"Looking myself somewhat hopelessly upon this onward gliding of the stream, I am not willing to allow these sketches of mine entirely to pass away. They have already begun to assume the tints of a relic of the past, and may, in another generation, become archæological, and sink into the chapter of antiquities. Presenting, as I make bold to say, a faithful picture of the people, the modes of life, and the scenery of a region full of attraction, and exhibiting the lights and shades of its society with the truthfulness of a painter who has studied his subject on the spot, they may reasonably claim their accuracy of delineation to be set off as an extenuation for any want of skill or defect of finish which a fair criticism may charge against the artist. Like some sign-post painters, I profess to make a strong likeness, even if it should be thought to be hard,—and what better workmen might call a daub,—as to which I must leave my reader to judge for himself when he has read this book. The outward public award on this point was kind, and bestowed quite as much praise as I could have desired—much more than I expected—when the former edition appeared. But "the progress" has brought out many competitors since that day, and has, perhaps, rendered the public taste more scrupulous. A book then was not so perilous an offering as it is now in the great swarm of authorships. We run more risk, just now, of being left alone—unread—untalked of—though not, happily, unpuffed by newspapers, who are favorites with the publisher, and owe him courtesies.

"I wish it to be noted that Swallow Barn is not a novel. I confess this in advance, although I may lose by it. It was begun on the plan of a series of detached sketches linked together by the hooks and eyes of a traveller's notes; and although the narrative does run into some by-paths of personal adventure, it has still preserved its desultory, sketchy character to the last. It is, therefore, utterly unartistic in plot and structure, and may be described as variously and interchangeably partaking of the complexion of a book of travels, a diary, a collection of letters, a drama, and a history,—and this, serial or compact, as the reader may choose to compute it. Our old friend Polonius had nearly hit it in his rigmarole of 'pastoral-comical, tragical-comical-historical-pastoral'—which, saving 'the tragical,' may well make up my schedule: and so I leave it to the 'censure' of my new reader."

"Beyond the bridge, at some distance, stands a prominent object in the perspective of this picture,—the most venerable appendage to the establishment—a huge barn with an immense roof hanging almost to the ground, and thatched a foot thick with sunburnt straw, which reaches below the eaves in ragged flakes. It has a singularly drowsy and decrepit aspect. The yard around it is strewed knee-deep with litter, from the midst of which arises a long rack resembling a chevaux de frise, which is ordinarily filled with fodder. This is the customary lounge of half a score of oxen and as many cows, who sustain an imperturbable companionship with a sickly wagon, whose parched tongue and drooping swingle-trees, as it stands in the sun, give it a most forlorn and invalid character; whilst some sociable carts under the sheds, with their shafts perched against the walls, suggest the idea of a set of gossiping cronies taking their ease in a tavern porch. Now and then a clownish hobble-de-hoy colt, with long fetlocks and disordered mane, and a thousand burs in his tail, stalks through this company. But as it is forbidden ground to all his tribe, he is likely very soon to encounter a shower of corn-cobs from some of the negro men; upon which contingency he makes a rapid retreat across the bars which imperfectly guard the entrance to the yard, and with an uncouth display of his heels bounds towards the brook, where he stops and looks back with a saucy defiance; and after affecting to drink for a moment, gallops away with a braggart whinny to the fields."

"There is a numerous herd of little negroes about the estate; and these sometimes afford us a new diversion. A few mornings since we encountered a horde of them, who were darting about the bushes like untamed monkeys. They are afraid of me because I am a stranger, and take to their heels as soon as they see me. If I ever chance to get near enough to speak to one of them, he stares at me with a suspicious gaze, and, after a moment, makes off at full speed, very much frightened, towards the cabins at some distance from the house. They are almost all clad in a long coarse shirt which reaches below the knee, without any other garment. But one of the group we met on the morning I speak of, was oddly decked in a pair of ragged trowsers, conspicuous for their ample dimensions in the seat. These had evidently belonged to some grown-up person, but were cut short in the legs to make them fit the wearer. A piece of twine across the shoulder of this grotesque imp, served for suspenders, and kept his habiliments from falling about his feet. Ned ordered this crew to prepare for a foot-race, and proposed a reward of a piece of money to the winner. They were to run from a given point, about a hundred paces distant, to the margin of the brook. Our whole suite of dogs were in attendance, and seemed to understand our pastime. At the word, away went the bevy, accompanied by every dog of the pack, the negroes shouting and the dogs yelling in unison. The shirts ran with prodigious speed, their speed exposing their bare, black, and meager shanks to the scandal of all beholders; and the strange baboon in trowsers struggled close in their rear, with ludicrous earnestness, holding up his redundant and troublesome apparel with his hand. In a moment they reached the brook with unchecked speed, and, as the banks were muddy, and the dogs had become entangled with the racers in their path, two or three were precipitated into the water. This only increased the merriment, and they continued the contest in this new element by floundering, kicking, and splashing about, like a brood of ducks in their first descent upon a pool. These young negroes have wonderfully flat noses, and the most oddly disproportioned mouths, which were now opened to their full dimensions, so as to display their white teeth in striking contrast with their complexions. They are a strange pack of antic and careless animals, and furnish the liveliest picture that is to be found in nature of that race of swart fairies, which, in the old time, were supposed to play their pranks in the forest at moonlight. Ned stood by, enjoying this scene like an amateur—encouraging the negroes in their gambols, and hallooing to the dogs, that