another day with this damp weather, but it don't seem as if doughnuts ought to result in cats like Jathrop. If I'd dreamed of mice, it'd been different, for some of the doughnuts was gnawed in a way as showed as there'd been mice in the jar. It does beat all how mice get about. Maybe it was the mice made me think Jathrop was a cat. But even then I can't see how I did come to dream that dream. Unless it was a sign. Mrs. Lupey's sure it was a sign. We talked about signs the whole of the Sewing Society. Dreams and signs. Everybody told all they knew. Mrs. Macy told about her snow dream. Whenever Mrs. Macy has her snow dream, somebody dies. She says it's so interesting to look in a paper the next time she gets hold of one and see who it was. One time she thought it was Edgar Allen Poe, but when she read it over twice, she see that it was just that he'd been born. She says her snow dream's a wonderful sign; it's never failed once. She dreamed it the night before the earthquake in Italy, and she says to think how many died of it that time!

"This started Gran'ma Mullins, and Gran'ma Mullins told about that dream she had the year before she met her husband. That was an awful dream. I wonder she met her husband a tall after it. She thought she was alone in a thick wood, and she saw a man coming, and she was scared to death. She says she can feel her trembling now. She didn't know what to do, 'cause if she'd hid among the trees he couldn't have seen her, and that idea scared her as bad as the other. So she just stood and shook and watched the man coming nearer and nearer. I've heard her tell the story a hundred times, but my blood always sort o' runs cold to hear it. The man come nearer and nearer and, my, but she says he was a man! She was just a young girl, but she was old enough to be afraid, and old enough not to want to hide from him, neither. She says it was an awful lesson to her about going in woods alone, because of course you can't never expect any sympathy if the man does murder you or kiss you—everybody'll just say, 'Why didn't she hide in the woods?' Well, Gran'ma Mullins says there she stood, and she can see herself still standing there. She says she's never been in the woods since just on account of that dream—and then, too, she's one of those that the mosquitos all get on in the woods. And then, besides, she doesn't like woods, anyway. And then, besides, there ain't no thick woods around here. But, anyhow, you know what happened—just as he got to her she woke up, and I must say of all the tame stories to have to sit and listen to over and over, that dream of Gran'ma Mullins is the tamest. I get tired the minute she begins it, but my dream had started every one to telling signs, and so of course Gran'ma Mullins had to tell hers along with the rest.

"When she was done Mrs. Lupey told us about her mother, Mrs. Kitts, and a curious kind of prophetic dream she used to have and kept right on having up to the day she died. Mrs. Lupey said she never heard the like of those dreams of her mother's, and I guess nobody else ever has, either. No, nor never will. Well, it seems Mrs. Kitts used to dream she was falling out of bed, and the curious part is that she always did fall out of bed just as she dreamed it, so it never failed to come true. She'd dream she hit the floor bang! and the next second she'd hit the floor bang! Mrs. Lupey said she never saw such a dream for coming true; if old Mrs. Kitts dreamed she hit her head, she'd hit her head, and the time she dreamed she sprained her wrist, she sprained her wrist, and the time she had her stroke, as soon as her mind was got back in place she told them she'd dreamed she had a stroke in her chair just before she fell out of her chair with the stroke. Even the minister's wife didn't have a word to say.

"Mrs. Lupey said her mother was a most remarkable woman. She's very sorry now she didn't board that painter for a portrait of her. The painter was so awful took with old Mrs. Kitts that he was willing to do her for six weeks and with the frame for two months. But Mrs. Lupey was afraid to have a painter around. She'd just read a detective story about a painter that killed the woman he was painting because he didn't want any one else to paint her. Mrs. Lupey said it was a very Frenchy story—there was a lot between the lines and on the lines, too—as she couldn't make out, but it taught her never to have painters around, for you never could be sure in a house with four other women that he'd kill the one he was painting. But she's sorry now, for she's older now and wiser and a match for any painter going, long-haired, short-haired or no hair at all. But it's too late now, and there's Mrs. Kitts dead unpainted, and all they've got left is a sweet memory and that cane she used to hit at 'em with when they weren't spry enough to suit her, and her hymn-book which she marked up without telling any one and left for a remembrance. Mrs. Lupey says such markings you never heard of.

"When Mrs. Lupey was all done, Mrs. Brown took her turn and told us some very interesting things about Amelia. Seems Amelia is so far advanced in learning what nobody can understand that she can see quite a little ways ahead now and tell just what she's going to do. She can't see for the rest of the family, but she can see for herself. Sometimes it's just a day ahead, and sometimes it's a long way ahead. The longest way ahead that she's seen yet is that she can't see herself ever getting up to breakfast again. Mrs. Brown says of course she respects Amelia's religious views, but it's trying when Amelia wants to go to church, but doesn't see herself going, so has to stay at home. She says Amelia just loves to sew, but she can't see herself sewing any more, so she's given it all up. She says Amelia's got a superior mind—anybody can tell that only to see the way she's took to doing her hair—but she says it's a little hard on young Doctor Brown and her, who haven't got superior minds, to live with her. Amelia don't want to kill flies any more, for fear they're going to be her blood relations a million years from now, and Mrs. Brown says she never was any good once a mouse was caught, but now she won't even hear to setting a trap; she says all things has equal rights, and if she feels a spider, some one has got to take it off her and set it gently outside on the grass. Oh, Mrs. Brown says, Amelia's very hard to live up to, even with the best will in the world. Mrs.—"

Here Susan was interrupted by Brunhilde Susan, the minister's youngest child, who brought the evening milk and the evening paper.

"There was a letter, so I brought that, too," said Brunhilde Susan.

"A letter!" said Susan in surprise.

"It's for Mrs. Lathrop," said Brunhilde Susan.

"For me!" said Mrs. Lathrop in even greater surprise.

"Yes'm," said Brunhilde Susan.

A letter for Mrs. Lathrop was indeed a surprise, as that good lady had only received two in the last five years. As those had been of the least interesting variety, she looked upon the present one with but mild interest. The next minute she gave a scream, for, turning it over as some people always do turn a letter over before opening it, she read on the back "Return to Jathrop Lathrop..." and her fingers turning numb with surprise and her head dizzy for the same reason, she dropped it on the floor forthwith.

Brunhilde Susan had turned and gone back down the walk. Miss Clegg, who had been regarding her friend's slowness to take action with ill-concealed impatience, now made no attempt at concealing anything, but