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قراءة كتاب Lancashire Humour
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proportion the choicest examples of Lancashire people, and it is within the narrower limit that John Collier ("Tim Bobbin") first of all, then Oliver Ormerod, and, later, Waugh, Brierley, and other writers in the vernacular, have placed the scenes of their Lancashire Stories and Sketches, and found the best and most original of their characters.
[1] In their speech, their employments, their habits and general character, there is much in common between the natives of Lancashire and their neighbours of the West Riding.
The Authors I have specifically named are themselves good examples of that character, Waugh paramountly so—distinguished as they are by a kindly hard-headedness, a droll and often broad wit, which exhibits itself not only in the quality of their writings, but also in their modes of expression, and a blending in their nature of the humorous with the pathetic, lending pungency, naturalness and charm to their best work.
The peculiarities to which I have referred are due to what in times past was the retiredness of this belt of the county; its isolation, its comparative inaccessibility, its immunity from invasion. As the coast of any country is approached, the breed of the inhabitants will be found to become more and more mixed, losing to a large extent its distinctive characteristics; and it is only by an incursion into the interior that the unadulterated aborigines are to be found in their native purity. Even here, these conditions no longer exist with anything like the old force, excepting, it may be, in some obscure nook out of sound of the locomotive whistle. Of these there are still a few left, though not many.
The old barriers of time and distance have been obliterated. The means of, and incentives to, migration, have become so easy and great that our "Besom Bens" and "Ab-o' th'-Yates" are grown as scarce as spade guineas, or as the wild roses in our Lancashire hedges, and will ere long exist only in the pages of our native humorists.
The writer of the Introduction to the 1833 edition of John Collier's "Tummus and Meary" makes a wide claim for the antiquity and universality of the Lancashire dialect in England in the past. He says: "Having had occasion, in the course of interpreting the following pages, to refer to the ancient English compositions of such as Chaucer, Wycliffe, other poets, historians, etc., I have been led almost to conclude that the present Lancashire dialect was the universal language of the earliest days in England."
Without going quite so far as the writer just quoted, it may be admitted that his contention is not without warrant, as is proved by the very large number of words and phrases of the dialect that are to be found in the Works of Gower, Chaucer, Spenser, Ben Jonson, Shakespeare, and other of our older authors, as well as in the earlier translations of the Bible. The conclusion may certainly be drawn that in the Lancashire dialect as spoken to-day there are more archaic words, both Celtic and Gothic, than are to be found elsewhere in England.
The Rev. W. Gaskell, M.A., in his lectures on the dialect, says with truth that:—"There are many more forms of speech and peculiarities of pronunciation in Lancashire that would yet sound strange, and, to use a Lancashire expression, strangely 'potter' a southern; but these are often not, as some ignorantly suppose, mere vulgar corruptions of modern English, but genuine relics of the old mother tongue. They are bits of the old granite, which have perhaps been polished into smoother forms, but lost in the process a good deal of their original strength."[2]
[2] Two Lectures on the Lancashire Dialect, by the Rev. W. Gaskell, M.A., Chapman & Hall, 193 Piccadilly, London, 1854, p. 13.
There have been of recent years many observant gleaners in these fruitful Lancashire fields. Waugh, Brierley, Oliver Ormerod, Samuel Laycock, Miss Lahee, J. T. Staton, Trafford Clegg and other writers have done much to illustrate the character and habits of the people of the County Palatine in their Sketches, Stories and Songs. We owe ungrudging thanks to the writers in the vernacular for the treasures with which, during the last thirty or forty years, they have adorned our Lancashire literature; for the rich legacy they have left us; for having taught us so much of homely wisdom in the quaint tongue of our people, and opened up to us in wider measure than we previously knew, the bright commonsense and humour that are enshrined in their hearts.
They have illustrated for us the various phases, both in speech and thought, of a virile and otherwise important section of the people that go to make up the inhabitants of this Island of ours. They have exhibited the genuine homeliness and simplicity of the people of the county, as well as their native shrewdness and strength of character; their kindliness of heart, their natural insight and aptitude; their characteristic humour—for the gracious gift of humour is theirs in a remarkable degree—their flashes of wit and repartee; their peccadilloes and graver faults, as well as their many admirable virtues; their strenuous working lives, and their abandonment to play as occasion serves—for it is a marked feature of Lancashire people that they work hard and play hard.
They have shown us, also, how rich in resource is the dialect of the county, compacting and crystallizing its phrases and proverbs, and have proved how capable it is of giving expression to the natural affections. It is only of comparatively recent years that we have been able to appreciate the wealth of the dialect in these respects. All the material was in existence before, but it needed the cunning hand of the master to make literature of it; to weave up the warp and woof, and present them to us in an embodied form.
A good deal of the humour of our Lancashire writers is of the rollicking kind, no doubt. It does not always belong to the school of high culture. But, on the other hand, we have got the characters true to the life, and he is a fastidious critic, or worse, who would prefer a counterfeit presentment to the genuine portrait.
The subject of Lancashire character, or, indeed, of any peculiarities of local and provincial character in general, with its manifestations either of pathos or humour, may not be one of very great profundity. That is not any part of the claim we make. It may even be considered trivial by some. Those, however, who take such a view, if there be any such, are surely lacking in breadth of vision. To do what we propose is to come nearer to the hearts of the people and their ways of thinking than is possible in the higher and broader flights of the more general historian. And, indeed, the work of the humble gleaner often assists the more ambitious and dignified chronicler in his labours to depict the greater personages and events in the history of his country. The ways of thinking of the people, and also the subject-matter of their thoughts, may be good, or they may be commonplace, or they may be mean, but to enter into their thoughts so as to get at their spirit, helps at least to an


