manner and customs of the average man; a lesson the result of which would be tabulated and pigeon-holed by that unwearying intelligence, as might be the habits of some species of obscure, unpleasant insect. The young man had developed slight intolerance of the exclusively worldly side of things lately. It seemed by no means improbable he might develop equal intolerance of the exclusively intellectual side before long, at this rate.

"I seem qualifying as a past-master in the highly unprofitable act of quarrelling with my bread and butter," he said to himself. "If I chuck society, and proceed to chuck brains as well, for a man like myself, without genius and without a profession, what the devil is there left?"

Meditating thus, he had left his station at the window, and walked to the extreme end of the corridor farthest away from the servants' wing of the house. It was closed by a splendid tapestry curtain, whereon a crowd of round-limbed cupids drove a naked and reluctant woman, with gestures of naughty haste, towards a satyr, seated beneath a shadowy grove of trees upon a little monticule, who beckoned with one hand while with the other he stopped the notes of his reed pipe. The tapestry was of great beauty and indubitable worth; but the subject of it was slightly displeasing to Laurence, a trifle gross in suggestion, as had been the sphinxes and caryatides of the carven ebony bed.

"Oh! of course there's that sort of thing left," he said to himself, recurring to his recent train of thought. "But, no thank you, I flatter myself I can hardly find satisfaction in those low latitudes at present."

Having, however, an appreciation of all fine artistic work, he laid hold of the border of the curtain, wishing to feel its texture. To his surprise, it was of very great weight, padded and lined with leather, as are curtains covering the doors of certain Roman churches.

Laurence pulled the corner of it towards him and passed behind it. The curtain fell back into position with a muffled thud, leaving him standing in a narrow, dark, cupboard-like space, closed by a door, of which it took him some stifling seconds to find the handle. He fumbled blindly in the dark, an almost childish sense of agitation upon him. He felt as in dreams, when the place to be traversed grows more and more contracted, walls closing down and in on every hand, while the means of exit become more maddeningly impossible of discovery. To his surprise, he turned faint and broke into a sweat. It was not in the least an amusing experience.

At last the handle gave, with a click, and the door opened, disclosing a large and lofty room quite unlike any one which he had yet visited. It was delicately fresh both in atmosphere and colouring. It wore a gracious and friendly look, seeming to welcome the intruder with a demure gladsomeness. A certain gaiety pervaded it even on this unpropitious morning. The great bay-window, facing east, gave upon a stately Italian garden, beyond the tall cypresses, white statues, and fountains of which spread flat, high-lying lawns of brilliantly green turf. These were crossed by a broad walk of golden gravel leading to an avenue of enormous lime-trees, the domed heads of which were just touched with the rose-pink buds of the opening spring.

The furniture of the room was of satin-wood, highly polished and painted with garlands of roses, true-lovers' knots of blue ribbon, dainty landscapes, ladies and lovers, after the manner of Boucher. The chairs and sofas were upholstered in brocade, the predominating colours of which were white, pale yellow, and pale pink. An old-fashioned, square, semi-grand piano—the case of it in satin-wood and painted like the rest—stood out into the room. On a spindle-legged table beside it lay a quantity of music, the printing very black, the pages brown with age. Close against these was a violin case covered with faded, red velvet, on which were stamped initials and a crest.

Laurence's eyes dwelt on these things. And then—surely there should be a harp in the further left-hand corner, the strings of it covered by a gilded, stamped leather hood? Yes, it was there right enough.—And a tall escritoire, with a miniature brass balustrade running along the top of it, should stand at right angles to the chimney-piece, upon which last, doubled by the looking-glass behind, should be tall azure and gold Sèvres jars, an Empire clock—the golden face of it set in a ring of precious garnets—figures in Chelsea china and branched, gold candlesticks.

Laurence looked for and found these objects, a prey at once to surprise and to a sense of happy familiarity. He was perfectly acquainted with this room—but why or how he knew not. He was filled, too, by a singular sense of expectation. It was to him as though some exquisite presence had but lately quitted this apartment and might, at any instant, return to it. He apprehended something tenderly, delectably feminine. The china ornaments, and many little fanciful silver toys, spoke of a woman's taste. So did a tambour frame, and an ivory work-box, the lid of it open, disclosing dainty property of gold thimble, scissors, cottons, and what not—and a half-finished frill of cobweb-like India muslin, a little, gold-eyed needle sticking in the mimic hem. On the small table beside the work-box lay a white vellum-bound copy of the Vita Nuova of Dante, and the Introduction to the Devout Life of St. Francis de Sales.

Perplexed by his own sensations, possessed too by a sudden, gentle reverence and longing which he could not explain, Laurence touched the pretty trifles in the work-box; fitted the thimble on the tip of his little finger; turned the pages of the Dante, and read how the poet came near swooning at first sight of the maiden of eight years old whom, though she was never destined to be his mistress or wife, he loved ever after, and made immortal in immortal verse. He unlocked the worn red-velvet violin case and drew the bow—not for the first time—he could have sworn not—across the wailing strings. What did it all mean? Yes, what, indeed,—in the name of common-sense, of New York and Newport, of his golf and polo, and cotillions, of crowded opera-house and shouting racecourse? In the name, too, of those hard, brilliant, dying eyes, and that cold, hungry intellect upstairs, what did it mean? He had no recollection of having been into this room on his former visits to Stoke Rivers in his boyhood. And yet, of course, he must have been here—otherwise? But then this overmastering sense of expectation, this apprehension of an exquisite feminine presence, this—

"Upon my word, I'm playing the fool to some purpose," he said, half aloud.

He crossed the room, threw wide the French window and went onto the head of the semicircular flight of stone steps without. The wind buffeted him roughly. The rain spattered in his face. On the left, the lawns were divided from the downward slope of rough park and woodland by a sunk fence. Beyond was outspread an extensive tract of rolling, wooded country—red and white hamlets half buried among trees, here and there the spire of a village church, flat, green pastures lying along the valleys, brown patches of hop-garden and ploughland, and uplifted against the grey, storm-drifted horizon a windmill crowning some conspicuous height. Suddenly the cry of hounds, running, saluted Laurence's ear. Then the whole pack, breaking covert, crossed the open park. The field followed, horses pulling, riders leaning forward, squaring their shoulders to the wind—a flash of scarlet, chestnut, black and bay, behind the dappled joy of the racing pack.

For a moment the strange influences of this strange day made even the merry hunt appear to Laurence as the pageant of an uneasy dream. But soon the honest outdoor life claimed him again, forcing him back upon unquestioned realities. He closed the French window behind him, stood on the wet steps spending some anxious moments in the lighting of a cigar, and then strolled, hatless, round to the stables to make inquiry as