He had, when comparatively a young man, been struck by the reply made to him by an aged officer, whose reasons he had asked for, earnestly soliciting permission to retire from the imperial service. It was, said the veteran, that he might put a little space of religious contemplation between the active portion of his life and the grave.

A similar determination, deferred from time to time, Charles had now carried into execution. While he still lingered in Brussels, after his abdication, a comet appeared, to warn him to the fulfilment of his purpose. From first to last, comets and other heavenly bodies were much connected with his evolutions and arrangements. There was no mistaking the motives with which this luminary had presented itself. The Emperor knew very well, says a contemporary German chronicler, that it portended pestilence and war, together with the approaching death of mighty princes. "My fates call out," he cried, and forthwith applied himself to hasten the preparations for his departure.

The romantic picture of his philosophical retirement at Juste, painted originally by Sandoval and Siguenza, reproduced by the fascinating pencil of Strada, and imitated in frequent succession by authors of every age and country, is unfortunately but a sketch of fancy. The investigations of modern writers have entirely thrown down the scaffolding on which the airy fabric, so delightful to poets and moralists, reposed. The departing Emperor stands no longer in a transparency robed in shining garments. His transfiguration is at an end. Every action, almost every moment of his retirement, accurately chronicled by those who shared his solitude, have been placed before our eyes, in the most felicitous manner, by able and brilliant writers. The Emperor, shorn of the philosophical robe in which he had been conventionally arrayed for three centuries, shivers now in the cold air of reality.

So far from his having immersed himself in profound and pious contemplation, below the current of the world's events, his thoughts, on the contrary, never were for a moment diverted from the political surface of the times. He read nothing but despatches; he wrote or dictated interminable ones in reply, as dull and prolix as any which ever came from his pen. He manifested a succession of emotions at the course of contemporary affairs, as intense and as varied, as if the world still rested in his palm. He was, in truth, essentially a man of action. He had neither the taste nor talents which make a man great in retirement. Not a lofty thought, not a generous sentiment, not a profound or acute suggestion in his retreat has been recorded from his lips. The epigrams which had been invented for him by fabulists have been all taken away, and nothing has been substituted, save a few dull jests exchanged with stupid friars. So far from having entertained and even expressed that sentiment of religious toleration for which he was said to have been condemned as a heretic by the inquisition, and for which Philip was ridiculously reported to have ordered his father's body to be burned, and his ashes scattered to the winds, he became in retreat the bigot effectually, which during his reign he had only been conventionally. Bitter regrets that he should have kept his word to Luther, as if he had not broken faith enough to reflect upon in his retirement; stern self- reproach for omitting to put to death, while he had him in his power, the man who had caused all the mischief of the age; fierce instructions thundered from his retreat to the inquisitors to hasten the execution of all heretics, including particularly his ancient friends, preachers and almoners, Cazalla and Constantine de Fuente; furious exhortations to Philip—as if Philip needed a prompter in such a work—that he should set himself to "cutting out the root of heresy with rigor and rude chastisement;"—such explosions of savage bigotry as these, alternating with exhibitions of revolting gluttony, with surfeits of sardine omelettes, Estramadura sausages, eel pies, pickled partridges, fat capons, quince syrups, iced beer, and flagons of Rhenish, relieved by copious draughts of senna and rhubarb, to which his horror-stricken doctor doomed him as he ate—compose a spectacle less attractive to the imagination than the ancient portrait of the cloistered Charles. Unfortunately it is the one which was painted from life.