class="sm">B.C. 529; (7) Lampeto the Amazon, sister of Marsepia, and aunt of Sinope; (8) Semiramis of Babylon; (9) Menalippe or Melanippe, sister of Antiope, queen of the Amazons, taken captive by Hercules, according to Justinus, ii. 4. 23. Most of these queens are mentioned by Orosius, i. 10, ii. 1, ii. 4; see also Higden's Polychronicon, bk. ii. chapters 9, 21, 24, and bk. iii. c. 7. From the Trin. MS., fol. 113, back.

[No. 50. Virelai. Printed below, at p. 448.]

No. 51. A Ballade. Begins:—'In the season of Feuerere when it was full colde.' In 7 seven-line stanzas. In praise of the daisy. Very poor. From the Trin. MS., fol. 160.

No. 52. A Ballade. Begins—'O Mercifull and o merciable.' In 12 seven-line stanzas. The Trin. MS. has 13 stanzas; but Stowe omitted the tenth, because it coincides with st. 19 of the Craft of Lovers. It is made up of scraps from other poems. Stanzas 1-4 form part of a poem on the fall of man, from Lydgate's Court of Sapience (see vol. i. p. 57). In st. 8 occurs the assonance of hote (hot) and stroke; and in st. 9, that of cureth and renueth. From the Trin. MS., fol. 161.

No. 53. The Judgement of Paris. In 4 seven-line stanzas; the first is allotted to Pallas, who tells Paris to take the apple, and give it to the fairest of the three goddesses. After this, he is addressed in succession by Juno, Venus, and Minerva (as she is now called). Then the poem ends. Trin. MS., fol. 161, back.

No. 54. A Balade pleasaunte. Begins—'I haue a Ladie where so she bee.' In 7 seven-line stanzas. Meant to be facetious; e.g. 'Her skin is smothe as any oxes tong.' The author says that when he was fifteen years old, he saw the wedding of queen Jane; and that was so long ago that there cannot be many such alive. As Joan of Navarre was married to Henry IV in 1403, he was born in 1388, and would have been sixty-two in 1450. It is an imitation of Lydgate's poem entitled A Satirical

Description of his Lady; see Minor Poems, ed. Halliwell, p. 199. Trin. MS., fol. 205.

No. 55. Another Balade. Begins—'O mossie Quince, hangyng by your stalke.' In 4 seven-line stanzas, of which Stowe omits the second. A scurrilous performance. Trin. MS., fol. 205, back.

[No. 56. A Ballad by Lydgate; printed below, at p. 295.]

No. 58 is a Balade in 9 seven-line stanzas, of no merit, on the theme of the impossibility of restoring a woman's chastity.

No. 59. The Court of Love. Printed below, at p. 409.

No. 60 is a genuine poem; and no. 61 is Lydgate's Story of Thebes. And here Stowe's performance ceases.

§ 4. The subsequent additions made by Speght are discussed in vol. i. pp. 43-46. Of these, The Flower and the Leaf, Jack Upland, and Hoccleve's poem to Henry V, are here reprinted; and Chaucer's ABC is genuine. He also reprinted the Sayings at p. 450. The pieces not reprinted here are Chaucer's Dream and Eight Goodly Questions.

Chaucer's Dream is a false title, assigned to it by Speght; its proper name is The Isle of Ladies. Begins—'Whan Flora, the quene of pleasaunce.' The MS. at Longleat is said to have been written about 1550. A second MS. has been acquired by the British Museum, named MS. Addit. 10303; this is also in a hand of the sixteenth century, and presents frequent variations in the text. It is very accessible, in the texts by Moxon, Bell, and Morris; but how Tyrwhitt ever came to dream that it could be genuine, must remain a mystery. I originally hoped to include this poem in the present selection, but its inordinate length compelled me to abandon my intention. In a prologue of seventy lines, the author truthfully states, at l. 60, that he is 'a slepy^[3] writer.' There are many assonances, such as undertakes, scapes (337); named, attained (597); tender, remember (1115, 1415); rome, towne (1567). Note also such rimes as destroied, conclude (735); queen, kneen, pl. of knee (1779); nine, greene (1861); vertuous, use (1889). Some rimes exhibit the Northern dialect; as paines, straines, pr. s., 909; wawe, overthrawe, pp., 1153; servand, livand, pres. pt., 1629; greene, eene (pl. of e, eye), 1719; hand, avisand, pres. pt., 1883; &c. Yet the writer is not particular; if he wants a rime to wroth, he uses the Southern form

goth, 785; but if he wants a rime to rose, he uses the Northern form gose (goes), 1287, 1523. But before any critic can associate this poem with Chaucer, he has first to prove that it was written before 1450. Moreover, it belongs to the cycle of metrical romances, being connected (as Tyrwhitt says) with the Eliduc of Marie de France; and, perhaps, with her Lanval.

To the Isle of Ladies Speght appended two other poems, of which the former contains a single stanza of 6 lines, and the latter is a ballad in 3 seven-line stanzas.

No. 66. Eight Goodly Questions; in Bell's Chaucer, iv. 421. In 9 seven-line stanzas. First printed in 1542. There are at least two manuscript copies; one in the Trinity MS., marked R. 3. 15; and another in the Bannatyne MS., printed at p. 123 of the print of the Bannatyne MS., issued by the Hunterian Club in 1873. In l. 19, the latter MS. corrects tree to coffour, the Scottish form of cofre. It is merely expanded from the first seven lines of a poem by Ausonius, printed in Walker's Corpus Poetarum Latinorum, with the title Eorundem Septem Sapientum Sententiae. This English version is quite in Lydgate's style.

§ 5. Editions and MSS. consulted.

I have repeatedly explained that there were but four black-letter editions of Collected Works before Speght's; and these I call Thynne's first edition (1532), Thynne's second edition (1542), the undated edition (about 1550, which I call 1550 for brevity), and Stowe's edition (1561) respectively. I shall denote these editions below by the symbols 'Th.,' ed. 1542, ed. 1550, and 'S.' respectively. Of these editions, the first is the best; the second is derived from the first; the third is derived from the second; and the fourth from the third^[4]. In every case it is useless to consult a later edition when an earlier one can be found.

The following is the list of the pieces which depend on the editions only, or for which the editions have been collated.

I always cite the earliest; that the later ones also contain the piece in question must, once for all, be understood.

Caxton.—XXVIII. No. VII. was also collated with a print by Caxton.

Wynkyn de Worde.—XXIII.

Wynkyn de Worde.—VIII.

Chepman and Miller (1508).—VIII.

Th.—I. IX. XI. XXII. Also collated for IV. V. VII. VIII. X. XII. XVI. XVII. XVIII. XIX. XXI. XXIII.

Thynne had access to excellent MSS., and is always worth consulting.

Ed. 1542.—II. XXVIII. Collated for VI.

An early printed edition of Jack Upland.—III.

S. (1561).—XV. Collated for XIII. XIV. XXIV. XXV. XXIX.

A printed edition of the Testament of Cresseid (1593).—XVII.

Speght (1598).—XX. Collated for III.

The following twenty MSS. have been collated or consulted.

Trentham MS.—IV. (See Introduction.)

Fairfax