men's labours as something living and personal, a creature with blood flowing daily through arteries and veins (trolley cars being devices to assist the flow), with brains working in a thousand cells, and a heart beating foolish emotions. He would note at one decade how it had thrown bridges across the river, steeples and elevator-buildings into the air, with sudden throbs of energy; had gathered a bundle of railroads and a row of factories under one arm, and was imitating speech through a half-articulate daily press; at another decade, it would seem to have slept; at another, it had run asphalt pavements out into the country, after whose enticing the houses had not followed, and along its busiest streets were hollow, weed-grown lots. On the whole, Port Argent would seem masculine rather than feminine, reckless, knowing not form or order, given to growing pains, boyish notions, ungainly gestures, changes of energy and sloth, high hope and sudden moodiness.

The thoughtful observer of decades, seeing these signs of eccentric character, would feel curious to understand it from within, to enter its streets, offices, and homes, to question and listen, to watch the civic heart beat and brain conceive.

One April afternoon, some decades ago, such an observer happened by and found gangs of men tearing up Lower Bank Street.

Lower Bank Street was higher than Bank Street proper, but it was down the river, and in Port Argent people seldom cared whether anything fitted anything else.

Bank Street proper was the main business street beside the river. Fifty years before, in forecasting the future city, one would have pictured Lower Bank Street as an avenue where wealth and dignity would take its pleasure; so had Henry Champney pictured it at that time; but the improvident foreigner lived along it largely, and possessed Port Argent's one prospect, the brown-flowing river with its ships. Most of the buildings were small houses or tenements. There was one stately line of square old mansions, a block or two long and beginning with the Champney place.

A worn-out, puddle-holding Macadam roadbed had lain in the street since the memory of most men. It had occurred to a railroad to come into the city from the north, peg a station to the river bank, and persuade the city to pave its approaches, and when the observer of decades asked a citizen on the sidewalk: "Why, before this long, grey station and freight-yards here of the Peninsular and Northern Railroad are these piles of paving brick, this sudden bustle on Lower Bank Street?" he was told: "It's a deal between Marve Wood and the P. and N. He was going to make them come into the Union Station, but they fixed him, I guess."

"Fixed him?"

"Oh, they're a happy family now."

The citizens of Port Argent held singular language.

"Who is Marve Wood?"

"He's—there he is over there."

"Talking to the young man with the notebook and papers?"

"Yes. That's Dick Hennion, engineer and contractor."

"And this Wood—is he an engineer and contractor?"

"No—well, yes. He contracts with himself and engineers the rest of us."

The observer of decades moved on, thoughtfully to observe other phases of the city, its markets, churches, charities, children pouring out of school, its pleasures at theatre, fair-grounds, and Outing Club.

The young man with the notebook stood on the curb, writing in it with a pencil. He was large, lean, sinewy, broad-shouldered, brown-haired, grey-eyed, short-moustached, with features bony and straight. He produced the effect of impassiveness, steadiness, something concentrated and consistent in the midst of the bustle. Workmen slouched and hurried to and fro about him, unnoticed. There was the mingled click of shovel and bar and trowel, thud of rammer, and harsh voices of foremen. The elderly "Marve Wood," stood beside him—thick-set, with a grey beard of the cut once typical throughout the Northern States, which gave to the faces that shape as of a blunt spade, and left the lips clean-shaven. He had a comfortable girth, a straight, thin-lipped mouth, a certain mellow Yankeeism of expression, and wore a straw hat and a black alpaca coat.

Hennion tore a leaf from the notebook, and beckoned the head foreman, a huge, black-moustached Irishman.

"Here, Kennedy, if any of these men ask for jobs to-morrow, set them to work."

The nearer workmen looked curiously toward' the paper which Kennedy tucked in his vest pocket. Hennion and Wood turned away to the city. The sidewalk grew more crowded as they came to Upper Bank Street, where the statue of a Civil-War general struck a gallant attitude on a pedestal. He appeared to be facing his country's enemies with determination, but time and weather had given the face a slight touch of disappointment, as if he found no enemies worth while in sight, nothing but the P. and N. station and the workmen tearing up Lower Bank Street.

Henry Champney stood at his tall library window, gazing out, and saw Hennion and Wood go up the street. "Dick must have a hundred men out there," he said.

"Has he?" Camilla looked up from her book.

"Ha! Concentration was the military principle of Napoleon," Champney went on. "Our energetic friend, Dick, is, in his own way, I should say, Napoleonic in action." Camilla came to the window and took her father's arm, and stood leaning her head against his large bowed shoulder. She did not seem inclined to concentrate her thoughts on the scene in front of the P. and N. station, or the Napoleonic actions of "Dick," but looked away at the sunlight shimmering in the thin young maple leaves, at the hurrying, glinting river, at the filmy clouds floating in the perfect blue. The lower edges of this perfect sky were a bit stained with the reek of the factory chimneys across the river; and the river, when you came to consider it, was muddy beyond all reason, and thronged with impetuous tugboats. The factory chimneys and tugboats were energetic, too, concentrated and Napoleonic in action. The tugboats had no poise or repose, but the factory chimneys had both. Their fiery energies had solid bases, and the powers within them did not carry them away. There are men, as well as steam engines, whose energies carry them bodily, and there are others who are equally energetic from a fixed basis, and the difference is important—important to the observer of the signs of the times; possibly even important to Camilla.

Camilla's thoughts had no bearing on factories and tugboats. They were more like the filmy clouds floating in the blue, beyond the stain of the spouting chimneys, and if darkened at all it was probably only as sunny clouds are sometimes darkened mysteriously by the shadows of themselves.

Hennion and Wood entered the swing-door of a business block, mounted a flight of stairs to an office where "Marvin Wood" was gilded on the ground glass of the door. The room was large, and contained a desk and an extraordinary number of comfortable chairs. A typewriter clicked in the next room. They lit cigars and sat down before the open window. The street outside was full of noises. The windows of the office building opposite were open.

"Those were Freiburger's men, you say?" remarked Hennion.

"Whole batch. It's Freiburger's wanting to get on the Council, and his boys are bothering him already for 'shobs.' Oh—well—he's all right."

"He can get on the City Hall flagstaff and wave himself for a starry banner if he wants to."

Wood chuckled appreciatively at the image of Freiburger in that function.

"But you'd better tell Freiburger," continued Hennion, "that I won't stand any deadheads."

"Shan't tell him a thing, Dick, not a thing."

Wood turned shrewd grey eyes on the young man, and smiled away the shortness of his answer. The eyes were full of humour and liking for the man beside him, and bordered on a network of wrinkles.

"Supposing you feel like firing some of his men, you'd better go and see him," he added.

"All right, I'll do that."

"And