class="smcap">An Intruder

The people, tradesmen, musketeers, thieves and pickpockets, pastry-cooks, poets, Gascon cadets, comedians, violin-players, pages, children, Spanish soldiers, spectators of both sexes, euphuistic ladies ("précieuses,") comediennes, tradeswomen, nuns, etc.

(The first four acts in 1640; the fifth in 1655.)

COQUELIN AS CYRANO DE BERGERAC.

ACT I.
A PERFORMANCE AT THE HOTEL DE BOURGOGNE THEATRE.

The interior of the Hotel de Bourgogne Theatre, in 1640. A sort of Racket-Court arranged and decorated in view of performances. The auditorium is a long square. It runs diagonally, and forms the background, one of its sides beginning at first entrance, right, and ending at last entrance, left, where it forms a right angle with the stage, that is thus seen canted. On each side of this stage, benches along the wings. The curtain is in two pieces of tapestry, that can be drawn apart. Above the proscenium, the royal arms. Wide steps lead from the stage to the auditorium. On either side of these steps, seats for the violin-players. Foot-lights composed of candles.

Two galleries, one above the other, running along the side of the auditorium (that forms the diagonal background). The upper gallery is divided into boxes. No seats in the pit. In the rear of this pit, really front first entrance right, a few benches in tiers. Under a staircase leading to the galleries, and only the lower part of which can be seen, a refreshment side-board bearing lights, flowers, glasses, plates of cakes, decanters, etc.

In the rear, centre, under the galleries, the entrance to the house. A wide door, half opened now and then to admit the audience. Near this door, as well as near the side-board and in other places, red posters giving the name of the play about to be performed: "La Clorise."

As the curtain rises, the house is empty and rather dark.

The chandeliers have been lowered into the pit, but are not yet lighted.

SCENE I.

The audience enters gradually. Gentlemen, tradesmen, lackeys, pages, pickpockets, the janitor, etc. THE MARQUISES, CUIGY, BRISSAILLE, the waiting girl, the violins, etc.

Noise outside the door, then a gentleman bursts in.

THE JANITOR (pursuing him).

Here! Your fifteen sols!

THE GENTLEMAN.

I pay nothing for admission.

THE JANITOR.

Why so?

THE GENTLEMAN.

King's guard!

THE JANITOR (to another gentleman just come in).

You, Sir?

SECOND GENTLEMAN.

Free admission.

THE JANITOR.

But ....

SECOND GENTLEMAN.

Musketeer!

FIRST GENTLEMAN (to second gentleman).

It's not two o'clock yet, and the pit is empty. Suppose we