them; he only liked intimate friends, and of all he had perhaps the Ottleys were his greatest favourites.

His affection for them dated from a summer they had spent in the same hotel in France. He had become extraordinarily interested in them. He delighted in Bruce, but had with Edith, of course, more mutual understanding and intellectual sympathy, and though they met constantly, his friendship with her had never been misunderstood. Frivolous friends of his who did not know her might amuse themselves by being humorous and flippant about Vincy's little Ottleys, but no-one who had ever seen them together could possibly make a mistake. They were an example of the absurdity of a tradition—'the world's' proneness to calumny. Such friendships, when genuine, are never misconstrued. Perhaps society is more often taken in the other way. But as a matter of fact the truth on this subject, as on most others, is always known in time. No-one had ever even tried to explain away the intimacy, though Bruce had all the air of being unable to do without Vincy's society sometimes cynically attributed to husbands in a different position.

Vincy was pleased with the story of the Mitchells that Edith told him, and she was glad to hear that he knew the Mitchells and had been to the house.

'How like you to know everyone. What did they do?'

'The night I was there they played games,' said Vincy. He spoke in a soft, even voice. 'It was just a little—well—perhaps just a tiny bit ghastly, I thought; but don't tell Bruce. That evening I thought the people weren't quite young enough, and when they played 'Oranges and Lemons, and the Bells of St Clements,' and so on—their bones seemed to—well, sort of rattle, if you know what I mean. But still perhaps it was only my fancy. Mitchell has such very high spirits, you see, and is determined to make everything go. He won't have conventional parties, and insists on plenty of verve; so, of course, one's forced to have it.' He sighed. 'They haven't any children, and they make a kind of hobby of entertaining in an unconventional way.'

'It sounds rather fun. Perhaps you will be asked next Thursday. Try.'

'I'll try. I'll call, and remind her of me. I daresay she'll ask me.
She's very good-natured. She believes in spiritualism, too.'

'I wonder who'll be there?'

'Anyone might be there, or anyone else. As they say of marriage, it's a lottery. They might have roulette, or a spiritual séance, or Kubelik, or fancy dress heads.'

'Fancy dress heads!'

'Yes. Or a cotillion, or just bridge. You never know. The house is rather like a country house, and they behave accordingly. Even hide-and-seek, I believe, sometimes. And Mitchell adores unpractical jokes, too.'

'I see. It's rather exciting that I'm going to the Mitchells at last.'

'Yes, perhaps it will be the turning-point of your life,' said Vincy.
'Ah! here's Bruce.'

'I don't think much of that opera glass your mother gave you,' Bruce remarked to his wife, soon after the curtain rose.

'It's the fashion,' said Edith. 'It's jade—the latest thing.'

'I don't care if it is the fashion. It's no use. Here, try it, Vincy.'

He handed it to Vincy, who gave Bruce a quick look, and then tried it.

'Rather quaint and pretty, I think. I like the effect,' he said, handing it back to Bruce.

'It may be quaint and pretty, and it may be the latest thing, and it may be jade,' said Bruce rather sarcastically, 'but I'm not a slave to fashion. I never was. And I don't see any use whatever in an opera glass that makes everything look smaller instead of larger, and at a greater distance instead of nearer. I call it rot. I always say what I think. And you can tell your mother what I said if you like.'

'You're looking through it the wrong side, dear,' said Edith.

CHAPTER III

The Golden Quoribus

Edith had been very pretty at twenty, but at twenty-eight her prettiness had immensely increased; she had really become a beauty of a particularly troubling type. She had long, deep blue eyes, clearly-cut features, hair of that soft, fine light brown just tinged with red called by the French châtain clair; and a flower-like complexion. She was slim, but not angular, and had a reposeful grace and a decided attraction for both men and women. They generally tried to express this fascination by discovering resemblances in her to various well-known pictures of celebrated artists. She had been compared to almost every type of all the great painters: Botticelli, Sir Peter Lely, Gainsborough, Burne-Jones. Some people said she was like a Sargent, others called her a post-impressionist type; there was no end to the old and new masters of whom she seemed to remind people; and she certainly had the rather insidious charm of somehow recalling the past while suggesting something undiscovered in the future. There was a good deal that was enigmatic about her. It was natural, not assumed as a pose of mysteriousness. She was not all on the surface: not obvious. One wondered. Was she capable of any depth of feeling? Was she always just sweet and tactful and clever, or could there be another side to her character? Had she (for instance) a temperament? This question was considered one of interest,—so Edith had a great many admirers. Some were new and fickle, others were old and faithful. She had never yet shown more than a conversational interest in any of them, but always seemed to be laughing with a soft mockery at her own success.

Edith was not a vain woman, not even much interested in dress, though she had a quick eye and a sure impressionistic gift for it. She was always an immense favourite with women, who felt subconsciously grateful to her for her wonderful forbearance. To have the power and not to use it! To be so pretty, yet never to take anyone away!—not even coldly display her conquests. But this liking she did not, as a rule, return in any decided fashion. She had dreadfully little to say to the average woman, except to a few intimate friends, and frankly preferred the society of the average man, although she had not as yet developed a taste for coquetry, for which she had, however, many natural gifts. She was much taken up by Bruce, by Archie and Dilly, and was fond of losing herself in ideas and in books, and in various artistic movements and fads in which her interest was cultivated and perhaps inspired by Vincy. Vincy was her greatest friend and confidant. He was really a great safety-valve, and she told him nearly every thought.

Still, Archie was, so far, her greatest interest. He was a particularly pretty boy, and she was justified in thinking him rather unusual. At this period he spent a considerable amount of his leisure time not only in longing to see real animals, but in inventing and drawing pictures of non-existent ones—horrible creatures, or quaint creatures, for which he found the strangest names. He told Dilly about them, but Dilly was not his audience—she was rather his confidante and literary adviser; or even sometimes his collaborator. His public consisted principally of his mother. It was a convention that Edith should be frightened, shocked and horrified at the creatures of his imagination, while Dilly privately revelled in their success. Miss Townsend, the governess, was rather coldly ignored in this matter. She had a way of speaking of the animals with a smile, as a nice occupation to keep the children quiet. She did not understand.

'Please, Madam, would you kindly go into the nursery; Master Archie wishes you to come and hear about the golden—something he's just made up like,' said Dilly's nurse with an