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قراءة كتاب American Scenery, Vol. I (of 2) or, Land, lake, and river illustrations of transatlantic nature

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‏اللغة: English
American Scenery, Vol. I (of 2)
or, Land, lake, and river illustrations of transatlantic nature

American Scenery, Vol. I (of 2) or, Land, lake, and river illustrations of transatlantic nature

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دار النشر: Project Gutenberg
الصفحة رقم: 5

class="line0">  But with thy children—thy maternal care,

  Thy lavish love, thy blessing shower’d on all—

  These are thy fetters—seas and stormy air

  Are the wide barrier of thy borders, where

  Among thy gallant sons that guard thee well,

  Thou laugh’st at enemies: who shall then declare

  The date of thy deep-founded strength, or tell

How happy, in thy lap, the sons of men shall dwell.”—Bryant.


NIAGARA FALLS, FROM THE FERRY.


The best way to approach Niagara is to come up on the American shore, and cross at the ferry. The descent of about two hundred feet by the staircase, brings the traveller directly under the shoulder and edge of the American fall—the most imposing scene, for a single object, that he will ever have witnessed. The long column of sparkling water seems, as he stands near it, to descend to an immeasurable depth, and the bright sea-green curve above has the appearance of being let into the sky. The tremendous power of the Fall, as well as the height, realizes here his utmost expectations. He descends to the water’s edge, and embarks in a ferry-boat, which tosses like an egg-shell on the heaving and convulsed water; and in a minute or two he finds himself in the face of the vast line of the Falls, and sees with surprise that he has expended his fullest admiration and astonishment upon a mere thread of Niagara—the thousandth part of its wondrous volume and grandeur. From the point where he crosses, to Table Rock, the line of the Falls is measurable at three quarters of a mile; and it is this immense extent which, more than any other feature, takes the traveller by surprise. The tide at the Ferry sets very strongly down, and the athletic men who are employed here, keep the boat up against it with difficulty. Arrived near the opposite landing, however, there is a slight counter-current, and the large rocks near the shore serve as a breakwater, behind which the boat runs smoothly to her moorings.

It may be remarked, that the well-known stanzas on the “Fall of Terni,” in the fourth canto of “Childe Harold,” are, in many respects, singularly and powerfully descriptive of Niagara.

  “The roar of waters!—from the headlong height

  Velino cleaves the wave-worn precipice;

  The fall of waters! rapid as the light

  The flashing mass foams shaking the abyss;

  The hell of waters! where they howl and hiss,

  And boil in endless torture; while the sweat

  Of their great agony, wrung out from this

  Their Phlegethon, curls round the rocks of jet

That gird the gulf around, in pitiless horror set,

  “And mounts in spray the skies, and thence again

  Returns in an unceasing shower, which round,

  With its unemptied cloud of gentle rain,

  Is an eternal April to the ground,

  Making it all one emerald:—how profound

  The gulph! and how the giant element

  From rock to rock leaps with delirious bound,

  Crushing the cliffs, which, downward worn and rent

With his fierce footsteps, yield in chasms a fearful vent,

  “To the broad column which rolls on, and shows

  More like the fountain of an infant sea

  Torn from the womb of mountains by the throes

  Of a new world, than only thus to be

  Parent of rivers, which flow gushingly,

  With many windings through the vale:—Look back

  Lo! where it comes like an eternity,

  As if to sweep down all things in its track,

Charming the eye with dread,—a matchless cataract,

 

  “Horribly beautiful! but on the verge,

  From side to side, beneath the glittering morn,

  An Iris sits, amidst the infernal surge,

  Like Hope upon a death-bed, and, unworn

  Its steady dyes, while all around is torn

  By the distracted waters, bears serene

  Its brilliant hues with all their beams unshorn:

  Resembling, ’mid the torture of the scene,

Love watching Madness with unalterable mien.”—Byron.


VIEW FROM WEST POINT.


Of the river scenery of America, the Hudson, at West Point, is doubtless the boldest and most beautiful. This powerful river writhes through the highlands in abrupt curves, reminding one, when the tide runs strongly down, of Laocoon in the enlacing folds of the serpent. The different spurs of mountain ranges which meet here, abut upon the river in bold precipices from five to fifteen hundred feet from the water’s edge; the foliage hangs to them, from base to summit, with the tenacity and bright verdure of moss; and the stream below, deprived of the slant lights which brighten its depths elsewhere, flows on with a sombre and dark green shadow in its bosom, as if frowning at the narrow gorge into which its broad-breasted waters are driven.

Back from the bluff of West Point extends a natural platform of near half a mile square, high, level, and beautifully amphitheatred with wood and rock. This is the site of the Military Academy, and a splendid natural parade. When the tents of the summer camp are shining on the field—the flag, with its blood-bright stripes, waving against the foliage of the hills—the trumpet echoing from bluff to bluff, and the compact batallion cutting its trim line across the greensward—there are few more fairy spots in this working-day world.

On the extreme edge of the summit, overlooking the river, stands a marble shaft, pointing like a bright finger to glory, the tomb of the soldier and patriot Kosciusko. The military colleges and other buildings skirt the parade on the side of the mountain; and forward, toward the river, on the western edge, stands a spacious hotel, from the verandahs of which the traveller gets a view through the highlands, that he remembers till he dies. Right up before him, with the smooth curve of an eagle’s ascent, rises the “old cro’ nest” of the culprit Fay, a bright green mountain, that thrusts its topmost pine into the sky; the Donderbarrak, or (if it is not sacrilege to translate so fine a name for a mountain,) the Thunder-chamber, heaves its round shoulder beyond; back from the opposite shore, as if it recoiled from these, leans

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