and ill-nature went so far as to assert that his nurse, who had an excellent situation at Versailles, had communicated to him a nasty disease. The King shewed Madame de Pompadour the information he had procured from the province she came from, as to her conduct. A silly Bishop thought proper to say she had been very licentious in her youth. The poor nurse was told of this, and begged that he might be made to explain himself. The Bishop replied, that she had been at several balls in the town in which she lived, and that she had gone with her neck uncovered. The poor man actually thought this the height of licentiousness. The King, who had been at first uneasy, when he came to this, called out, "What a fool!" After having long been a source of anxiety to the Court, the Duke died. Nothing produces a stronger impression upon Princes, than the spectacle of their equals dying. Everybody is occupied about them while ill—but as soon as they are dead, nobody mentions them. The King frequently talked about death—and about funerals, and places of burial. Nobody could be of a more melancholy temperament. Madame de Pompadour once told me that he experienced a painful sensation whenever he was forced to laugh, and that he had often begged her to break off a droll story. He smiled, and that was all. In general, he had the most gloomy ideas concerning almost all events. When there was a new Minister, he used to say, "He displays his wares like all the rest, and promises the finest things in the world, not one of which will be fulfilled. He does not know this country—he will see." When new projects for reinforcing the navy were laid before him, he said, "This is the twentieth time I have heard this talked of—France never will have a navy, I think." This I heard from M. de Marigny.

I never saw Madame de Pompadour so rejoiced as at the taking of Mahon. The King was very glad, too, but he had no belief in the merit of his courtiers—he looked upon their success as the effect of chance. Marechal Saxe was, as I have been told, the only man who inspired him with great esteem. But he had scarcely ever seen him in his closet, or playing the courtier.

M. d'Argenson picked a quarrel with M. de Richelieu, after his victory, about his return to Paris. This was intended to prevent his coming to enjoy his triumph. He tried to throw the thing upon Madame de Pompadour, who was enthusiastic about him, and called him by no other name than the "Minorcan." The Chevalier de Montaign was the favourite of the Dauphin, and much beloved by him for his great devotion. He fell ill, and underwent an operation called 'l'empieme', which is performed by making an incision between the ribs, in order to let out the pus; it had, to all appearance, a favourable result, but the patient grew worse, and could not breathe. His medical attendants could not conceive what occasioned this accident and retarded his cure. He died almost in the arms of the Dauphin, who went every day to see him. The singularity of his disease determined the surgeons to open the body, and they found, in his chest, part of the leaden syringe with which decoctions had, as was usual, been injected into the part in a state of suppuration. The surgeon, who committed this act of negligence, took care not to boast of his feat, and his patient was the victim. This incident was much talked of by the King, who related it, I believe, not less than thirty times, according to his custom; but what occasioned still more conversation about the Chevalier de Montaign, was a box, found by his bed's side, containing haircloths, and shirts, and whips, stained with blood. This circumstance was spoken of one evening at supper, at Madame de Pompadour's, and not one of the guests seemed at all tempted to imitate the Chevalier. Eight or ten days afterwards, the following tale was sent to the King, to Madame de Pompadour, to the Baschi, and to the Duc d'Ayen. At first nobody could understand to what it referred: at last, the Duc d'Ayen exclaimed, "How stupid we are; this is a joke on the austerities of the Chevalier de Montaign!" This appeared clear enough—so much the more so, as the copies were sent to the Dauphin, the Dauphine, the Abbe de St. Cyr, and to the Duc de V—-. The latter had the character of a pretender to devotion, and, in his copy, there was this addition, "You would not be such a fool, my dear Duke, as to be a 'faquir'—confess that you would be very glad to be one of those good monks who lead such a jolly life." The Duc de Richelieu was suspected of having employed one of his wits to write the story. The King was scandalised at it, and ordered the Lieutenant of Police to endeavour to find out the author, but either he could not succeed or he would not betray him.

Japanese Tale.

At a distance of three leagues from the capital of Japan, there is a temple celebrated for the concourse of persons, of both sexes, and of all ranks, who crowd thither to worship an idol believed to work miracles. Three hundred men consecrated to the service of religion, and who can give proofs of ancient and illustrious descent, serve this temple, and present to the idol the offerings which are brought from all the provinces of the empire. They inhabit a vast and magnificent edifice, belonging to the temple, and surrounded with gardens where art has combined with nature to produce enchantment. I obtained permission to see the temple, and to walk in the gardens. A monk advanced in years, but still full of vigour and vivacity, accompanied me. I saw several others, of different ages, who were walking there. But what surprised me was to see a great many of them amusing themselves by various agreeable and sportive games with young girls elegantly dressed, listening to their songs, and joining in their dances. The monk, who accompanied me, listened with great civility and kindness to the questions I put to him concerning his order. The following is the sum of his answers to my numerous interrogations. The God Faraki, whom we worship, is so called from a word which signifies the fabricator. He made all that we behold—the earth, the stars, the sun, etc. He has endowed men with senses, which are so many sources of pleasure, and we think the only way of shewing our gratitude is to use them. This opinion will, doubtless, appear to you much more rational than that of the faquirs of India, who pass their lives in thwarting nature, and who inflict upon themselves the most melancholy privations and the most severe sufferings.

As soon as the sun rises, we repair to the mountain you see before us, at the foot of which flows a stream of the most limpid water, which meanders in graceful windings through that meadow-enamelled with the loveliest flowers. We gather the most fragrant of them, which we carry and lay upon the altar, together with various fruits, which we receive from the bounty of Faraki. We then sing his praises, and execute dances expressive of our thankfulness, and of all the enjoyments we owe to this beneficent deity. The highest of these is that which love produces, and we testify our ardent gratitude by the manner in which we avail ourselves of this inestimable gift of Faraki. Having left the temple, we go into several shady thickets, where we take a light repast; after which, each of us employs himself in some unoppressive labour. Some embroider, others apply themselves to painting, others cultivate flowers or fruits, others turn little implements for our use. Many of these little works are sold to the people, who purchase them with eagerness. The money arising from this sale forms a considerable part of our revenue. Our morning is thus devoted to the worship of God and to the exercise of the sense of Sight, which begins with the first rays of the sun. The sense of Taste is gratified by our dinner, and we add to it the pleasure of Smell. The most delicious viands are spread for us in apartments strewed with flowers. The table is adorned with them, and the most exquisite wines