قراءة كتاب Tara A Mahratta Tale

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Tara
A Mahratta Tale

Tara A Mahratta Tale

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دار النشر: Project Gutenberg
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LXXXIII.
CHAPTER LXXXIV.
CHAPTER LXXXV.
CHAPTER LXXXVI.
CHAPTER LXXXVII.
CHAPTER LXXXVIII.
CHAPTER LXXXIX.
CHAPTER XC.
CHAPTER XCI.
CHAPTER XCII.
CHAPTER XCIII.
GLOSSARY.
Transcriber's Notes


PROLOGUE.

In the year 1839, I became acquainted with the late Professor Wilson; and in course of conversation on the possibility of illustrating events in Indian history by works of fiction, the details of the present story, among other subjects, were slightly sketched out by me. He was interested in them, and suggested my writing the tale for "Blackwood's Magazine." I could not, however, then commence it, and deferred doing so till my return to India; but, falling into political and civil employment there, was never able to continue what I had begun, till my return home.

The history of the period of this tale, A.D. 1657, will be found at length in Scott's "Ferishta," and vol. i. of Grant Duff's "History of the Mahrattas;" and to these works I beg to refer such of my readers as may be curious in regard to its particulars, of which a slight sketch may not, perhaps, be altogether out of place.

In A.D. 1347, a great portion of the Dekhan was consolidated into a kingdom by Sultan Alla-oo-deen, who founded the Bahmuni dynasty. It was divided into three great provinces, Dowlatabad, Beejapoor, and Golconda, which, on the decay of the royal house, became separate kingdoms under their several viceroys, who successively declared their independence. Of these, Beejapoor was the largest, and became by far the most important and powerful. Yoosuf Adil Shah, a Turk of European descent, believed, indeed, to have been the son of a Sultan of Constantinople, threw off his allegiance to the Bahmuni dynasty in A.D. 1489, and established himself at Beejapoor, which afterwards rose to be the greatest, as it was the most magnificent, city of the Dekhan.

The prosperity of the Dekhan kingdoms excited the jealousy of the Moghul Emperors of Dehli, and their subjugation was projected by the Emperor Akbur; but it had made little progress at his death in A.D. 1605. In the reign of his grandson Shah Jehán, the State of Ahmednugger, or Dowlatabad, was finally subdued about 1630, and the Moghul power so far established in the Dekhan. His son, Aurungzeeb, pursued the reduction of the two remaining kingdoms, Beejapoor and Golconda, with varying success, but untiring pertinacity; and, before his death in 1707, they had succumbed to him. Beejapoor fell on the 15th October, 1686; Golconda in September, 1687.

Amidst the struggles of the Mahomedans, the predatory power of the Mahratta people arose under Sivaji, and assumed a more definite form than it had ever before possessed; and, as the author of the Mahratta History observes, "stirred those latent embers till, like the parched grass kindled amidst the forests of the Syhadree mountains, they burst forth in spreading flame, and men afar wondered at the conflagration."

Of the many remarkable and romantic events connected with the rise of the Mahratta power, those which form the subject of the present tale are, of all, the most cherished by the people; and they are recited, or sung in ballads, with an interest which time does not diminish, and which has exalted the national hero, Sivaji Rajah, to the distinction almost of a demigod.

At the period of the tale, 1657, though the political foundations of Beejapoor were shaking, nothing had affected its material prosperity; and the palaces, mosques, mausoleums, and other public buildings of the capital, were in their greatest magnificence. The city itself, except its vast fortifications, which are still perfect, has now, for the most part, disappeared; and long lines of shapeless mounds, covering an immense area, mark where its streets existed. In some quarters there are villages, widely separated, which once formed part of the general masses of habitations; and there are everywhere remains of mosques, tombs, and palaces, which convey a true estimate of the wealth of those for whom they were constructed, and the taste and skill of the architects.

The citadel is still perfect as to walls, towers, and ditch, and is a very complete and picturesque specimen of Puthán fortification. The royal palaces situated in it, are, however, roofless, much ruined, and advancing to destruction; and the gardens and terraces, with their fountains, are covered by brushwood and tangled creepers. It is a happy thing, however, that the liberality of the Indian Government has arrested decay, wherever practicable, and that all the most beautiful buildings have been restored, while repairs continue to be made as needful.

The buildings so restored are—

The Mausoleum of Ibrahim Adil Shah, called the Ibrahim Roza;
The Mausoleum of Mahmood Adil Shah;
The Méhturi Mahal;
The Jumma Mosque;
The Assar Shureef;
The Royal Well, with its cloisters; and some others.

Of the above, the Assar Shureef is one of the ancient royal palaces, which contains some sacred relics; and, being in the actual condition in which it was left, is perhaps the most interesting of all.

By orders of Government also, drawings from actual measurement were made a few years ago by a clever civil engineer and architect, of all the principal buildings. These are now in the India Library in London; and, to any one curious on the subject, will give a far better idea of the superb Saracenic architecture of the Adil Shahy dynasty, than any description. Mahomedan architecture in India is always beautiful; but there is a combination of grandeur and grace about that of Beejapoor which is not approached elsewhere, and a beauty of ornament and execution nowhere exceeded. The Jumma Mosque, with its side aisles, was constructed for the accommodation of

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