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قراءة كتاب Free Joe and Other Georgian Sketches

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Free Joe and Other Georgian Sketches

Free Joe and Other Georgian Sketches

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دار النشر: Project Gutenberg
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in seeing his wife. He had only to sit by the poplar tree until little Dan could run and fetch her. But after a while the other negroes discovered that Lucinda was meeting Free Joe in the woods, and information of the fact soon reached Calderwood's ears. Calderwood was what is called a man of action. He said nothing; but one day he put Lucinda in his buggy, and carried her to Macon, sixty miles away. He carried her to Macon, and came back without her; and nobody in or around Hillsborough, or in that section, ever saw her again.

For many a night after that Free Joe sat in the woods and waited. Little Dan would run merrily off and be gone a long time, but he always came back without Lucinda. This happened over and over again. The "willis-whistlers" would call and call, like fantom huntsmen wandering on a far-off shore; the screech-owl would shake and shiver in the depths of the woods; the night-hawks, sweeping by on noiseless wings, would snap their beaks as though they enjoyed the huge joke of which Free Joe and little Dan were the victims; and the whip-poor-wills would cry to each other through the gloom. Each night seemed to be lonelier than the preceding, but Free Joe's patience was proof against loneliness. There came a time, however, when little Dan refused to go after Lucinda. When Free Joe motioned him in the direction of the Calderwood place, he would simply move about uneasily and whine; then he would curl up in the leaves and make himself comfortable.

One night, instead of going to the poplar tree to wait for Lucinda, Free Joe went to the Staley cabin, and, in order to make his welcome good, as he expressed it, he carried with him an armful of fat-pine splinters. Miss Becky Staley had a great reputation in those parts as a fortune-teller, and the schoolgirls, as well as older people, often tested her powers in this direction, some in jest and some in earnest. Free Joe placed his humble offering of light-wood in the chimney corner, and then seated himself on the steps, dropping his hat on the ground outside.

"Miss Becky," he said presently, "whar in de name er gracious you reckon Lucindy is?"

"Well, the Lord he'p the nigger!" exclaimed Miss Becky, in a tone that seemed to reproduce, by some curious agreement of sight with sound, her general aspect of peakedness. "Well, the Lord he'p the nigger! hain't you been a-seein' her all this blessed time? She's over at old Spite Calderwood's, if she's anywheres, I reckon."

"No'm, dat I ain't, Miss Becky. I ain't seen Lucindy in now gwine on mighty nigh a mont'."

"Well, it hain't a-gwine to hurt you," said Miss Becky, somewhat sharply. "In my day an' time it wuz allers took to be a bad sign when niggers got to honeyin' 'roun' an' gwine on."

"Yessum," said Free Joe, cheerfully assenting to the proposition—"yessum, dat's so, but me an' my ole 'oman, we 'uz raise terge'er, en dey ain't bin many days w'en we 'uz' 'way fum one 'n'er like we is now."

"Maybe she's up an' took up wi' some un else," said Micajah Staley from the corner. "You know what the sayin' is: 'New master, new nigger.'"

"Dat's so, dat's de sayin', but tain't wid my ole 'oman like 'tis wid yuther niggers. Me en her wuz des natally raise up terge'er. Dey's lots likelier niggers dan w'at I is," said Free Joe, viewing his shabbiness with a critical eye, "but I knows Lucindy mos' good ez I does little Dan dar—dat I does."

There was no reply to this, and Free Joe continued:

"Miss Becky, I wish you please, ma'am, take en run yo' kyards en see sump'n n'er 'bout Lucindy; kaze ef she sick, I'm gwine dar. Dey ken take en take me up en gimme a stroppin', but I'm gwine dar."

Miss Becky got her cards, but first she picked up a cup, in the bottom of which were some coffee-grounds. These she whirled slowly round and round, ending finally by turning the cup upside down on the hearth and allowing it to remain in that position.

"I'll turn the cup first," said Miss Becky, "and then I'll run the cards and see what they say."

As she shuffled the cards the fire on the hearth burned low, and in its fitful light the gray-haired, thin-featured woman seemed to deserve the weird reputation which rumor and gossip had given her. She shuffled the cards for some moments, gazing intently in the dying fire; then, throwing a piece of pine on the coals, she made three divisions of the pack, disposing them about in her lap. Then she took the first pile, ran the cards slowly through her fingers, and studied them carefully. To the first she added the second pile. The study of these was evidently not satisfactory. She said nothing, but frowned heavily; and the frown deepened as she added the rest of the cards until the entire fifty-two had passed in review before her. Though she frowned, she seemed to be deeply interested. Without changing the relative position of the cards, she ran them all over again. Then she threw a larger piece of pine on the fire, shuffled the cards afresh, divided them into three piles, and subjected them to the same careful and critical examination.

"I can't tell the day when I've seed the cards run this a-way," she said after a while. "What is an' what ain't, I'll never tell you; but I know what the cards sez."

"W'at does dey say, Miss Becky?" the negro inquired, in a tone the solemnity of which was heightened by its eagerness.

"They er runnin' quare. These here that I'm a-lookin' at," said Miss Becky, "they stan' for the past. Them there, they er the present; and the t'others, they er the future. Here's a bundle"—tapping the ace of clubs with her thumb—"an' here's a journey as plain as the nose on a man's face. Here's Lucinda—"

"Whar she, Miss Becky?"

"Here she is—the queen of spades."

Free Joe grinned. The idea seemed to please him immensely.

"Well, well, well!" he exclaimed. "Ef dat don't beat my time! De queen er spades! W'en Lucindy year dat hit'll tickle 'er, sho'!"

Miss Becky continued to run the cards back and forth through her fingers.

"Here's a bundle an' a journey, and here's Lucinda. An' here's ole Spite Calderwood."

She held the cards toward the negro and touched the king of clubs.

"De Lord he'p my soul!" exclaimed Free Joe with a chuckle. "De faver's dar. Yesser, dat's him! W'at de matter 'long wid all un um, Miss Becky?"

The old woman added the second pile of cards to the first, and then the third, still running them through her fingers slowly and critically. By this time the piece of pine in the fireplace had wrapped itself in a mantle of flame, illuminating the cabin and throwing into strange relief the figure of Miss Becky as she sat studying the cards. She frowned ominously at the cards and mumbled a few words to herself. Then she dropped her hands in her lap and gazed once more into the fire. Her shadow danced and capered on the wall and floor behind her, as if, looking over her shoulder into the future, it could behold a rare spectacle. After a while she picked up the cup that had been turned on the hearth. The coffee-grounds, shaken around, presented what seemed to be a most intricate map.

"Here's the journey," said Miss Becky, presently; "here's the big road, here's rivers to cross, here's the bundle to tote." She paused and sighed. "They hain't no names writ here, an' what it all means I'll never tell you. Cajy, I wish you'd be so good as to han' me my pipe."

"I hain't no hand wi' the kyards," said Cajy, as he handed the pipe, "but I reckon I can patch out your misinformation, Becky, bekaze the other day, whiles I was a-finishin' up Mizzers Perdue's

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