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قراءة كتاب The Hell Ship

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The Hell Ship

The Hell Ship

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دار النشر: Project Gutenberg
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The HELL SHIP

By Ray Palmer

[Transcriber Note: This etext was produced from If Worlds of Science Fiction March 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]


The passengers rocketed through space in luxury. But they never went below decks because rumor had it that Satan himself manned the controls of The Hell Ship.

The giant space liner swung down in a long arc, hung for an instant on columns of flame, then settled slowly into the blast-pit. But no hatch opened; no air lock swung out; no person left the ship. It lay there, its voyage over, waiting.

The thing at the controls had great corded man-like arms. Its skin was black with stiff fur. It had fingers ending in heavy talons and eyes bulging from the base of a massive skull. Its body was ponderous, heavy, inhuman.

After twenty minutes, a single air lock swung clear and a dozen armed men in Company uniforms went aboard. Still later, a truck lumbered up, the cargo hatch creaked aside, and a crane reached its long neck in for the cargo.

Still no creature from the ship was seen to emerge. The truck driver, idly smoking near the hull, knew this was the Prescott, in from the Jupiter run—that this was the White Sands Space Port. But he didn't know what was inside the Prescott and he'd been told it wasn't healthy to ask.

Gene O'Neil stood outside the electrified wire that surrounded the White Sands port and thought of many things. He thought of the eternal secrecy surrounding space travel; of the reinforced hush-hush enshrouding Company ships. No one ever visited the engine rooms. No one in all the nation had ever talked with a spaceman. Gene thought of the glimpse he'd gotten of the thing in the pilot's window. Then his thoughts drifted back to the newsrooms of Galactic Press Service; to Carter in his plush office.

"Want to be a hero, son?"

"Who, me? Not today. Maybe tomorrow. Maybe the next day."

"Don't be cute. It's an assignment. Get into White Sands."

"Who tried last?"

"Jim Whiting."

"Where is Whiting now?"

"Frankly we don't know. But—"

"And the four guys who tried before Whiting?"

"We don't know. But we'd like to find out."

"Try real hard. Maybe you will."

"Cut it out. You're a newspaperman aren't you?"

"God help me, yes. But there's no way."

"There's a way. There's always a way. Like Whiting and the others. Your pals."

Back at the port looking through the hot wire. Sure there was a way. Ask questions out loud. Then sit back and let them throw a noose around you. And there was a place where you could do the sitting in complete comfort. Where Whiting had done it—but only to vanish off the face of the earth. Damn Carter to all hell!

Gene turned and walked up the sandy road toward the place where the gaudy neons of the Blue Moon told hard working men where they could spend their money. The Blue Moon. It was quite a place.

Outside, beneath the big crescent sign, Gene stopped to watch the crowds eddying in and out. Then he went in, to watch them cluster around the slot machines and bend in eager rows over the view slots of the peep shows.

He moved into the bar, dropped on one of the low stools. He ordered a beer and let his eyes drift around.

A man sat down beside him. He was husky, tough looking. "Ain't you the guy who's been asking questions about the crews down at the Port?"

Gene felt it coming. He looked the man over. His heavy face was flushed with good living, eyes peculiarly direct of stare as if he was trying to keep them from roving suspiciously by force of will. He was well dressed, and his heavy hands twinkled with several rather large diamonds. The man went on: "I can give you the information you want—for a price, of course." He nodded toward an exit. "Too public in here, though."

Gene grinned without mirth as he thought, move over Whiting—here I come, and followed the man toward the door.

Outside the man waited, and Gene moved up close.

"You see, it's this way...."

Something exploded against Gene's skull. Even as fiery darkness closed down he knew he'd found the way. But only a stupid newspaperman would take it. Damn Carter!

Gene went out.

He seemed to be dreaming. Over him bent a repulsive, man-like face. But the man had fingernails growing on his chin where his whiskers should have been. And his eyes were funny—walled, as though he bordered on idiocy. In the dream, Gene felt himself strapped into a hammock. Then something pulled at him and made a terrible racket for a long time. Then it got very quiet except for a throbbing in his head. He went back to sleep.


She had on a starched white outfit, but it wasn't a nurse's uniform. There wasn't much skirt, and what there was of it was only the back part. The neckline plunged to the waist and stopped there. It was a peculiar outfit for a nurse to be wearing. But it looked familiar.

Her soft hands fixed something over his eyes, something cold and wet. He felt grateful, but kept on trying to remember. Ah, he had it; the girls wore that kind of outfit in the Blue Moon in one of the skits they did, burlesquing a hospital. He took off the wet cloth and looked again.

She was a dream. Even with her lips rouge-scarlet, her cheeks pink with makeup, her eyes heavy with artifice.

"What gives, beautiful?" He was surprised at the weakness of his voice.

Her voice was hard, but nice, and it was bitter, as though she wanted hard people to know she knew the score, could be just a little harder. "You're a spaceman now! Didn't you know?"

Gene grinned weakly. "I don't know a star from a street light. Nobody gets on the space crews these days—it's a closed union."

Her laugh was full of a knowledge denied him. "That's what I used to think!"

She began to unstrap him from the hammock. Then she pushed back his hair, prodded at the purple knob on his head with careful fingertips.

"How come you're on this ship?" asked Gene, wincing but letting her fingers explore.

"Shanghaied, same as you. I'm from the Blue Moon. I stepped out between acts for a breath of fresh air, and wham, a sack over the head and here I am. They thought you might have a cracked skull. One of the monsters told me to check you. No doctor on the ship."

Gene groaned. "Then I didn't dream it—there is a guy on this ship with fingernails instead of a beard on his chin!"

She nodded. "You haven't seen anything yet!"

"Why are we here?"

"You've been shanghaied to work the ship, I'm here for a different purpose—these men can't get off the ship and they've got to be kept contented. We've got ourselves pleasant jobs, with monsters for playmates, and we can't get fired. It'll be the rottenest time of our lives, and the rest of our lives, as far as I can see."

Gene sank down, put the compress back on his bump. "I don't get it."

"You will. I'm not absolutely sure I'm right, but I know a little more about it than you."

"What's your name?"

"They call me Queenie Brant. A name that fits this business. My real name is Ann O'Donnell."

"Queenie's a horse's name—I'll call you Ann. Me, I'm Gene O'Neil."

"That makes us both Irish," she said. He lifted the compress and saw the first really natural smile on her face. It was a sweet smile, introspective, dewy, young.

"You were only a dancer." He said it flatly.

For a long instant she looked at him, "Thanks. You got inside the gate on that one."

"It's in your eyes. I'm glad to know you, Ann. And I'd like to know you better."

"You will. There'll be plenty of time; we're bound for Io."

"Where's Io?"

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