own once, that wonderful gift—whatever it is. Once it was my own brain, unhelped, that sent the glow to my heart and the fire to my tongue—till words had glorious colours and pictures painted themselves out of nothing. Once it was my own mind that saw a problem as clear as crystal. But I wasn't content. I wanted the short cut, and this showed me the way. And now—now—I've dropped the reins. It's not Harry Sevier that wins cases—it's that bottle!"

He began to stride up and down the narrow room; deep lines had etched themselves in the mobile face. "There was the Davencourt Case," he said to himself. "Not a shred of decent evidence to go on, and the whole court packed with prejudice, and he was as guilty as the devil. Yet I won! That was only a year ago, but I couldn't do it now—without what is in that decanter! All day yesterday I was heavy, my mind was as blank as a glacier. In the cross-examination I couldn't see a foot before me. But for this half-hour it would go hard with my client at the finish. As it is I wouldn't want a better foil than old Maitland for the prosecution. How he has slaved over his witnesses! I might have made some of the testimony that sounded so damning look like a cocked-hat if I had gone about it in his laborious way. For this 'Paddy the Brick' has plenty of friends, for all his crookedness. Half the logging-camp, apparently, chipped in to make up my retaining-fee. But pshaw! what's the use? I can get him off without it. In the last analysis it's feeling, not facts, that will sway them—feeling first, and then conscience. Every man of them must see himself, first shivering in the shoes of my thief, and then wearing the Judge's gown. When the psychological moment comes there is only to drive home the fallibility of circumstantial evidence and sear those twelve slow-going, matter-of-fact brains with a sense of the inherent perversity of appearances!" He smiled bitterly. "Especially," he added, "when there's whisky in the story. My client was drunk as a boiled owl when he was arrested—the stolen plunder might easily have been put on him, as he claims it was. The jury will understand that. There's probably not a man on it who doesn't get squiffy now and then."

He stopped in his walk and held up a hand against the light—it wavered ever so little. The draught had not yet brought its accustomed poise of nerve—its tense certitude, its mental glow and confidence. With an impatient gesture he turned again to the cabinet. "One used to do it," he said; "it will evidently take more to-day to restore our bold Turpin to his career on the highway!" He set the empty glass in its place with a short laugh.

"Curious," he said. "If he were innocent and drink had got him into this scrape, there would be a poetic justice in drink's getting him out!"

As he turned to lock the cabinet, the bell of his desk-telephone rang—three short, sharp rings. It was the clerk's warning that the court was about to reassemble. He drew a deep breath, and cast a quick glance at the little mirrored door. No tinge was rising in his colourless face, no warming tingle in his veins. His hands were uncertain and his fingers had an odd numbness. A keen, cold edge of anxiety touched him. Always heretofore, when he had sat with the black decanter, he had felt the wonderful, slow change—the gradual glow creeping through every nerve, the tightening of muscle and sinew as for a race, the thrilling, glad sense of renewed power and unleashed ability and the inevitable quivering rush of lambent images in his brain. The signal was too long in coming to-day—and he could not wait! His hand shook as it reached again to the little shelf. An instant he hesitated—for a breath, while the light twinkled from the deep-cut facets, he strove to remember whether he had drunk one glass or two. Then with a frown he poured the draught and drinking it off, locked the cabinet, and went hurriedly out.

When he entered the courtroom, the wide space had filled again and the State's Attorney had opened his address—a brief one, icily emotionless and rigidly exact—the very background upon which so often Harry Sevier's winged words had spelled victory for a cause prejudged as lost. And he was to reply—with the final speech for whose inspiration he had fled to that locked cabinet in the darkened inner-office. Paddy the Brick listened with the look of some trapped thing gazing at its captor, sometimes turning toward his counsel a furtive wavering glance that was blent equally of dread and dog-like appeal. These glances were unreturned. Harry Sevier sat motionless, his eyes straight before him.

But behind that mask Harry's thought was turning and turning upon itself. The sudden sharp edge of anxiety that had caught him in his office had grown to a thriving fear. His ally was failing him. The master, whose upper hand he had just acknowledged—whose aid had been so freely given him in really vital moments—was forsaking him at the turn of a wretched, second-rate case of common thievery! He realised it with a sickening sense of wonder that mingled with a dull anger at the littleness of the issue, and through the confused mist of his mind his inner ear seemed to hear a far-distant sardonic laughter—as though the Djin of the bottle laughed in the locked wall-cabinet at his dismay.

He rose to speak for the defence with an icy clog upon his faculties, while beneath that frozen surface the something that had been shackled reared and struggled vainly. Vocabulary, cunning of phrase, and logical sequence of argument had not deserted him; he realised this with a blind rage that seemed with a singular separateness to lie outside of himself—to associate itself strangely with the prisoner. But the persuasion that had so often checkmated justice, the calculated force, the insinuating tactfulness, the living, warm appeal that had had their way in the past were absent. He had a curious feeling of duality, as though two Harry Seviers had suddenly and painfully drawn apart—the one whose measured voice was speaking, and the other which clamoured and appealed, conscious only of its own deadly smother and of the despairing face of the man with the wiry sand-coloured hair who sat slouched in his chair beside him.

The roomful seemed very still. The Judge was looking at him fixedly, through bowed horn-glasses set far down on his nose. Harry was aware that in the countenance of the state's attorney puzzle and a stealthy relief struggled together. With desperate narrowness he watched the faces of the jury for a sign, a tentative withdrawal of stolidity that betokened a quickened and awakening interest. But they sat moveless and impassive. There was a last hideous pause, in which he thought the foreman suppressed an incipient yawn, when his own brain refused further struggle. He knew that he had been betrayed. The door of human sympathy would not open—he had lost the magic key.

The reply of the State's Attorney was a mere résumé of the evidence. He had needed no more. The Judge's charge was brief. Then had come the stir of moving bodies and the buzz of whispers—the shuffling of feet as the Judge retired and the jurors filed out—and at length the painful hiatus with the red sunlight and the pallid lamps.

This was broken presently by three measured raps on the door of the jury-room, which, as the Judge re-entered, opened to admit the jurors. They were quickly polled and the verdict given—guilty. The sentence followed immediately.

With the fateful words Harry Sevier turned his eyes, almost as if suddenly awakening from sleep, upon the court-room, and met across the moving benches a woman's concentrated and wondering look. She was Echo Allen, the original of the portrait whose photograph lay face-down upon his office desk. The neutral-tinted presentment, however, had been far from realising the concrete flush of sensuous beauty of its living original, with her straight lithe frame, her hair all a wash of warm russets and sunny golds, framing a face perfect in contour and with a