Rapids?"

"No, father. Who is Alan Conrad?"

"I do not know, dear. I never heard the name until to-day, and Henry Spearman had never heard it. But it appears to be intimately connected in some way with what was troubling Uncle Benny yesterday. He wrote a letter yesterday to Alan Conrad in Blue Rapids and mailed it himself; and afterward he tried to get it back, but it already had been taken up and was on its way. I have not been able to learn anything more about the letter than that. He seems to have been excited and troubled all day; he talked queerly to you, and he quarreled with Henry, but apparently not about anything of importance. And to-day that name, Alan Conrad, came to me in quite another way, in a way which makes it certain that it is closely connected with whatever has happened to Uncle Benny. You are quite sure you never heard him mention it, dear?"

"Quite sure, father."

He released her and, still in his hat and coat, went swiftly up the stairs. She ran after him and found him standing before a highboy in his dressing room. He unlocked a drawer in the highboy, and from within the drawer he took a key. Then, still disregarding her, he hurried back down-stairs.

As she followed him, she caught up a wrap and pulled it around her. He had told the motor, she realized now, to wait; but as he reached the door, he turned and stopped her.

"I would rather you did not come with me, little daughter. I do not know at all what it is that has happened—I will let you know as soon as I find out."

The finality in his tone stopped her from argument. As the house door and then the door of the limousine closed after him, she went back toward the window, slowly taking off the wrap. She saw the motor shoot swiftly out upon the drive, turn northward in the way that it had come, and then turn again, and disappear. She could only stand and watch for it to come back and listen for the 'phone; for the moment she found it difficult to think. Something had happened to Uncle Benny, something terrible, dreadful for those who loved him; that was plain, though only the fact and not its nature was known to her or to her father; and that something was connected—intimately connected, her father had said—with a name which no one who knew Uncle Benny, ever had heard before, with the name of Alan Conrad of Blue Rapids, Kansas. Who was this Alan Conrad, and what could his connection be with Uncle Benny so to precipitate disaster upon him?

CHAPTER II

WHO IS ALAN CONRAD?

The recipient of the letter which Benjamin Corvet had written and later so excitedly attempted to recover, was asking himself a question which was almost the same as the question which Constance Sherrill had asked. He was, the second morning later, waiting for the first of the two daily eastbound trains which stopped at the little Kansas town of Blue Rapids which he called home. As long as he could look back into his life, the question, who is this person they call Alan Conrad, and what am I to the man who writes from Chicago, had been the paramount enigma of existence for him. Since he was now twenty-three, as nearly as he had been able to approximate it, and as distinct recollection of isolated, extraordinary events went back to the time when he was five, it was quite eighteen years since he had first noticed the question put to the people who had him in charge: "So this is little Alan Conrad. Who is he?"

Undoubtedly the question had been asked in his presence before; certainly it was asked many times afterwards; but it was since that day when, on his noticing the absence of a birthday of his own, they had told him he was five, that he connected the evasion of the answer with the difference between himself and the other children he saw, and particularly between himself and the boy and girl in the same house with him. When visitors came from somewhere far off, no one of them ever looked surprised at seeing the other children or asked about them. Always, when some one came, it was, "So this is little Jim!" and "This is Betty; she's more of a Welton every day!" Then, each time with that change in the voice and in the look of the eyes and in the feel of the arms about him—for though Alan could not feel how the arms hugged Jim and Betty, he knew that for him it was quite different—"So this is Alan Conrad," or, "So this is the child!" or, "This, I suppose, is the boy I've heard about!"

However, there was a quite definite, if puzzling, advantage at times in being Alan Conrad. Following the arrival of certain letters, which were distinguished from most others arriving at the house by having no ink writing on the envelope but just a sort of purple or black printing like newspapers, Alan invariably received a dollar to spend just as he liked. To be sure, unless "papa" took him to town, there was nothing for him to spend it upon; so, likely enough, it went into the square iron bank, of which the key was lost; but quite often he did spend it according to plans agreed upon among all his friends and, in memory of these occasions and in anticipation of the next, "Alan's dollar" became a community institution among the children.

But exhilarating and wonderful as it was to be able of one's self to take three friends to the circus, or to be the purveyor of twenty whole packages—not sticks—of gum, yet the dollar really made only more plain the boy's difference. The regularity and certainty of its arrival as Alan's share of some larger sum of money which came to "papa" in the letter, never served to make the event ordinary or accepted.

"Who gives it to you, Alan?" was a question more often asked, as time went on. The only answer Alan could give was, "It comes from Chicago." The postmark on the envelope, Alan noticed, was always Chicago; that was all he ever could find out about his dollar. He was about ten years old when, for a reason as inexplicable as the dollar's coming, the letters with the typewritten addresses and the enclosed money ceased.

Except for the loss of the dollar at the end of every second month—a loss much discussed by all the children and not accepted as permanent till more than two years had passed—Alan felt no immediate results from the cessation of the letters from Chicago; and when the first effects appeared, Jim and Betty felt them quite as much as he. Papa and mamma felt them, too, when the farm had to be given up, and the family moved to the town, and papa went to work in the woolen mill beside the river.

Papa and mamma, at first surprised and dismayed by the stopping of the letters, still clung to the hope of the familiar, typewritten addressed envelope appearing again; but when, after two years, no more money came, resentment which had been steadily growing against the person who had sent the money began to turn against Alan; and his "parents" told him all they knew about him.

In 1896 they had noticed an advertisement for persons to care for a child; they had answered it to the office of the newspaper which printed it. In response to their letter a man called upon them and, after seeing them and going around to see their friends, had made arrangements with them to take a boy of three, who was in good health and came of good people. He paid in advance board for a year and agreed to send a certain amount every two months after that time. The man brought the boy, whom he called Alan Conrad, and left him. For seven years the money agreed upon came; now it had ceased, and papa had no way of finding the man—the name given by him appeared to be fictitious, and he had left no address except "general delivery, Chicago"—Papa knew nothing more than that. He had advertised in the Chicago papers after the money stopped coming, and he had communicated with every one named Conrad in or near Chicago, but he had learned nothing. Thus, at the age of thirteen, Alan definitely knew that what he already had guessed—the fact that he belonged somewhere else than in the