call the object is merely the "content" of a sensation or idea. It is held that in each case we can distinguish two elements and two only, (1) the fact that there is feeling or experience, and (2) what is felt or experienced; the sensation or idea, it is said, forms a whole, in which we must distinguish two "inseparable aspects," "content" and "existence." I shall try to show that this analysis is false; and for that purpose I must ask what may seem an extraordinary question: namely what is meant by saying that one thing is "content" of another? It is not usual to ask this question; the term is used as if everybody must understand it. But since I am going to maintain that "blue" is not the content of the sensation of blue, and what is more important, that, even if it were this analysis would leave out the most important element in the sensation of blue, it is necessary that I should try to explain precisely what it is that I shall deny.

What then is meant by saying that one thing is the "content" of another? First of all I wish to point out that "blue" is rightly and properly said to be part of the content of a blue flower. If, therefore, we also assert that it is part of the content of the sensation of blue, we assert that it has to the other parts (if any) of this whole the same relation which it has to the other parts of a blue flower—and we assert only this: we cannot mean to assert that it has to the sensation of blue any relation which it does not have to the blue flower. And we have seen that the sensation of blue contains at least one other element beside blue—namely, what I call "consciousness," which makes it a sensation. So far then as we assert that blue is the content of the sensation, we assert that it has to this "consciousness" the same relation which it has to the other parts of a blue flower: we do assert this, and we assert no more than this. Into the question what exactly the relation is between blue and a blue flower in virtue of which we call the former part of its "content" I do not propose to enter. It is sufficient for my purpose to point out that it is the general relation most commonly meant when we talk of a thing and its qualities; and that this relation is such that to say the thing exists implies that the qualities also exist. The content of the thing is what we assert to exist, when we assert that the thing exists.

When, therefore, blue is said to be part of the content of the "sensation of blue," the latter is treated as if it were a whole constituted in exactly the same way as any other "thing." The "sensation of blue," on this view, differs from a blue bead or a blue beard, in exactly the same way in which the two latter differ from one another: the blue bead differs from the blue beard, in that while the former contains glass, the latter contains hair; and the "sensation of blue" differs from both in that, instead of glass or hair, it contains consciousness. The relation of the blue to the consciousness is conceived to be exactly the same as that of the blue to the glass or hair: it is in all three cases the quality of a thing.

But I said just now that the sensation of blue was analysed into "content" and "existence," and that blue was said to be the content of the idea of blue. There is an ambiguity in this and a possible error, which I must note in passing. The term "content" may be used in two senses. If we use "content" as equivalent to what Mr. Bradley calls the "what"—if we mean by it the whole of what is said to exist, when the thing is said to exist, then blue is certainly not the content of the sensation of blue: part of the content of the sensation is, in this sense of the term, that other element which I have called consciousness. The analysis of this sensation into the "content" "blue," on the one hand, and mere existence on the other, is therefore certainly false; in it we have again the self-contradictory identification of "Blue exists" with "The sensation of blue exists," But there is another sense in which "blue" might properly be said to be the content of the sensation—namely, the sense in which "content," like εἴδος is opposed to "substance" or "matter." For the element "consciousness," being common to all sensations, may be and certainly is regarded as in some sense their "substance," and by the "content" of each is only meant that in respect of which one differs from another. In this sense then "blue" might be said to be the content of the sensation; but, in that case, the analysis into "content" and "existence" is, at least, misleading, since under "existence" must be included "what exists" in the sensation other than blue.

We have it, then, as a universally received opinion that blue is related to the sensation or idea of blue, as its content, and that this view, if it is to be true, must mean that blue is part of what is said to exist when we say that the sensation exists. To say that the sensation exists is to say both that blue exists and that "consciousness," whether we call it the substance of which blue is the content or call it another part of the content, exists too. Any sensation or idea is a "thing," and what I have called its object is the quality of this thing. Such a "thing" is what we think of when we think of a mental image. A mental image is conceived as if it were related to that of which it is the image (if there be any such thing) in exactly the same way as the image in a looking-glass is related to that of which it is the reflection; in both cases there is identity of content, and the image in the looking-glass differs from that in the mind solely in respect of the fact that in the one case the other constituent of the image is "glass" and in the other case it is consciousness. If the image is of blue, it is not conceived that this "content" has any relation to the consciousness but what it has to the glass: it Is conceived merely to be its content. And owing to the fact that sensations and ideas are all considered to be wholes of this description—things in the mind—the question: What do we know? is considered to be identical with the question: What reason have we for supposing that there are things outside the mind corresponding to these that are inside it?

What I wish to point out is (1) that we have no reason for supposing that there are such things as mental images at all—for supposing that blue is part of the content of the sensation of blue, and (2) that even if there are mental images, no mental image and no sensation or idea is merely a thing of this kind: that 'blue,' even if it is part of the content of the image or sensation or idea of blue, is always also related to it in quite another way, and that this other relation, omitted in the traditional analysis, is the only one which makes the sensation of blue a mental fact at all.

The true analysis of a sensation or idea is as follows. The element that is common to them all, and which I have called "consciousness," really is consciousness. A sensation is, in reality, a case of 'knowing' or 'being aware of' or 'experiencing' something. When we know that the sensation of blue exists, the fact we know is that there exists an awareness of blue. And this awareness is not merely, as we have hitherto seen it must be, itself something distinct and unique, utterly different from blue: it also has a perfectly distinct and unique relation to blue, a relation which is not that of thing or substance to content, nor of one part of content to another part of content. This relation is just that which we mean in every case by 'knowing.' To have in your mind 'knowledge' of blue, is not to have in