myself. Here in London, somehow, I feel as if I was tied down by the leg, and panting to get loose again. I like Cicolari, and in my own native untaught fashion I've done my best to improve myself with him; but I feel sadly the lack of training and competition. I should like to see how other men do their work; I should like to pit myself against them and find out whether I really am or am not a sculptor. Let me but just go to Rome, and I shall mould such things and carve such statues—ah, Minna, you shall see them! And the one delight I have in life now, Minna, is to get out like this, and talk it over with you, and tell you what I mean to do when once I get at it. For you can sympathise with me more than any of them, little woman. I feel that you can realise my longing to do good work—the work I know I'm fitted for—a thousand times better than a mere decent respectable marble-hacking workman like Cicolari.'

Poor little Minna! She sighed again, and her heart beat harder than ever. It was such a privilege for her to feel that Colin Churchill, with all that great future looming large before his young imagination, still loved her best to sympathise with him in his artistic yearnings. She pressed his arm a little, in her sweet simplicity, but she said nothing.

'You see,' Colin went on, musingly, for he liked to talk it all over again and again with Minna, 'art doesn't all come by nature, Minna, as most people fancy; it wants such a lot of teaching. Of course, you've got to have the thing born in you to begin with; but you might be born a Pheidias, it's my belief, Minna, and yet, without teaching, the merest wooden blockhead at the Academy schools would beat you hollow as far as technicalities went. Look at the dissecting now! If I hadn't saved that five pounds that Sir William gave me for carving the group on the mantelpiece, I should never have known anything at all about anatomy. But just going in my spare time for those six months to the anatomy class at the University College Hospital—why, it gave me quite a different idea altogether about the human figure. It showed me how to clothe my bare skeletons, Minna.'

'I never could bear your going and doing that horrible dissection, all the same, Colin,' Minna said with a chilly little shudder. 'It's so dreadful, you know, cutting up dead bodies and all that—just as bad as if you were going to be a medical student.'

'Ah, but no sculpture worth calling sculpture's possible without it, I tell you, Minna,' Colin answered warmly. 'Why, Michael Angelo, you know—Michael Angelo was a regular downright out-and-out anatomist. It can't be wrong to do like Michael Angelo, now can it? That was a man, Michael Angelo! And Leonardo, too, he was an awful stickler for anatomy as well, Leonardo was. Why, every great sculptor and every great painter that ever I've read of, Minna, had to study anatomy. I suppose the Greeks did it, even; yes, I'm sure the Greeks did it, for just look at the legs of the Discobolus and the arms of the Theseus; how the muscles in them show the knowledge of anatomy in the old sculptors. Oh yes, Minna, I'm quite sure the Greeks did it. And the Greeks! well, the Greeks, you know, they were really even greater, I do believe, than Michael Angelo.'

'Well, Colin,' Minna answered, with the charming critical confidence of love and youth and inexperience,'I've seen all your engravings of images by Michael Angelo, and I've seen the broken-nosed Theseus, don't you call him, at the Museum, and I've seen all the things you've sent me to look at in the South Kensington; and it's my belief, Rome or no Rome, that there isn't one of them fit to hold a candle any day to your Cephalus and Aurora, that you made when you first came to London; and I should say so if the whole Royal Academy was to come up in a lump and declare your figures weren't worth anything.'

A week or two passed, and Minna, busy at staid Miss Woollacott's with her little pupils, saw no more chance than ever, though she turned it over often in her mind, of helping Colin on his way to Rome. Indeed, the North London Birkbeck Girls' School was hardly the place where one might naturally expect to find opportunities arise of such a nature. But one morning, in the teachers' room, Minna happened to pick up the 'Times,' which lay upon the table, and, looking over it, her eye fell casually upon an advertisement which at first sight would hardly have attracted her attention at all, but for the word Rome printed in it in small capitals. It was merely one of the ordinary servants' advertisements, lumped together promiscuously under the head of Wanted.

'As Valet, to go abroad (to Rome), a young man, not exceeding 30. Good wages. Some knowledge of Italian would be a recommendation. Apply to Sir Henry Wilberforce, 27 Ockenden Square, S.W.'

Minna laid down the paper with a sickening feeling at her heart: she thought she saw in it just a vague chance by which Colin could manage to get to Rome and begin his education as a sculptor. After all, it was the getting there that was the great difficulty. Colin had ten or eleven pounds put away, she knew, and though that would barely suffice to pay the railway fare on the humblest scale, yet it would be quite a little fortune to go on upon when once he got there. Minna knew from her own experience how far ten pounds will go for a careful person with due economy. Now, if only Colin would consent to take this place as valet—and Minna knew that he had long ago learnt a valet's duties at the old vicar's—he might get his passage paid to Rome for him, and whenever this Sir Henry Wilberforce got tired of him, or was coming away, or other reasonable cause occurred, Colin might leave the place and employ all his little savings in getting himself some scraps of a sculptor's education at Rome. Wild as all this would seem to most people who are accustomed to count money in terms of hundreds, it didn't sound at all wild to poor little Minna, and it wouldn't have sounded so to Colin Churchill.

But should she tell Colin anything about it? Could she bear to tell him? Let him go away from her across the sea to that dim far Italy of his own accord, if he liked; it was his fortune, his chance in life, his natural place; she knew it; but why should she, Minna Wroe, the London pupil-teacher, the Wootton fisherman's daughter—why should she go out of her way to send him so far from her, to banish herself from his presence, to run the risk of finally losing him altogether? 'After all,' she thought, 'perhaps I oughtn't to tell him. He might be angry at it. He might think I shouldn't have looked upon such a place as at all good enough for him. He's a sculptor, not a servant; and I got to be a schoolmistress myself on purpose so as to make myself something like equal to him. It wouldn't be right of me to go proposing to him that he should take now to brushing coats and laying out shirt studs again, when he ought to be sculpturing a statue a great deal more beautiful than those great stupid, bloated, thick-legged Michael Angelos. I dare say the wisest thing for me to do would be to say nothing at all to him about it.'

'Miss Wroe,' a small red-haired pupil called out, popping her shock head through the half-open doorway, and shouting out her message in her loudest London accent, 'if yer please, ye're ten minutes late for the fourth junerer, and Miss Woollacott, she says, will yer please come at once, and not keep the third junerer waitin' any longer.'

Minna ran off hurriedly to her class, and tried to forget her troubles about Colin forthwith in the occult mysteries of the agreement of a relative with its antecedent.

But when she got back to Miss Woollacott's lodgings at Kentish Town that evening, and had had her usual supper of bread and cheese and a glass of water—Miss Woollacott took beer, but Minna as a minor was restricted to the beverage of nature—and had heard prayers read, and had gone up by herself to her small bare bedroom, she sat down on the bedside all alone, and cried a little, and thought it all out, and tried hard to