the corner of the sofa that stood between the closed windows in the farmhouse sitting room. Her eyes, that looked straight before her, yet without seeing anything, were quite dry; but her feverish cheeks, that she pressed against the cool haircloth, and the twisting of her fingers in the folds of her gown, told of grief, as well as her black frock and the closed blinds.

Outside the house, in the road, half a dozen country teams were hitched to the rickety fence, while their owners roamed about the yard, talking in low voices, and occasionally wondering aloud “when the women folks would be ready to go home.”

But the women folks had no idea of going yet, and small wonder, for they had come from a funeral that had made poor Bird an orphan; they had much to discuss, and without them, also, she would be all alone at the farm that lay on a straggling cross-road a mile from neighbours, as if it, like its recent owners, had tried to hide from those who had known it in better days.

The little girl had been christened Bertha, after her grandmother, but as, from the time she could speak a word, she was always singing, her father had called her “Bird.” Yet this day the little bird in her throat was mute and only made a strange fluttering; so that the neighbours, talking in whispers as they drank the tea that a stout, rosy woman, who seemed to be in charge, was serving in the kitchen, said, “Poor child, if she’d only let go and cry it out natural, it would do her good; but that dry sobbing is enough to break a body’s heart.”

Then, as she gradually grew quiet, dulled by fatigue and the heat of the room, her head sliding down on her arm in heavy sleep, they drew sighs of relief and their voices arose in chat about the happenings of the last few days and the natural question as to what was to become of Bird.

“Hasn’t she got any folks either side?” asked a young woman who had but recently moved into Laurelville, and did not yet know the comings and goings and kith and kin of her neighbours.

“Only her father’s half-brother,” spoke up the rosy woman, Mrs. Lane by name, “and he lives way down in New York City. Joshua wrote him ten days back when Mr. More took sick; but he never answered, so two days ago he wrote again. Joshua says he guesses maybe they’ve moved, for folks are awful restless down in York, and shift around as often as every few years—says he reckons you have to if you’re anybody, cause there’s sudden fashions in buildings down there as well as in clothes, and they get made over frequent to keep in style, likewise the streets.

“Yes, I wouldn’t even have known his name if Mis’ More hadn’t told me about him before she died, two years back. You see,” turning to Mrs. Tilby, the newcomer, “she was Sarah Turner, born and raised over at the Milltown, and, being an only child, was give her own head a good deal. I must allow she was pretty, and had those big black eyes that you can’t guess what they’re seeing, same as Bird’s got. Her folks felt dreadful bad when she wouldn’t take up with any of the solid fellers who would have taken pride in the farm and mill business, but married young O’More that nobody knew a speck about, except that he claimed to be an artist, but folks didn’t buy his pictures, and I don’t wonder, for there’s some up attic now, and you have to stand way back to even see a shape to ’em, being not near as clear as those that come extry with the Sunday papers.

“No, Mis’ Slocum, I don’t take Sunday papers, on ’count of Joshua’s aunt’s husband being deacon, and not desirin’ to call trouble on the family; but if he wasn’t I would, for besides them pictures an’ readin’ an’ advertisements, that wonderful they’d raise curiosity in froze dough, there’s your money’s worth o’ paper for carpet linin’ or kindlin’ over and above.

“Where was I? Mis’ Slocum, you shouldn’t ’a’ set me off the track, so’s I’m not giving Mis’ Tilby a clear idee of how it was.

“Ah, yes, I remember,—his wall pictures not sellin’, he got a job to paint posies and neat little views the size of your hand on the inside covers of sewin’-machine boxes and trays and work-tables over in Northboro. It paid first-rate, I guess, for a spell, so after the old folks died, they sold out the farm and mill and moved into town.

“When Bird here was five years old or so, O’More had a knock-down, for they got some kind of a machine in the factory that could do pictures quicker than he, and at the same time the folks that had bought the place on a mortgage caved in, and, between havin’ no sense themselves and lawyers, most everything was ate up and mixed so’s Mis’ O’More lost the mill and all, and they moved out here.

“Mis’ More—folks round here never could swaller the O’, it being the sign, as it were, of a furrin race and religion—just drew in like a turtle in a shell, losin’ hope altogether, and never went any place. And as for Terence,—that was him, Bird always callin’ him ‘Terry’ like he was her brother,—I suppose he was always what bustlin’ folks like us would call slack; but after he came here, he seemed to grow happy in spite of the fact that only one shop, the work-box and the picture-frame one, gave him jobs. He painted out his flowers as careful, no two pictures alike, and when I said, ‘Why don’t you do one and copy it—it would be less trouble,’ he looked up sort of reproachful and said, ‘It makes me happy to do good work, Mrs. Lane; a machine can do the other kind.’

“Mis’ More fretted herself to death, dumblike, same as snow disappears, and it’s two years now that Bird and her father have made out to get along alone. Once in a time old Dinah Lucky would come up and wash or scrub a day, and he and Bird always was together, and he learned her to be what I call a real lady, and never hurt anybody’s feelin’s, to say poetry and write a fine hand, and draw out flowers so you’d know ’em right off. The s’lectmen went after him onct ’cause he’d never sent the girl to school, but when they found she knew more’n the grammar grade, they kept their hands off from her; and as for speakin’,—since she talked plain, she’s spoke nicer, and chose her words better’n anybody but story-books and the parson, which come natural, her mother bein’ well learned and her father havin’ a tone of voice not belonging in these parts. Never a cross word did he speak or a complaint, so I guess it was true he was born a gentleman on one side, as poor Sarah always claimed, and it stuck to him all through, too, for the day he died he worried for troublin’ me to draw him a cool drink, saying, ‘The well-sweep was out of repair,’ which it was, Mis’ Slocum, awful, ‘and too heavy for a woman to handle,’ as if I wasn’t always stronger than two of him. But then I never was, and never will be, his kind of a lady, for there’s folks whose feelin’s I’m just achin’ to hurt if I knew a sure way. And now to think of it, Bird left at only thirteen with no own folks and little better’n nothing.”

“Less than nothin’, I should say,” put in Mrs. Slocum, setting her cup in its saucer with an unnecessary clash, “for what’s here won’t pay Mr. Slocum his back rent on the place and the fence rails of the south lot that they’ve seemingly used for firin’. I should say that the clothes on the girl’s back didn’t fairly belong to her, mournin’ and all.

“If she is only a little turned thirteen from what you say she has schoolin’ enough to pass for fourteen and get work in the factory. I’ll keep her if she’ll