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قراءة كتاب Where There is Nothing Being Volume I of Plays for an Irish Theatre

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‏اللغة: English
Where There is Nothing
Being Volume I of Plays for an Irish Theatre

Where There is Nothing Being Volume I of Plays for an Irish Theatre

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دار النشر: Project Gutenberg
الصفحة رقم: 2

out.

Paul Ruttledge. Oh, it is a Cochin China fowl, an image of some of our neighbours, like the others.

Thomas Ruttledge. I don't see any likeness to anyone.

Paul Ruttledge. Oh, yes there is, if you could see their minds instead of their bodies. That comb now——

Mrs. Ruttledge. [Coming out on steps.] Thomas, are you coming in?

Thomas Ruttledge. Yes, I'm coming; but Paul won't come.

[Thomas Ruttledge goes out.

Mrs. Ruttledge. Oh! this is nonsense, Paul; you must come. All these men will think it so strange if you don't. It is nonsense to think you will be bored. Mr. Green is talking in the most interesting way.

Paul Ruttledge. Oh! I know Green's conversation very well.

Mrs. Ruttledge. And Mr. Joyce, your old guardian. Thomas says he was always so welcome in your father's time, he will think it so queer.

Paul Ruttledge. Oh! I know all their virtues. There's Dowler, who puts away thousands a year in Consols, and Algie, who tells everybody all about it. Have I forgotten anybody? Oh, yes! Colonel Lawley, who used to lift me up by the ears, when I was a child, to see Africa. No, Georgina, I know all their virtues, but I'm not coming in.

Mrs. Ruttledge. I can't imagine why you won't come in and be sociable.

Paul Ruttledge. You see I can't. I have something to do here. I have to finish this comb. You see it is a beautiful comb; but the wings are very short. The poor creature can't fly.

Mrs. Ruttledge. But can't you finish that after lunch?

Paul Ruttledge. No, I have sworn.

Mrs. Ruttledge. Well, I am sorry. You are always doing uncomfortable things. I must go in to the others. I wish you would have come. [She goes in.

Jerome. [Who has come to gate as she disappears.] Paul, you there! that is lucky. I was just going to ask for you.

Paul Ruttledge. [Flinging clipper away, and jumping up.] Oh, Father Jerome, I am delighted to see you. I haven't seen you for ever so long. Come and have a talk; or will you have some lunch?

Jerome. No, thank you; I will stay a minute, but I won't go in.

Paul Ruttledge. That is just as well, for you would be bored to death. There has been a meeting of magistrates in the village, and my brother has brought them all in to lunch.

Jerome. I am collecting for the Monastery, and my donkey has gone lame; I have had to put it up in the village. I thought you might be able to lend me one to go on with.

Paul Ruttledge. Of course, I'm delighted to lend you that or anything else. I'll go round to the yard with you and order it. But sit down here first. What have you been doing all this time?

Jerome. Oh, we have been very busy. You know we are going to put up new buildings.

Paul Ruttledge. [Absent-mindedly.] No, I didn't know that.

Jerome. Yes, our school is increasing so much we are getting a grant for technical instruction. Some of the Fathers are learning handicrafts. Father Aloysius is going to study industries in France; but we are all busy. We are changing with the times, we are beginning to do useful things.

Paul Ruttledge. Useful things. I wonder what you have begun to call useful things. Do you see those marks over there on the grass?

Jerome. What marks?

Paul Ruttledge. Those marks over there, those little marks of scratching.

Jerome. [Going over to the place Paul Ruttledge has pointed out.] I don't see anything.

Paul Ruttledge. You are getting blind, Jerome. Can't you see that the poultry have been scratching there?

Jerome. No, the grass is perfectly smooth.

Paul Ruttledge. Well, the marks are there, whether you see them or not; for Mr. Green and Mr. Dowler and Mr. Algie and the rest of them run out of their houses when nobody is looking, in their real shapes, shapes like those on my hedge. And then they begin to scratch, they scratch all together, they don't dig but they scratch, and all the time their mouths keep going like that.

[He holds out his hand and opens and shuts his fingers like a bird's bill.

Jerome. Oh, Paul, you are making fun of me.

Paul Ruttledge. Of course I am only talking in parables. I think all the people I meet are like farmyard creatures, they have forgotten their freedom, their human bodies are a disguise, a pretence they keep up to deceive one another.

Jerome. [Sitting down.] What is wrong with you?

Paul Ruttledge. Oh, nothing of course. You see how happy I am. I have a good house and a good property, and my brother and his charming wife have come to look after me. You see the toys of their children here and everywhere. What should be wrong with me?

Jerome. I know you too well not to see that there is something wrong with you.

Paul Ruttledge. There is nothing except that I have been thinking a good deal lately.

Jerome. Perhaps your old dreams or visions or whatever they were have come back. They always made you restless. You ought to see more of your neighbours.

Paul Ruttledge. There's nothing interesting but human nature, and that's in the single soul, but these neighbours of mine they think in flocks and roosts.

Jerome. You are too hard on them. They are busy men, they hav'n't much time for thought, I daresay.

Paul Ruttledge. That's what I complain of. When I hear these people talking I always hear some organized or vested interest chirp or quack, as it does in the newspapers. Algie chirps. Even you, Jerome, though I have not found your armorial beast, are getting a little monastic; when I have found it I will put it among the others. There is a place for it there, but the worst of it is that it will take so long getting nice and green.

Jerome. I don't know what creature you could make for me.

Paul Ruttledge. I am not sure yet; I think it might be a pigeon, something cooing and gentle, and always coming home to the dovecot; not to the wild woods but to the dovecot.

Jerome. I wonder what creature you yourself are like.

Paul Ruttledge. I daresay I am like some creature or other, for very few of us are altogether men; but if I am, I would like to be one of the wild sort. You are right about my dreams. They have been coming back lately. Do you remember those strange ones I had at college?

Jerome. Those visions of pulling something down?

Paul Ruttledge. Yes, they have come back to me lately. Sometimes I dream I am pulling down my own house, and sometimes it is the whole world that I am pulling down. [Standing up.] I would like to have great iron claws, and to put them about the pillars, and to pull and pull till everything fell into pieces.

Jerome. I don't see what good that would do you.

Paul Ruttledge. Oh, yes it would. When everything was pulled down we would have more room to get drunk in, to drink contentedly out of the cup of life, out of the drunken cup of life.

Jerome. That is a terribly wild thought. I hope you don't believe all you say.

Paul Ruttledge. Perhaps not. I only know that I want to upset everything about me. Have you not noticed

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