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قراءة كتاب My Miscellanies, Vol. 1 (of 2)

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My Miscellanies, Vol. 1 (of 2)

My Miscellanies, Vol. 1 (of 2)

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دار النشر: Project Gutenberg
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MY MISCELLANIES.

By WILKIE COLLINS,

AUTHOR OF 'THE WOMAN IN WHITE,' 'NO NAME,' 'THE DEAD SECRET,'
&c.      &c.      &c.

IN TWO VOLUMES.—Vol. I.

LONDON:

SAMPSON LOW, SON, & CO., LUDGATE HILL.

1863.

The Author reserves the right of Translation.


LONDON: PRINTED BY W. CLOWES AND SONS, STAMFORD STREET,
AND CHARING CROSS.

Affectionately Inscribed

TO

HENRY BULLAR

(OF THE WESTERN CIRCUIT).

PREFACE.


The various papers of which the following collection is composed, were most of them written some years since, and were all originally published—with many more, which I have not thought it desirable to reprint—in 'Household Words,' and in the earlier volumes of 'All the Year Round.' They were fortunate enough to be received with favour by the reader, at the period of their first appearance, and were thought worthy in many instances of being largely quoted from in other journals. After careful selection and revision, they are now collected in book-form; having been so arranged, in contrast with each other, as to present specimens of all the shorter compositions which I have contributed in past years to periodical literature.

My object in writing most of these papers—especially those collected under the general heads of 'Sketches of Character' and 'Social Grievances'—was to present what I had observed and what I had thought, in the lightest and the least pretentious form; to address the public (if I could) with something of the ease of letter writing, and something of the familiarity of friendly talk. The literary Pulpit appeared to me at that time—as it appears to me still—to be rather overcrowded with the Preachers of Lay Sermons. Views of life and society to set us thinking penitently in some cases, or doubting contemptuously in others, were, I thought, quite plentiful enough already. More freshness and novelty of appeal to the much-lectured and much-enduring reader, seemed to lie in views which might put us on easier terms with ourselves and with others; and which might encourage us to laugh good-humouredly over some of the lighter eccentricities of character, and some of the more palpable absurdities of custom—without any unfair perversion of truth, or any needless descent to the lower regions of vulgarity and caricature. With that idea, all the lighter contributions to these Miscellanies were originally written; and with that idea they are now again dismissed from my desk, to win what approval they may from new readers.

Harley Street, London.
September, 1863.

CONTENTS OF VOL. I.


Page
Sketches of Character: I.
  Talk-Stoppers 1
Social Grievances: I.
  A Journey in Search of Nothing 22
Nooks and Corners of History: I.
  A Queen's Revenge 48
Social Grievances: II.
  A Petition to the Novel-Writers 72
Fragments of Personal Experience: I.
  Laid Up in Lodgings 90
Sketches of Character: II.
  A Shockingly Rude Article 135
Nooks and Corners of History: II.
  The Great (Forgotten) Invasion 152
Curiosities of Literature: I.
  The Unknown Public 169
Social Grievances: III.
  Give us Room! 192
Curiosities of Literature: II.
  Portrait of an Author, Painted by his Publisher 205
Fragments of Personal Experience: II.
  My Black Mirror 250
Sketches of Character: III.
  Mrs. Badgery 274

MY MISCELLANIES.


SKETCHES OF CHARACTER.—I.

TALK-STOPPERS.

We hear a great deal of lamentation now-a-days, proceeding mostly from elderly people, on the decline of the Art of Conversation among us. Old ladies and gentlemen with vivid recollections of the charms of society fifty years ago, are constantly asking each other why the great talkers of their youthful days have found no successors in this inferior present time. Where—they inquire mournfully—where are the illustrious men and women gifted with a capacity for perpetual outpouring from the tongue, who used to keep enraptured audiences deluged in a flow of eloquent monologue for hours together? Where are the solo talkers, in this degenerate age of nothing but choral conversation?

The solo talkers have vanished. Nothing but the tradition of them remains, imperfectly preserved in

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