أنت هنا
قراءة كتاب Rubáiyát of Omar Khayyam, Rendered into English Verse
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

RENDERED INTO ENGLISH VERSE BY
Edward Fitzgerald
WITH ILLUSTRATIONS BY
Edmund Dulac

DE LUXE EDITION
GARDEN CITY PUBLISHING CO., INC.
Garden City, New York
1937
GARDEN CITY PUBLISHING CO., INC.
CL
RUBÁIYÁT OF OMAR KHAYYÁM
PRINTED IN THE UNITED STATES OF AMERICA
CONTENTS
ILLUSTRATIONS
FACING | |
PAGE | |
QUATRAIN I p. 41 | xxxviii |
QUATRAIN XI p. 46 | xxxix |
QUATRAIN XXIV p. 52 | 54 |
QUATRAIN XLII p. 61 | 55 |
QUATRAIN LXXII p. 76 | 86 |
QUATRAIN XI p. 86 | 87 |
QUATRAIN XX p. 90 | 102 |
QUATRAIN XLIV p. 102 | 103 |
QUATRAIN LXXII p. 116 | 134 |
QUATRAIN XIV p. 145 | 135 |
QUATRAIN XXXVII p. 157 | 150 |
QUATRAIN XLI p. 159 | 151 |
BIOGRAPHICAL PREFACE
EDWARD FITZGERALD
Edward Fitzgerald, whom the world has already learned, in spite of his own efforts to remain within the shadow of anonymity, to look upon as one of the rarest poets of the last century, was born at Bredfield, in Suffolk, on the 31st March, 1809. He was the third son of John Purcell, of Kilkenny, in Ireland, who, marrying Miss Mary Frances Fitzgerald, daughter of John Fitzgerald, of Williamstown, County Waterford, added that distinguished name to his own patronymic; and the future Omar was thus doubly of Irish extraction. (Both the families of Purcell and Fitzgerald claim descent from Norman warriors of the eleventh century.) This circumstance is thought to have had some influence in attracting him to the study of Persian poetry, Iran and Erin being almost convertible terms in the early days of modern ethnology. After some years of primary education at the grammar school of Bury St. Edmunds, he entered Trinity College, Cambridge, in 1826, and there formed acquaintance with several young men of great abilities, most of whom rose to distinction before him, but never ceased to regard with affectionate remembrance the quiet and amiable associate of their college-days. Amongst them were Alfred Tennyson, James Spedding, William Bodham Donne, John Mitchell Kemble, and William Makepeace Thackeray; and their long friendship was touchingly referred to by Tennyson in dedicating his last poem to the memory of Edward Fitzgerald. "Euphranor," our author's earliest printed work, affords a curious picture of his academic life and associations. Its substantial reality is evident beneath the