ARTILLERY

From a painting of Napoleon by Greuse.

KING OF ROME

From a painting by Sir Thomas Lawrence of the unfortunate little son of Napoleon and Marie Louise. His unhappy story is told by the French dramatist Rostand, in the play “L’Aiglon.”

EMPEROR OF THE FRENCH

What Napoleon aimed at was to fit together all the different elements that had made France, under a government that he should direct, and then to impose upon them all peace, industry, and loyalty. Considering the character and history of the elements he was working with, the degree of his success is one of the wonders of statecraft. As time went on, however, he was subjected to more and more jealousy, criticism, and intrigue. And as he saw his power questioned his grasp tightened. He even began to employ the tactics of despots,—espionage, censorships, summary punishments. The upshot of the attacks upon him and of his determination to impose his own will was that in 1804, when he was thirty-five years old, he had himself made emperor of the French. I think there is no doubt that Napoleon believed that this was the only method by which he could make the position of France in Europe impregnable; but that he was willing to play the emperor there is no doubt. The dream of a throne where he should rule—for the welfare and happiness of everybody concerned, no doubt, but rule—brilliantly and absolutely—had never left his mind since boyhood—and now it was a fact accomplished!

The spectacle that followed is almost unbelievable. Napoleon with perfect seriousness set about to train himself, his lovable, but vain and unprincipled empress, Josephine, his selfish and vulgar family, his train of rough intimates of the battlefield, to the etiquette, ceremonies, and dignity of a court. He worked with the same energy, attention to details, and with the same insistence on complete obedience as when directing a campaign. The Napoleonic court achieved real brilliance and dignity; but to those born to the purple it was always an upstart’s court. That it was far and away more moral, economic, and orderly, as well as more serviceable to France, counted for little with those of the old régime.

NAPOLEON THE CONQUEROR

NAPOLEON AND QUEEN LOUISA OF PRUSSIA AT TILSIT

The year after Napoleon was crowned emperor of the French (1804) he had himself crowned king of Italy. The territory he now governed included not only these two countries, but several Germanic states. It was an enormous power, and the old kingdoms of Europe, England, Austria, and Russia looked on in dismay. It was not only his power, backed as it was by his genius, but it was the ideas he was spreading. Everywhere he went he put his new code of laws into force, and preached, even if he did not always practise, personal liberty, equality before the law, religious tolerance,—ideas that many of his enemies feared more than they did armies.

A coalition against him was inevitable, and in 1805 he took the field again. The campaigns that followed closely in the next four years include some of his most interesting military feats,—the battle of Austerlitz, of which he was proudest himself; the campaign of Jena, by which he humbled Prussia, increased French territory largely, and won the czar of Russia as an ally; the war on Spain, which ended in his own deserved defeat (Napoleon at St. Helena characterized his attack on