anything stronger than orangeade. That is what I love about my friends in Bethlehem. Some of them have had a fairly hard struggle to get on. They don't whine about it or even boast, but they are firmly decided in their effort to give their daughters every opportunity to be even more perfect gentlewomen than they are naturally. Still some quite young American girls drink cocktails and then become quite amusing and very witty, and one decides that they are priceless companions, but out of the question as wives.

When a Britisher marries a French or a Spanish girl, there are often difficulties before she becomes accustomed to her new environment. Neither American people nor English people expect any difficulties at all when their children intermarry. And yet they do occur, and are either humourous or tragic, quite often the latter. So I would say to the Britisher, if you ever marry an American girl, look out. She will either be the very best sort of wife a man could possibly have, or she will be the other thing. It will be necessary for you to humour her as much as possible. Like a horse with a delicate mouth, she requires good hands. Don't marry her unless you love her. Don't marry her for her money, or you will regret it. She is no fool and she will expect full value for all she gives. The terrible thing is that she may believe you to be a member of the aristocracy, and she will expect to go about in the very best society in London. If you are not a member of the smart set and take her to live in the country she may like it all right, but the chances are that she will cry a good deal, get a bad cold, which will develop into consumption, and possibly die if you don't take her back to New York. She will never understand the vicar's wife and the lesser country gentry, and she will loathe the snobbishness of some of the county people. In the process, she will find you out, and may heaven help you for, as Solomon said: "It is better to live on the housetop than inside with a brawling woman," and she will brawl all right. I have heard of some bitter experiences undergone by young American women.

There is, of course, no reason in the world why an English fellow should not marry an American girl if he is fond of her and she will have him. But it is a little difficult. Sometimes a Britisher arrives here with a title and is purchased by a young maiden with much money, possibly several millions, and he takes her back to Blighty. Some American girls are foolish. The people perhaps dislike her accent and her attitude towards things in general. He does not know it, of course, but she has not been received by the very nicest people in her own city, not because they despise her, but merely because they find the people they have known all their lives sufficient. You see it is a little difficult for the child. In America she has been, with the help of her mother perhaps, a social mountaineer. Social mountaineering is not a pleasing experience for anyone, especially in America, but we all do it a little, I suppose. It is a poor sort of business and hardly worth while. When this child arrives in England she may be definitely found wanting in the same way that she may have been found wanting in American society, and she is naturally disappointed and annoyed. When annoyed she will take certain steps that will shock the vicar's wife, and possibly she will elope with the chauffeur, all of which will be extremely distressing, though it will be the fellow's own fault. Of course, she may love him quite a lot, but she will probably never understand him. I am not sure that she will always be willing to suffer. Why should she?

IV

"VERY'S LIGHTS"

Bethlehem, December 20, 1917.

I am steadily becoming a movie "fan," which means that when Douglas Fairbanks, or Charlie Chaplin, or other cheerful people appear on the screen at the Lorenz theatre at Bethlehem I appear sitting quite close up and enjoying myself. It is all very interesting. One sort of gets to know the people, and indeed to like them. The movies have taken up quite a large part of our lives in this burgh. One has got to do something, and if one is a lone bachelor, sitting at home presents but few attractions. The people in film land are all interesting.

There is the social leader. I always love her. Her magnificent and haughty mien thrills me always, as with snowy hair, decent jewels and what not, she proceeds to impress the others in film land. I am not going to talk about the vampire.

Film stories can be divided into three classes—the wild and woolly, the crazy ones, as we call them here, and the society dramas with a human interest; and, I forgot, the crook stories.

The wild and woolly ones are delightful. John Devereaux, bored with his New York home, and his gentle and elegant mother, decides to visit a friend out west. He arrives in a strange cart which looks like a spider on wheels driven by a white haired person wearing a broad brimmed hat and decorated with several pistols or even only one. He seems to find himself almost at once in a dancing hall, where wicked-looking though charming young ladies are dancing with fine handsome young fellows, all armed to the teeth, and with their hair nicely parted. In the corner of the room is the boss, sinister and evil looking, talking to as nice looking a young person as one could possibly meet. The dancing seems to stop, and then follows a "close up" of the nice looking young person. (A little disappointing this "close up." A little too much paint mademoiselle, n'est ce pas, on the lips and under the eyes?) Then a "close up" of the boss. This is very thrilling and the widest possibilities of terrible things shortly to happen are presented to us fans, as we see him chew his cigar and move it from one side of his mouth to the other. They both discuss John Devereaux and then follows a "close up" of our hero. He is certainly good looking, and his fine well-made sporting suit fits him well and shows off his strong figure.

But wait till you see him on a horse which has not a good figure, but an extremely useful mouth that can be tugged to pieces by John Devereaux as he wheels him around. I am going to start a mission to movie actors in horse management, and I am going to dare to tell them that to make a horse come round quickly and still be able to use him for many years, it is not necessary to jag his dear old mouth to bits. I am also going to teach them how to feed a horse so that his bones don't stick out in parts even if he is a wicked looking pie-bald. I am also going to teach them that if you have twelve miles to ride it is an awful thing to jag your spurs into his flanks and make him go like hell. I suppose they will enjoy my mission, and it will have the same success that all missions have—but this by the way.

John Devereaux is a very handsome chap, and I like him from the start, and I am greatly comforted when I know that the charming young person will throw her fan in the face of the boss, pinch all his money and live for a few sad days in extremely old-fashioned but becoming clothes (generally a striped waist) with another worthy but poor friend, and then marry our hero. I come away greatly comforted and retire, feeling that the world without romance would be a dull place.

I love the crazy ones, I love to see fat old ladies taking headers into deep ponds. I love to see innocent fruit sellers getting run into by Henry Ford motors. I love to see dozens of policemen massing and then suddenly leaving their office and rushing like fury along the road after—Charlie Chaplin. Give me crazy movies. They are all brimming over with