century old....

  took to hanging around banks, hoping I'd see someone come in with an old bankbook that had fresh ink from 50 years before. Lou was some help there—he convinced the guards and tellers that I wasn't an old-looking guy casing the place for a gang, and even got the tellers to watch out for particularly dark ink in ancient bankbooks.

I stuck at it for a month, although there were a few stage calls that didn't turn out right, and one radio and two TV parts, which did and kept me going. I was almost glad the stage parts hadn't been given to me; they'd have interrupted my outside work.

After a month without a thing turning up at the banks, though, I went back to my two rooms in the theatrical hotel one night, tired and discouraged, and I found Lou there. I expected him to give me another talk on dropping the whole thing; he'd been doing that for a couple of weeks now, every time we got together. I felt too low to put up an argument. But Lou was holding back his excitement—acting like a cop, you know, instead of projecting his feelings—and he couldn't haul me out to his car as fast as he probably wanted me to go.

"Been trying to get in touch with you all day, Mark. Some old guy was found wandering around, dazed and suffering from malnutrition, with $17,000 in cash inside the lining of his jacket."

"Alive?" I asked, shocked right into eagerness again.

"Just barely. They're trying intravenous feeding to pull him through. I don't think he'll make it."

"For God's sake, let's get there before he conks out!"

Lou raced me to the City Hospital and up to the ward. There was a scrawny old man in a bed, nothing but a papery skin stretched thin over a face like a skull and a body like a Halloween skeleton, shivering as if he was cold. I knew it wasn't the cold. The medics were injecting a heart stimulant into him and he was vibrating like a rattletrap car racing over a gravel road.

"Who are you?" I practically yelled, grabbing his skinny arm. "What happened to you?"

He went on shaking with his eyes closed and his mouth open.

"Ah, hell!" I said, disgusted. "He's in a coma."

"He might start talking," Lou told me. "I fixed it up so you can sit here and listen in case he does."

"So I can listen to delirious ravings, you mean."

Lou got me a chair and put it next to the bed. "What are you kicking about? This is the first live one you've seen, isn't it? That ought to be good enough for you." He looked as annoyed as a director. "Besides, you can get biographical data out of delirium that you'd never get if he was conscious."

e was right, of course. Not only data, but attitudes, wishes, resentments that would normally be repressed. I wasn't thinking of acting at the moment, though. Here was somebody who could tell me what I wanted to know ... only he couldn't talk.

Lou went to the door. "Good luck," he said, and went out.

I sat down and stared at the old man, willing him to talk. I don't have to ask if you've ever done that; everybody has. You keep thinking over and over, getting more and more tense, "Talk, damn you, talk!" until you find that every muscle in your body is a fist and your jaws are aching because you've been clenching your teeth so hard. You might just as well not bother, but once in a while a coincidence makes you think you've done it. Like now.

The old man sort of came to. That is, he opened his eyes and looked around without seeing anything, or it was so far away and long ago that nobody else could see what he saw.

I hunched forward on the chair and willed harder than ever. Nothing happened. He stared at the ceiling and through and beyond me. Then he closed his eyes again and I slumped back, defeated and bitter—but that was when he began talking.

There were a couple of women, though they might have been little girls in his childhood, and he had his troubles with them. He was praying for a toy train, a roadster, to pass his tests, to keep from being fired, to be less lonely, and back to toys again. He hated his father, and his mother was too busy with church bazaars and such to pay much attention to him. There was a sister: she died when he was a kid. He was glad she died, hoping maybe now his mother would notice him, but he was also filled with guilt because he was glad. Then somebody, he felt, was trying to shove him out of his job.

The intravenous feeding kept dripping into his vein and he went on rambling. After ten or fifteen minutes of it, he fell asleep. I felt so disappointed that I could have slapped him awake, only it wouldn't have done any good. Smoking would have helped me relax, but it wasn't allowed, and I didn't dare go outside for one, for fear he might revive again and this time come up to the present.

roke!" he suddenly shrieked, trying to sit up.

I pushed him down gently, and he went on in frightful terror, "Old and poor, nowhere to go, nobody wants me, can't make a living, read the ads every day, no jobs for old men."

He blurted through weeks, months, years—I don't know—of fear and despair. And finally he came to something that made his face glow like a radium dial.

"An ad. No experience needed. Good salary." His face got dark and awful. All he added was, "El Greco," or something that sounded like it, and then he went into terminal breathing.

I rang for the nurse and she went for the doctor. I couldn't stand the long moments when the old man's chest stopped moving, the abrupt frantic gulps of air followed by no breath at all. I wanted to get away from it, but I had to wait for whatever more he might say.

It didn't come. His eyes fogged and rolled up and he stopped taking those spasmodic strangling breaths. The nurse came back with the doctor, who felt his pulse and shook his head. She pulled the blanket over the old man's face.

I left, feeling sick. I'd learned things I already knew about hate and love and fear and hope and frustration. There was an ad in it somewhere, but I had no way of telling if it had been years ago or recently. And a name that sounded like "El Greco." That was a Spanish painter of four-five hundred years ago. Had the old guy been remembering a picture he'd seen?

No, he'd come up at least close to the present. The ad seemed to solve his problem about being broke. But what about the $17,000 that had been found in the lining of his jacket? He hadn't mentioned that. Of course, being a senile psychotic, he could have considered himself broke even with that amount of money. None coming in, you see.

That didn't add up, either. His was the terror of being old and jobless. If he'd had money, he would have figured how to make it last, and that would have come through in one way or another.

There was the ad, there was his hope, and there was this El Greco. A Greek restaurant, maybe, where he might have been bumming his meals.

But where did the $17,000 fit in?

ou Pape was too fed up with the whole thing to discuss it with me. He just gave me the weary eye and said, "You're riding this too hard, Mark. The guy was talking from fever. How do I know what figures and what doesn't when I'm dealing with insanity or delirium?"

"But you admit there's plenty about these cases that doesn't figure?"

"Sure. Did you take a look at the condition the