middle-aged, and one or two elderly men. All of them, including the youngest, who had not even the dawn of a beard upon his chin, and the oldest, whose hair was silky white, were strikingly handsome. Their features were extraordinarily mobile and expressive. I never saw a more lively interest manifest on mortal countenances than appeared on theirs, as they bent their glances upon me. But their curiosity was tempered by a dignified courtesy and self-respect.

They spoke, but of course I could not understand their words, though it was easy enough to interpret the tones of their voices, their manner, and their graceful gestures. I set them down for a people who had attained to a high state of culture and good-breeding.

I suddenly felt myself growing faint, for, although I had not fasted long, a journey such as I had just accomplished is exhausting.

Near by stood a beautiful tree on which there was ripe fruit. Some one instantly interpreted the glance I involuntarily directed to it, and plucked a cluster of the large rich berries and gave them to me, first putting one in his own mouth to show me that it was a safe experiment.

While I ate,—I found the fruit exceedingly refreshing,—the company conferred together, and presently one of the younger men approached and took me gently by the arm and walked me away toward the city. The others followed us.

We had not to go farther than the first suburb. My companion, whom they called Severnius, turned into a beautiful park, or grove, in the midst of which stood a superb mansion built of dazzling white stone. His friends waved us farewells with their hands,—we responding in like manner,—and proceeded on down the street.

I learned afterwards that the park was laid out with scientific precision. But the design was intricate, and required study to follow the curves and angles. It seemed to me then like an exquisite mood of nature.

The trees were of rare and beautiful varieties, and the shrubbery of the choicest. The flowers, whose colors could not declare themselves,—it being night,—fulfilled their other delightful function and tinctured the balmy air with sweet odors.

Paths were threaded like white ribbons through the thick greensward.

As we walked toward the mansion, I stopped suddenly to listen to a most musical and familiar and welcome sound,—the plash of water. My companion divined my thought. We turned aside, and a few steps brought us to a marble fountain. It was in the form of a chaste and lovely female figure, from whose chiseled fingers a shower of glittering drops continually poured. Severnius took an alabaster cup from the base of the statue, filled it, and offered me a drink. The water was sparkling and intensely cold, and had the suggestion rather than the fact of sweetness.

“Delicious!” I exclaimed. He understood me, for he smiled and nodded his head, a gesture which seemed to say, “It gives me pleasure to know that you find it good.” I could not conceive of his expressing himself in any other than the politest manner.

We proceeded into the house. How shall I describe that house? Imagine a place which responds fully to every need of the highest culture and taste, without burdening the senses with oppressive luxury, and you have it! In a word, it was an ideal house and home. Both outside and inside, white predominated. But here and there were bits of color the most brilliant, like jewels. I found that I had never understood the law of contrast, or of economy in art; I knew nothing of “values,” or of relationships in this wonderful realm, of which it maybe truly said, “Fools rush in where angels fear to tread.”

I learned subsequently that all Marsians of taste are sparing of rich colors, as we are of gems, though certain classes indulge in extravagant and gaudy displays, recognizing no law but that which permits them to have and to do whatsoever they like.

I immediately discovered that two leading ideas were carried out in this house; massiveness and delicacy. There was extreme solidity in everything which had a right to be solid and stable; as the walls, and the supporting pillars, the staircases, the polished floors, and some pieces of stationary furniture, and the statuary,—the latter not too abundant. Each piece of statuary, by the way, had some special reason for being where it was; either it served some practical purpose, or it helped to carry out a poetical idea,—so that one was never taken aback as by an incongruity.

Some of the floors were of marble, in exquisite mosaic-work, and others were of wood richly inlaid. The carpets were beautiful, but they were used sparingly. When we sat down in a room a servant usually brought a rug or a cushion for our feet. And when we went out under the trees they spread carpets on the grass and put pillows on the rustic seats.

The decorations inside the house were the most airy and graceful imaginable. The frescoes were like clouds penetrated by the rarest tints,—colors idealized,—cunningly wrought into surpassingly lovely pictures, which did not at once declare the artist’s intention, but had to be studied. They were not only an indulgence to the eye, but a charming occupation for the thoughts. In fact, almost everything about the place appealed to the higher faculties as well as to the senses.

There comes to us, from time to time, a feeling of disenchantment toward almost everything life has to offer us. It never came to me with respect to Severnius’ house. It had for me an interest and a fascination which I was never able to dissect, any more than you would be able to dissect the charm of the woman you love.

With all its fine artistic elaborations, there was a simplicity about it which made it possible for the smallest nature to measure its capacity there, as well as the greatest. The proper sort of a yardstick for all uses has inch-marks.

Severnius took me upstairs and placed a suite of rooms at my command, and indicated to me that he supposed I needed rest, which I did sorely. But I could not lie down until I had explored my territory.

The room into which I had been ushered, and where Severnius left me, closing the noiseless door behind him, looked to me like a pretty woman’s boudoir,—almost everything in it being of a light and delicate color. The walls were cream-tinted, with a deep frieze of a little darker shade, relieved by pale green and brown decorations. The wood work was done in white enamel paint. The ceiling was sprinkled with silver stars. Two or three exquisite water-colors were framed in silver, and the andirons, tongs and shovel, and the fender round the fire-place, and even the bedstead, were silver-plated.

The bed, which stood in an alcove, was curtained with silk, and had delicacies of lace also, as fine and subtle as Arachne’s web. The table and a few of the chairs looked like our spindle-legged Chippendale things. And two or three large rugs might have been of Persian lamb’s wool. A luxurious couch was placed across one corner of the room and piled with down cushions. An immense easy chair, or lounging chair, stood opposite.

The dressing table, of a peculiarly beautiful cream-colored wood, was prettily littered with toilet articles in carved ivory or silver mountings. Above it hung a large mirror. There was a set of shelves for books and bric-a-brac; a porphyry lamp-stand with a lamp dressed in an exquisite pale-green shade; a chiffonier of marquetry.

The mantel ornaments were vases of fine pottery and marble statuettes. A musical instrument lay on a