deputation representing the profession so notoriously sensitive to truthful criticism had waited upon the editor to demand a public retraction of the libel.

"Sit down, Carton," said the editor, as I entered. "You've been doing 'Music and Drama' for two years now," he said musingly, laying down his pen, "and I don't think I have expressed my opinion of your work to you personally."

I shook my head mutely, afraid of what was coming next.

"That, however, doesn't indicate any want of appreciation on my part. You have changed the former commonplace rut of criticism to something that people read with interest, and if they laugh and swear alternately, so much the better. You have a knack of telling the truth with a light touch that is quite refreshing. How would you like to edit the agricultural page in the weekly?"

I gazed at him in bewilderment; ready to laugh if he meant to be jocular, incredulous of his serious intention. "The agricultural page!" I exclaimed.

"Rather sudden, eh? Well, I'll tell you how the matter stands. Old Rollings is out of it, and I've got to fill his place at once. Now it strikes me that farmers don't hanker after instruction in their newspaper—they want to be entertained, and I think you might make the thing go. The salary will be higher and you can take your own time for the work."

"But I don't know much about agriculture," I protested.

"That isn't of any consequence. There are the exchanges, the Farmer's Cyclopædia and the scissors, and you'll learn not to waste space by advising farmers to plant corn in hills three feet apart or to feed potato bugs on paris green. The main thing is to make the department entertaining, so let yourself go and be as funny as you like, provided there's a grain of horse-sense at the bottom. For instance, you might have an article on how to make the farm pay, taking as a text—um, let me see—ah—you might advocate——"

"The planting of summer boarders in rows three feet apart?" I ventured.

The editor leaned back in his chair and laughed. "Go ahead, Carton," he said warmly. "You mightn't be able to draw a better looking pig in a prize competition than the rest of us, but I'd bank on you making a pretty turn to his tail."

The die was cast, and yet, for a few days at least, I felt as one might, who, accustomed to prate of the certain bliss of a heavenly home, is suddenly presented with a pass to the delectable land. A kaleidoscopic vision dazzled me of a picturesque country house, an orchard, a cow, a horse, real hens for Paul, our own fruit and vegetables, but beyond I could not see clearly, for I was unnerved by the sudden transition from the fine arts to agriculture. I had gained a superficial insight into rural life from the stand-point of the summer boarder, but I was well aware that I didn't know as much about farming as about art and literature. However, the editor's confidence in my ability to do the work and Marion's glowing enthusiasm caused me to keep my misgivings to myself. Indeed, though I never boast, I find it difficult to detract from another person's estimate of my knowledge or attainments; it seems less egotistical to smile and look modest than to enlarge upon one's own affairs. There was just one thing that caused me a pang. Marion, in pointing out the advantage it would be to me to have a free hand in writing, casually acknowledged that for a long time she had felt that criticism was not my forte and that I would write better when I had more scope for my imagination. My pained surprise at this confession moved her to merriment, and she laughingly declared that a woman's vanity was all on the surface, but a man's was unfathomable. Did I answer back? No, I didn't, for when I am truly grieved I merely smile faintly with patient, loving forgiveness; besides, I didn't know what to say. Afterward—for I didn't realize it at the time—I saw that I felt hurt, not because she had underrated my previous work, but because she had heretofore simulated a proper appreciation of it. I cannot bear to think that my wife is capable of stooping to any kind of pretence, and I am quite single-minded in this, for I like her to be more perfect—infinitely more perfect—than I am. One would suppose this statement to be unquestionable. It isn't; she immediately asks why, and in the silence which follows when I am trying to think she repeats the query with such challenging meaningful emphasis that, alas!—I cannot say.

II PETER WAYDEAN IS FOUND WANTING

"No," said the postmistress, shaking her head dubiously, "I don't think you'd find a place to suit within a mile of this station. You say you want a small farm with a middling good house, and the only vacant place about here has a hundred acres and the house ain't no better than a shanty."

It was the prettiest bit of country that we had yet found in our search for our ideal farm, and the answer of the postmistress caused us keen disappointment. Paul's little hand, which had clutched mine with a tense expectant grip, suddenly relaxed. "Are we not going to live in the country?" he asked, in a trembling voice.

"Oh, I forgot the Waydean homestead," the postmistress called out, as we turned away; "but anyway I don't suppose"—she looked at us in turn with a speculative air, smiling slightly—"you could strike a bargain with old Peter."

"Why not?" demanded Marion eagerly. "Is it a nice place—is it near the railroad?"

"It's right next the turn of this road, about half a mile south. No one has lived there for twenty years, but he keeps the house in repair, and I guess it's cleaner than most houses that's lived in; but old Peter——" she stopped speaking, went to the door and looked apprehensively up and down the road. "Now I'll just tell you the plain truth," she continued confidentially. "I know it looks uncharitable to talk to strangers about your neighbors, but everyone round here knows what old Peter is, and if you're going to have any dealings with him you'll need to keep your eyes wide open. He's a crank and a screw, and some wouldn't know they was getting skinned till he'd got the job done. And such a man for law! It don't seem to matter much whether he wins or loses, he can't seem to get along without a suit going on. Now if he happened within earshot at this present minute he'd have the law of me and he'd summons you for witnesses."

"Thank you for the warning," I interjected, as she paused for breath. "What is the house like?"

"It's one of them old-fashioned kind, with tiny panes in the windows set cornery, and——"

"Not diamond panes, surely?" cried Marion, with a gasp of excitement.

The postmistress gazed at her with an expression of incredulous pity. "Oh, no," she replied; "just common glass, and I think you'd find it trying to have to look out of a different pane with both eyes. Then them big fireplaces would make it hard to heat, but you could board them up and put a base-burner in the hall and run the stovepipe——"

"Oh, no!" ejaculated Marion, in horror. "That would be dreadful! Are they real big fireplaces, with andirons?"

"They're big enough in all conscience, but I don't mind seeing any hand-irons. There's some rubbishy old brass firedogs and fixings."

Marion's eyes sparkled with joyful assurance and she stood up with an eager movement; I motioned her to wait.

"Do you happen to know," I asked the postmistress, "what is the rent of the