyed the grotesque panorama of human life with a massive and indelible satisfaction.

His optimism, if you can call it by such a name, is not the optimism of theory; it is not the optimism of faith, far less is it that mystic and