90 From a drawing by Sigismond de Ivanowski.   The Unruly Sprite 154 From a drawing by Garth Jones.   She flung herself across his knees and put her arms around him 230 From a drawing by Paul Julien Meylan.   Stronghold 258 From a drawing by Garth Jones.   So the sad shepherd thanked them for their entertainment 314 From a drawing by Blendon Campbell.   Title-page, head and end pieces by Garth Jones  

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THE WEDDING-RING

Before Toinette Girard made up her mind to marry Prosper Leclère,—you remember the man at Abbéville who had such a brave heart that he was not willing to fight with an old friend,—before Toinette perceived and understood how brave Prosper was, it seemed as if she were very much in doubt whether she did not love some one else more than she loved him, whether he and she really were made for each other, whether, in short, she cared for him enough to give herself entirely to him.

But after they had been married six weeks there was no doubt left in her mind. He was the one man in the world for her. He satisfied her to the core—although by this time she knew most of his faults. It was not so much that she loved him in spite of them, but she simply could not imagine him changed in any way without losing a part of him, and that idea was both intolerable and incredible to her. Just as he was, she clung to him and became one with him.

I know it seems ridiculous to describe a love like that, and it is certainly impossible to explain it. It is not common, nor regular, nor altogether justifiable by precept and authority. Reason is against it; and the doctors of the church have always spoken severely of the indulgence of any human affection that verges on idolatry. But the fact remains that there are a few women in the world who are capable of such a passion.

Capable? No, that is not the word. They are created for it. They cannot help it. It is not a virtue, it is simply a quality. Their whole being depends upon their love. They hang upon it, as a wreath hangs from a nail in the wall. If it breaks they are broken. If it holds they are happy. Other things interest them and amuse them, of course, but there is only one thing that really counts—to love and to be loved.

Toinette was a woman of that rare race. To the outward view she was just a pretty French Canadian girl with an oval face, brown hair, and eyes like a very dark topaz. Her hands were small, but rather red and rough. Her voice was rich and vibrant, like the middle notes of a 'cello, but she spoke a dialect that was as rustic as a cabbage. Her science was limited to enough arithmetic to enable her to keep accounts, her art to the gift of singing a very lovely contralto by ear, and her notions of history bordered on the miraculous. She was obstinate, superstitious, and at times quick-tempered. But she had a positive genius for loving. That raised her into the first rank, and enabled her to bestow as much happiness on Prosper as if she had been a queen.

It was a grief to them, of course, that they had no children. But this grief did not destroy, nor even diminish, their felicity in each other; it was like the soft shadow of a cloud passing over a landscape—the sun was still shining and the world was fair. They were too happy to be discontented. And their fortunes were thriving, too, so that they were kept pretty hard at work—which, next to love, is the best antidote for unhappiness.

After the death of the old bonhomme Girard, the store fell to Prosper; and his good luck—or his cleverness, or his habit of always being ready for things, call it what you will—stuck by him. Business flourished in the Bon Marché of Abbéville. Toinette helped it by her gay manners and her skill in selling. It did people good to buy of her: she made them feel that she was particularly glad that they were getting just what they needed. A pipe of the special shape which Pierre affected, a calico dress-pattern of the shade most becoming to Angélique, a brand of baking-powder which would make the batter rise up like mountains—v'là, voisine, c'est b'en bon! Everything that she sold had a charm with it. Consequently trade was humming, and the little wooden house beside the store was b'en trimée.

The only drawback to the happiness of the Leclères was the fact that business required Prosper to go away for a fortnight twice a year to replenish his stock of goods. He went to Quebec or to Montreal, for he had a great many kinds of things to get, and he wanted good things and good bargains, and he did not trust the commercial travellers.

"Who pays those men," he said, "to run around everywhere, with big watch-chains? You and me! But why? I can buy better myself—because I understand what Abbéville wants—and I can buy cheaper."

The times of his absence were heavy and slow to Toinette. The hours were doped out of the day as reluctantly as black molasses dribbles from a jug. A professional instinct kept her up to her work in the store. She jollied the customers, looked after the accounts, made good sales, and even coquetted enough with the commercial travellers to send them away without ill-will for the establishment which refused to buy from them.

"A little badinage does no harm," she said, "it keeps people from getting angry because they can't do any more business."

But in the house she was dull and absent-minded. She went about as if she had lost something. She sat in her rocking-chair, with her hands in her lap, as if she were waiting for something. The yellow light of the lamp shone upon her face and hurt her eyes. A tear fell upon her knitting. The old tante Bergeron, who came in to keep house for her while she was busy with the store, diagnosed her malady and was displeased with it.

"You are love-sick," said she. "That is bad. Especially for a married woman. It is wrong to love any of God's creatures too much. Trouble will come of it—voyons voir."

"But, aunty," answered Toinette, "Prosper is not just any of God's creatures. He is mine. How could I love him too much? Besides, I don't do it. It does itself. How can I help it?"

"It is a malady," sighed the old woman shaking her head. "It is a malady of youth, my child. There is danger in it—and for Prosper too! You make an idol of a man and you spoil him. You upset his mind. Men are like that. You will bring trouble upon your