his eye to the hole.

There inside was a candle burning on a stand, and Tiki-pu squatting with paint-pots and brush in front of Wio-Wani's last masterpiece.

"What fine piece of burglary is this?" thought he; "what serpent have I been harbouring in my bosom? Is this beast of a grub of a boy thinking to make himself a painter and cut me out of my reputation and prosperity?" For even at that distance he could perceive plainly that the work of this boy went head and shoulders beyond his, or that of any painter then living.

Presently Wio-wani opened his door and came down the path, as was his habit now each night, to call Tiki-pu to his lesson. He advanced to the front of his picture and beckoned for Tiki-pu to come in with him; and Tiki-pu's master grew clammy at the knees as he beheld Tiki-pu catch hold of Wio-wani's hand and jump into the picture, and skip up the green path by Wio-wani's side, and in through the little door that Wio-wani had painted so beautifully in the end wall of his palace!

For a time Tiki-pu's master stood glued to the spot with grief and horror. "Oh, you deadly little underling! Oh, you poisonous little caretaker, you parasite, you vampire, you fly in amber!" cried he, "is that where you get your training? Is it there that you dare to go trespassing; into a picture that I purchased for my own pleasure and profit, and not at all for yours? Very soon we will see whom it really belongs to!"

He ripped out the paper of the largest window-pane and pushed his way through into the studio. Then in great haste he took up paint-pot and brush, and sacrilegiously set himself to work upon Wio-wani's last masterpiece. In the place of the doorway by which Tiki-pu had entered he painted a solid brick wall; twice over he painted it, making it two bricks thick; brick by brick he painted it, and mortared every brick to its place. And when he had quite finished he laughed, and called "Good-night, Tiki-pu!" and went home to bed quite happy.

The next day all the apprentices were wondering what had become of Tiki-pu; but as the master himself said nothing, and as another boy came to act as colour-grinder and brush-washer to the establishment, they very soon forgot all about him.

In the studio the master used to sit at work with his students all about him, and a mind full of ease and contentment. Now and then he would throw a glance across to the bricked-up doorway of Wio-wani's palace, and laugh to himself, thinking how well he had served out Tiki-pu for his treachery and presumption.

One day—it was five years after the disappearance of Tiki-pu—he was giving his apprentices a lecture on the glories and the beauties and the wonders of Wio-wani's painting—how nothing for colour could excel, or for mystery could equal it. To add point to his eloquence, he stood waving his hands before Wio-wani's last masterpiece, and all his students and apprentices sat round him and looked.

Suddenly he stopped at mid-word, and broke off in the full flight of his eloquence, as he saw something like a hand come and take down the top brick from the face of paint which he had laid over the little door in the palace-wall which Wio-wani had so beautifully painted. In another moment there was no doubt about it; brick by brick the wall was being pulled down, in spite of its double thickness.

The lecturer was altogether too dumfounded and terrified to utter a word. He and all his apprentices stood round and stared while the demolition of the wall proceeded. Before long he recognised Wio-wani with his flowing white beard; it was his handiwork, this pulling down of the wall! He still had a brick in his hand when he stepped through the opening that he had made, and close after him stepped Tiki-pu!

Tiki-pu was grown tall and strong—he was even handsome; but for all that his old master recognised him, and saw with an envious foreboding that under his arms he carried many rolls and stretchers and portfolios, and other belongings of his craft. Clearly Tiki-pu was coming back into the world, and was going to be a great painter.

Down the garden-path came Wio-wani, and Tiki-pu walked after him; Tiki-pu was so tall that his head stood well over Wio-wani's shoulders—old man and young man together made a handsome pair.

How big Wio-wani grew as he walked down the avenues of his garden and into the foreground of his picture! and how big the brick in his hand! and ah, how angry he seemed!

Wio-wani came right down to the edge of the picture-frame and held up the brick. "What did you do that for?" he asked.

"I... didn't!" Tiki-pu's old master was beginning to reply; and the lie was still rolling on his tongue when the weight of the brick-bat, hurled by the stout arm of Wio-wani, felled him. After that he never spoke again. That brick-bat, which he himself had reared, became his own tombstone.

Just inside the picture-frame stood Tiki-pu, kissing the wonderful hands of Wio-wani, which had taught him all their skill. "Good-bye, Tiki-pu!" said Wio-wani, embracing him tenderly. "Now I am sending my second self into the world. When you are tired and want rest come back to me: old Wio-wani will take you in."

Tiki-pu was sobbing, and the tears were running down his cheeks as he stepped out of Wio-wani's wonderfully painted garden and stood once more upon earth. Turning, he saw the old man walking away along the path toward the little door under the palace-wall. At the door Wio-wani turned back and waved his hand for the last time. Tiki-pu still stood watching him. Then the door opened and shut, and Wio-wani was gone. Softly as a flower the picture seemed to have folded its leaves over him.

Tiki-pu leaned a wet face against the picture and kissed the door in the palace-wall which Wio-wani had painted so beautifully. "O Wio-wani, dear master," he cried, "are you there?"

He waited, and called again, but no voice answered him.

THE WAY OF THE WIND

Where the world breaks up into islands among the blue waves of an eastern sea, in a little house by the seashore, lived Katipah, the only child of poor parents. When they died she was left quite alone and could not find a heart in the world to care for her. She was so poor that no man thought of marrying her, and so delicate and small that as a drudge she was worth nothing to anybody.

Once a month she would go and stand at the shrine gate, and say to the people as they went in to pray, "Will nobody love me?" And the people would turn their heads away quickly and make haste to get past, and in their hearts would wonder to themselves: "Foolish little Katipah! Does she think that we can spare time to love any one so poor and unprofitable as she?"

On the other days Katipah would go down to the beach, where everybody went who had a kite to fly—for all the men in that country flew kites, and all the children,—and there she would fly a kite of her own up into the blue air; and watching the wind carrying it farther and farther away, would grow quite happy thinking how a day might come at last when she would really be loved, though her queer little outside made her seem so poor and unprofitable.

Katipah's kite was green, with blue eyes in its square face; and in one corner it had a very small pursed-up red mouth holding a spray of peach-blossom. She had made it herself; and to her it meant the green world, with the blue sky over it when the spring begins to be sweet, and there, tucked away in one corner of it, her own little warm mouth waiting and wishing to be kissed: and out of all that wishing and waiting the blossom of hope was springing, never to be let go.

All round her were hundreds of others flying their kites, and all had some wish or prayer to Fortune. But Katipah's wish and prayer were only that she might be loved.

The silver sandhills lay in loops and chains round the curve of the blue bay, and all along them flocks of gaily coloured kites